| | Coco Montoya Dirty Deal CD Coco Montoya Discography of CDs
(3 Customer Reviews)
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Personnel: Coco Montoya (vocals, guitar); Coco Montoya; Paul Barrére (guitar, slide guitar, percussion, background vocals); Fred Tackett (guitar); Tony Stead, Tony Stead (keyboards); Kenny Gradney, Steve Evans (electric bass); Randy Hayes, Randy Hayes (drums); Ed Kanon, Ed Kanon (percussion); Bill Payne (keyboards); Richard Hayward (drums); Roger Cole (percussion, background vocals). Audio Mixer: Sam Fishkin. Recording information: The Lair Recording Studio, Los Angels, CA; Unlisted Number Recording, Los Angels, CA. Bluesman Coco Montoya's sixth album finds the gravel-voiced performer accompanied by Paul Barrere and other members of Little Feat, as well as by his regular band, on a roster of songs that display his trademark stinging, Albert Collins-influenced guitar style to its best advantage. Highlights include the irresistible, rocking "Love Gotcha," the swinging "It Takes Time," and the atmospheric after-hours blues of "It's My Own Tears." At times on Dirty Deal, it's virtually a Little Feat reunion, with five members from the classic lineup helping out on "Three Sides to Every Story," giving it a wonderful, funky momentum. Coco Montoya himself is definitely a better-than-average guitarist and singer when it comes to the R&B/blues axis, although he's at his best on tracks like "How Do You Sleep at Night?" where he has the chance to pull more emotion from his instrument; in this case, more than a touch of bitterness. He's cut from the same cloth as Robert Cray, but without the same soulful subtlety. Montoya is more a shot and a beer than a smooth cocktail. You come away from this with the sense that he holds nothing back, and even a performance in the studio would be sweaty; there's that amount of commitment. And while he may not be one of the guitar gods, when he unleashes a flurry of notes (as on "It Takes Time") he's still a powerhouse. Perhaps the biggest problem is that, although he cranks in all departments, there's very little to really distinguish his music from many others mining the same seam. ~ Chris NicksonDirty Linen (p.92) - "Coco Montoya turns the temperature to sizzling with his barbed-wire-esque guitar picking and don't-mess-with-me vocals." Living Blues (p.44) - "All 11 songs are rockers, whether they are slow burning blues, soulful R&B, or Louisiana swamp blues..." Coco Montoya Dirty Deal Songs Purchase Dirty Deal CD To buy, Click on price to add to cart | Joe Bonamassa Blues Deluxe CD (2003)
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| | Derek Trucks Songlines CD (2006)
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$11.39 The Derek Trucks Band: Kofi Burbridge (vocals, flute, keyboards); Todd Smallie (vocals, bass instrument); Yonrico Scott (vocals, drums, percussion); Mike Mattison (vocals); Derek Trucks (guitar, dobro); Jay Joyce (keyboards); Count Mbutu (congas, percussion). This is, perhaps, the one. Derek Trucks has been on an aesthetic quest for something since he began his own recording career in 1997 -- apart from his membership in the Allman ...
| | Walter Trout Full Circle CD (2006)
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$13.19 Personnel: Walter Trout (vocals, guitar, acoustic guitar, harmonica); Walter Trout; Jeff Healey (vocals, guitar, harmonica, piano); Guitar Shorty, Bernard Allison (vocals, guitar); Eric Sardinas (vocals, acoustic guitar); James Harman (vocals, harmonica); Finis Tasby (vocals); Junior Watson (guitar); Rob Rio, Daniel Timms (piano); Al Webster, Richard Hayward, Bill Bateman, Stephen Hodges ...
| | Kenny Wayne Shepherd 10 Days Out... Blues From The Backroad CD (2007) With DVD
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| | Roosevelt Sykes Postwar Years 1945 - 1957, Vol. 2: West Helena Blues. CD (1998) (Import) United Kingdom
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| | Big Joe Williams I Got Wild CD (2003)
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| | Lenny Breau Hallmark Sessions CD (2003)
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| | Robert Cray Twenty CD (2005) (Import) United Kingdom
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$13.15 British edition. After 25 years and 14 albums, it seems a little churlish to complain that Robert Cray has been mining the same low-key, mellow Memphis soul-blues groove for well over two-thirds of his career. Not only is that kind of the point -- he's found his sound and he's sticking to it -- but many of Cray's influences didn't vary all that much on record, either. Besides, if an artist were going to make a living out of carrying on a tradition, it only makes sense that all his records would be cut from the same cloth. And so is the case with Robert Cray. Not long after Strong Persuader became an unexpected crossover hit in 1986 -- which was hard to imagine then and seems like a near impossibility now -- Cray decided that he would rather pursue the sound of Stax and Hi soul than be a full-fledged bluesman. He punctuated his songs with stinging licks not dissimilar to Albert King, but the sound was closer to O.V. Wright. But what really separated Cray from his forefathers is that instead of getting dirty and gritty, he stayed classy and tasteful. At first, that seemed like it might have been a market concession, but as the years rolled on, it seemed like a conscious matter of taste, which is something Twenty, his 14th proper studio album, confirms. As his second album on Sanctuary and his fourth since leaving major labels ...
| | Rory Gallagher Tatoo CD (2007) (Import) Bonus Tracks; Japan; Mini LP Sleeve
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