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Keitaku - Voice CD Cover Art
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Keitaku Voice CD - Import

 Keitaku Discography of CDs

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 Our Price: $17.09  CD
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Voice Music


Detailed Voice Music Information



List Price $17.99 (You save $0.90)
Category World Albums, Japanese CDs
Label Phantom
CD Universe Part number 7332764
Catalog number 646369
Discs 1
Release Date Dec 26, 2006
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Lhasa's earlier work included arrangements that drew on ranchera and Gypsy music, as well as American, Canadian, and Mexican folk, French chanson, and pop. The international flavor is more subtle on LHASA, without vanishing entirely. The songs on the album all deal with love, usually of the obsessive, hopeless, and doomed variety, and even at her most seductive, as on the subtle rock/tango "The Lonely Spider," Lhasa's vocals hint at grief and despair. The song's Latin standup bassline and subtle chiming guitar combine with a muted tango beat to give the song a deeply melancholy air. "Is Anything Wrong" is a bluesy pop song with a haunting melody carried by Lhasa's melisma-drenched vocals. Pedal steel supplies a mournful accent and flamenco handclaps mixed down to the edge of audibility give the song a subtle drive as the singer contemplates the unknowable mysteries of love. "What Kind of Heart" has a vague Eastern European feel; "A Fish on Land" is a folk fable that sounds like ambient flamenco; and "1001 Nights" features Pop Staples-style twang-drenched electric gospel guitar and another languid, ...
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Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a world-class arranger. Dieguito El Cigala was born in 1960, and has become the undisputed king of Spain's flamenco singers. This recording features nine tracks that meld together cooking son, jazz, Afro-Caribbean, and flamenco rhythms, in tunes by composers such as Lolita de la Colina, Virgilio and Homero Expósito, Ramón Perelló, the grand team of Tom Jobim and Vinícius de Moraes, Caetano Veloso (who makes a guest appearance), Maria Teresa Vera, Miguel Matamoros (who composed the title track), and others. Most are Cuban ballads. Guests such as Veloso, Paquito D'Rivera, Pancho Terry, Tata Güines, and El Niño Josele fall by on different tracks. And while the tunes are top-shelf and the guests make this a very special and historic occasion, it is the unusual dynamic and the integrity with which it is employed that makes this set so unique. Valdés' style is an elegant one; his rhythmic left hand accents rhythms and shifts them effortlessly, ...
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Take some Benin tradition--namely the sato and sakpato rhythms--then add on heavy layers of electric soul and funk filtered through the prism of West Africa, and you have the sound of the Orchestre Poly Rythmo. The basis of each of the 15 tracks here is a groove so solid you could walk on it (though you'd be more likely to dance) topped with horns and some deliciously wild guitar--admittedly, not always in tune, but it doesn't matter, since the spirit of it shines long and loud. For ...
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An ambitious world fusion project, SIWAN brings together the Norwegian pianist Jon Balke, Moroccan singer Amina Alaoui, the Early Music ensemble Barokksolistene, minimalist trumpeter Jon Hassell, and others in a cross-cultural melange that imagines itself somewhere back in the medieval times of Andalusia, during the era when Spain was dominated by Muslim rule. With the expert help of Barokksolistene (Baroque solists), Balke has composed authentically evocative, Arabic-flavored settings for medieval Christian and Muslim poetic texts, fluently sung by Alaoui who sometimes resembles a serene flamenco singer or, better, a New Age descendant of the great Egyptian diva Oum Kalsoum. Hassell's horn is given ample solo space along with the Algerian violinist Eddine M'Kachiche; they both improvise against the expert zarb (Iranian hand drum) playing of Pedram Khavar Zamini. It's a heady mixture all around, and beautifully produced by ECM founder Manfred Eicher once again. The winning message is that these cultures mingled and fertilized each other in the past and will surely do so again. Recorded September 2007 and March 2008 Barokksolistene, Bjarte Eike (violin, leader). Personnel: Amina ...
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Audio Remasterer: Michael J. Dutton.
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Null & Void opens with sounds akin to a car wreck multiplied, while some layers flow backward and all layers are sped up. Next comes "Null & Void: TV-Q Missile," with an actual song structure complete with screechy chorus and samples -- chamber rock with a prog saxophone solo edge. Null & Void is a release of textured sound that ranges from hardcore industrial tough ("Null & Void: Left Side") to a minimal -- even pretty -- piece ...
Lullaby: A Windham Hill Collection
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Fleurs Du Bien
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