| | Roma Tanaka New Day CD - Import Roma Tanaka Discography of CDs
New Day Music | List Price | $16.99 (You save $1.24) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7332818 | | Catalog number | 646277 | | Discs | 1 | | Release Date | Jan 16, 2006 |
New Day Review
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Love's a Real Thing is an excellent introduction into the wild sound world of West Africa in the '70s. As Ronnie Graham points out in his superb liner notes, the '60s were a time of assimilation for much of the popular music of Africa. Many bands were playing a hybrid of Latin and African music typified by the Congolese rhumba of Franco & OK Jazz. The '70s were a different bag, though, with the heavy electric sounds of Jimi Hendrix, James Brown, Cream, and others seeping into the consciousness of a new generation of Africans who were also contending with their own emerging sense of identity. The results are raucous, exuberant melting pots of funky soul, psychedelic rock, and honey-sweet Latin horns mixed through the sensibilities of extremely talented African bands on the cusp of developing styles like soukous, ...
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freejazzT – Orange Sunset (BGN 0001)1. Orange Sunset2. Ballad #23. Spanish Sketch4. Crow’s Call5. W.I.T.O.Y.6. Little Tornadoes7. White DwarffreejazzT is:David Miner – KeyboardsDavid Crow – Alto Sax, Tenor Sax, FluteAl Cantey – BassRecorded at Chartreuse Muffin Studio in Tacoma, WA. Recorded, mixed, and mastered by David Miner.Produced by David Miner and released by Burnt Green Neptune.David Crow is from Kent, WA. He studied saxophone with Jordon Ruwe, Greg Yasinitsky, and Dave Hagelganz. “I grew up listening to bebop music, and that is where my fundamental concepts come from. Then I started listening to every other kind of jazz. It’s nice not to have a strict form. I like to take what I have learned from all the different styles of jazz and put it in at any given moment, depending on how I feel.”David Miner is from Tacoma, WA. “My influences are too many to list. I listen to anything and everything I can. Musical style has become cliché and regurgitated, and I attempt to tackle music’s elements as aspects in and of themselves (as apposed to completely integral to each other): harmony, melody, and rhythm. freejazzT’s concept of time and rhythm tend towards elasticity where no groove is set up, but where time is more felt, though we absolutely have tunes that are nearly traditional. Harmony is both very complex and very simple and is both about the progression from one change to the next and each individual vertical moment. Melody is integral to harmony, though if taken completely out of the harmonic context, one can be truly ...
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