| | Kyosuke Himuro In The Mood CD - Import Kyosuke Himuro Discography of CDs
Kyosuke Himuro's In the Mood is a record that sounds better in description than upon actual playing. A successful solo effort by the vocalist of Boowy, the band that most J-rockers of the '90s and 2000s grew up listening to; a return to a harder edged sound after time spent wallowing in ballads; and a moderate attempt to upgrade the sound to the standards of 2006. What's not to like? Turns out, there's quite a lot: for starters, the shadow of the '80s still hangs heavy over the record, and not in a pretty, retro way. Himuro really knows his way around a hard rock riff, which he peppers with solos typical of the period, and he's also able to vary the tempo, mixing some breathers and a ballad between the faster tunes. But, for all that, In the Mood sounds restrained, and that's a terminal failure, because the whole point of '80s music was its naïve excess and extravaganza, and those are totally absent from the album, even though Himuro never loses the earnestness throughout all of the sentimental odes and speedy hymns he delivers. The attempts at modernization, meanwhile, are few and far between -- pretty literally, as they are limited to some uninspired Mike Shinoda-like rapping in the opener and a couple of emo numbers at the end of the album, both heavier and grimmer than the rest of the tracks, but appearing too late to make a difference. The biggest issue with In the Mood is, however, that it's simply too bland, swapping hooks for songwriting clichés with the predictable outcome: the album works as background music, providing some energetic, mildly emotive noise, but its mood-changing ability and staying power are negligible. ~ Alexey Eremenko In The Mood Review
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Purchase In The Mood CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
In The Mood album
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including ...
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In The Mood CD music
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| | Claude Challe Buddha-Bar, Vol. II CDs
In The Mood album
$42.69 Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory to groovy to fairly high-energy. "Tears Inshalla" will appeal to fans of Eastern-influenced trance. Lyrics are of almost no importance on the album. They do exist on most tracks, but they bounce around from English to Portuguese to Arabic. Bits and pieces and snatches of phrases come through here and there -- just enough to make a listener feel in sync with it all. This music is intended to be an ambient journey, and while a few of the tracks seem to stray off into Never Never Land, the majority of them should appeal to fans of worldbeat. ~ L. Katz
2004 ...
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| | Willie Dunn Pacific CD
In The Mood songs
$27.95 The German reissue of Willie Dunn's second album on Trikont is something of a landmark. The Canadian Micmac Indian was there in the early days of the popularizing of the folk revival, a part of the action. Along with Ian Tyson and Gordon Lightfoot, he trod down to New York's hoot venues and earned whatever he could. Forty years later, Dunn is a celebrated musician, painter, playwright, director, activist, actor, videographer, and lecturer. He never sought to be a Native American musician, but a folksinger; his work, however, was so closely associated in Canada with the struggle of First Nation people, he became a Native American artist. His two albums, this one and Akwesasne Notes, are considered treasures in Canada. They should be in the U.S., too. In the classic tradition of early Lightfoot and Tyson, Dunn finds his topical songs rooted in the Canadian soil and in their ...
| | American Juniors CD (2003)
In The Mood album
$7.69 Showcases The 5 Finalists From The Reality TV Show.
Audio Mixers: Peter Kvint; Jeff Coplan; Mike Percy; Dave Way; Tim Speight; Simon Nordberg; Tim Lever; Brad Gilderman.
Audio Remixers: Peter Kvint; Simon Nordberg.
Recording information: Canyon Reverb, Los Angeles, CA; Jailhouse Studios, Stockholm, Sweden; Larrabee Studios, Hollywood, CA; Larrabee West, Hollywood, CA; Solaradio Studios, Brooklyn, NY.
Photographer: Mike Segal.
Arrangers: David Frank; James McMillan.
American Juniors: Kids in America collects performances from the top ten finalists from the preteen version of American Idol, plus two songs that feature the singers as a vocal group. The single, "One Step Closer," is a lightweight but fun disco-influenced song that is arguably more fun than the singles that the American Idol winners and runners-up issued before their full albums came out. Their version of the new wave staple "Kids in America," meanwhile, misses all the subtexts of the original, but it's still reasonably entertaining. Unlike American Idol proper, in which there is only one official winner, American Juniors picks the top five singers to form a vocal quintet. The show's top five -- Tori Thompson, Taylor Thompson, Chauncey Matthews, Morgan Burke, and Lucy Hale -- occupy most of the first half of the album. Hale's "I'm Gonna Make You Love Me" shows that she has a surprisingly rich and mature voice; at times she sounds like a pint-size Kelly Clarkson. Burke's "Build Me Up, Buttercup" shows off his sweetly soulful pipes, while Tori's "Let ...
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