| | Jack Sheldon Quartet & Quintet CD - Import Jack Sheldon Discography of CDs
Quartet & Quintet Music | List Price | $24.99 (You save $1.34) | | Category | Rock/Pop Albums, Jazz CDs | | All Time Sales Rank |  243189  | | CD Universe Part number | 7332937 | | Catalog number | 6863 | | Discs | 1 | | Release Date | Jan 13, 2008 | | Additional Info | Japan; 24 Bit Remastered |
Jack Sheldon Quartet & Quintet Songs | 1. | Get Out Of Town |
| 2. | Ahmoore |
| 3. | Dozo |
| 4. | Mad About The Boy  |
| 5. | Toot Sweet |
| 6. | Jack Departs |
| 7. | What Is There To Say |
| 8. | Groovus Mentus |
| 9. | Beach-Wise |
| 10. | Palermo Walk |
| 11. | Blues |
| 12. | Irresistible You |
| 13. | Guatemala |
| 14. | Getting Sentimental Over You |
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Quartet & Quintet Review
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Purchase Quartet & Quintet CD To buy, Click on price to add to cart | Steve Kuhn October Suite CD (1966) Remastered; Digipak
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Composer and arranger Gary McFarland was well-known in the 1960s for his film-scoring abilities and his charting skills with mid-sized bands. McFarland was also, however, a jazz fan, and particularly one of scalar pianist Steve Kuhn. This project features Kuhn in the center of a program made up entirely of McFarland compositions, all but two of which were written specifically for the album. Recorded in 1966, it is an anomaly in the Impulse catalog of the time in that it did not pursue the free jazz realms with the vengeance that most of the label's other acts did during that year. It is also significant that it caught the attention of a young Manfred Eicher, who later signed Kuhn to his ECM label based on the strengths of this recording. Like Keith Jarrett, Kuhn is ...
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| | J R Monterose J.R. Monterose CD (1956) Bonus Track; Remastered
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This is part of Blue Note's Limited Edition Connoisseur series.
J.R. Monterose's first session as a leader was a thoroughly enjoyable set of swinging, straight-ahead bop that revealed him as a saxophonist with a knack for powerful, robust leads in the vein of Sonny Rollins and Coleman Hawkins. With a stellar supporting group of pianist Horace Silver, trumpeter Ira Sullivan, bassist Wilbur Ware, and drummer "Philly" Joe Jones, Monterose has recorded a set of bop that swings at a measured pace and offers many delightful moments. Throughout the session, Monterose ...
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A reissue of some classic late-'50s and early-'60s ...
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All of the music on this 1997 CD was previously unissued, and it is a major find. The legendary but troubled bop pianist Dodo Marmarosa recorded very little after the late 1940s (other than a few dates in the early 1960s), and he has a relatively slim discography for a player of his ...
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| | Christmas With The New Christy Minstrels: Complete! CD (2001)
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Christmas With the New Christy Minstrels: Complete! offers not one, but two albums by the group of the same name. Interestingly, because of a number of personnel changes, none of the members present for Merry Christmas! in 1963 remained with the group in 1966 when Christmas With the Christies was recorded. While the group has been eclipsed by Peter, Paul, and Mary over time, the New Christy Minstrels' star shone as bright as any folk group in the mid-'60s. The group carved out a unique choral sound, achieved with the help of ...
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| | Creedence Clearwater Revival CD (1968) Bonus Tracks; Remastered
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Digitally remastered utilizing the 20-Bit K2 Super Coding System.
The deluxe 6-CD box set CREEDENCE CLEARWATER REVIVAL contains all the original CCR releases including: CREEDENCE CLEARWATER REVIVAL (1968)/BAYOU COUNTRY (1969)/GREEN RIVER (1969)/WILLY & THE POOR BOYS (1969)/COSMOS'S FACTORY (1970)/PENDULUM (1970)/MARDIS GRAS (1972). Disc 1 includes rare pre-Creedence Clearwater Revival recordings by Tommy Fogerty & The Blue Velvets and The Golliwogs.
Includes essays by Ben-Fong Torres and Alec Palao plus individual album liner notes by Ben-Fong Torres, Joel Selvin, Dave Marsh, Ed Ward, Robert Christgau, Craig Werner and Stanley Booth.
Digitally remastered using 20-bit K2 Super Coding technology by Shigeo Miyamoto (JVC Studios) and Joe Tarantino (Fantasy Studios, Berkeley, California).
CCR seemed like something of an anomaly on their 1968 debut. They were miles from the mind-expanding flower-power explorations of their California contemporaries. They came across as a gritty, hard-hitting band respectful of their blues, country, and rock & roll roots. John Fogerty's cutting, raspy voice bore echoes of Howlin' Wolf and Little Richard as he delivered lyrics that alternately celebrated and bemoaned a working man's life, much like Merle Haggard and other '60s country artists. That the strong New Orleans swamp-rock flavor seemed so natural (Californian Fogerty's bayou tales were pure flights of fancy) was a testament to the strength of CCR's musical vision. The way they put a respectful but contemporary twist on Dale Hawkins's "Suzie Q" and the chilling "I Put a Spell on You" shows that they knew enough about the past to step confidently into rock & roll's future.
Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on ...
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