Welcome To The H We Got Next CD

We Got Next Music

Category	Rap Albums
Label	Circle City Entertainment
CD Universe Part number	7333448
Discs	1
Release Date	Oct 11, 2006

Welcome To The H We Got Next Songs

	1.	Urban Sol Click (USC)- Stand Fo
	2.	The Circle G'z- Up N Da Club
	3.	K-Ruger- Rep Tha Dome f Kiotti & Mook Jones
	4.	Cory Mo- Aint Nobody Trippin f Pimp C
	5.	PKT- Laid Back f Alejon
	6.	Kritikal- Don't Know Why
	7.	Troublesum- Nitty Griity f Cory Mo
	8.	K-Ruger- Gangsta Pimpin f The Clipse
	9.	The Circle G'z- Texas Boyz
	10.	Urban Sol Click (USC)- Da Lot f K-Ruger
	11.	C-30- Da Block f Mr Perfek
	12.	Kritikal- Grind
	13.	Cory Mo- Never Had Nothin' f Billy Cooke, Lil Keke & HAWK
	14.	The Circle G'z- Purple In My Cup
	15.	KB- Box Or Get Chopped f Spank D
	16.	3.R-Dee- Word On The Street f Tee-Lee, Ankaman, PaperChase & Sli
	17.	PKT- Where U At f Alejon
	18.	The Circle G'z- Woke Up Early f Lil Keke

We Got Next Review

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J Jurkin Everything CD (2006)

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Jarrett Juran AKA J Jurkin was born on May 27, 1984, in Harrisburg, Pennsylvania and lived in Middletown, PA all of his life (Excluding a recent move to New York City for a year). He was first introduced to rap, listening to Notorious BIG at the age of ten. By the time he was thirteen he started to write his own lyrics.

Due to his interest in rap music at such a young age, J Jurkin has pursued rap in numerous contests in Pennsylvania and New York City including trying out for MTV's 'Making the Band.

' J Jurkin was given approximately ten seconds to perform and rapped four lines before being thanked by the judges. This inspired J Jurkin to enter into his second contest, MTV's "Battle Competition". After waiting seven hours in the freezing cold, a fight broke out, in a crowd of approximately 3,500 people, forcing everyone involved to leave.

After realizing New York was the place to attend these competitions, J Jurkin decided to move to the city and get in the underground scene on the streets. Battling every night on the streets gave him experience and promotion. J Jurkin also visited TRL as an audience member and he had the chance to battle three people during a commercial break. This opportunity caused him to develop a good friendship with the staff at MTV and has since been invited on the show; meeting many of his inspirations.

On a more local level, J Jurkin won a battle competition on 99.

3 KISS FM, receiving free promotion after his victory. J Jurkin also entered 'Battle of the Emcee's' for KISS FM, and prevailed over all the other competitors. This resulted in studio time, also getting a song of his on the radio. Although this was yet another exciting experience in his career, one of J Jurkin's greatest accomplishments was earning the chance to audition for BET's 106 and Park, Freestyle Friday. At five o'clock AM, he showed up to 106 and Park and waited in line for over six hours in order to battle three opponents, successful each time. J Jurkin then received a phone call, offering him a spot on the show. Three days later while he was living in Pennsylvania he received a call saying they needed an emergency fill in, because the scheduled contestant was scared to battle the opponent he was facing. With little to no preparation, J Jurkin had to battle a five-week current champion. He gained respect, although he is confident he ...

Lee Russo Trading Off CD (2006)

We Got Next CD music

$9.35
CD Review - LEE RUSSO - Trading Off (LRS)by J HunterNo keyboards. No guitars. No other horns except for a guest artist in the middle of the disc. In short, no other 'lead' instruments to fall back on. For most players, this would be like juggling torches while walking the high wire. Lee Russo wanted it this way for Trading Off, his first CD. Maybe he's an insane risk-taker. Or maybe he's got the goods.

Here's a test: Look at the back of the Trading Off and squint, imagining the font is a little bolder. Then go to your CD collection and get something really classic on the Blue Note label - Dexter Gordon's One Flight Up, or Horace Silver's Song For My Father. Check out the back of that disc. Yup, you're right: It's the same. Russo put out a disc with the look of a Blue Note release. Maybe he's got delusions of grandeur. Or maybe he's got the goods.

Forget 'maybe'; there's no 'maybe' about it. The disc should look Old School, because Russo's got an Old School tone, both in his playing and writing styles. In the liner notes, Lee says his influences are too numerous to mention. The opening track, 'Blues For Judith', reveals two influences right off, as Russo hits you with a West Coast mood and a mellow tenor sax that took me back to the first time I heard Paul Desmond. I will love Dave Brubeck until I die, but it was Desmond's singular sax work - mellow like Getz, but with an underlying edge as sharp as a knife - that elevated the Brubeck Quartet above everything else on the scene. Russo's playing has Desmond's edge while his writing has West Coast's sense of subtlety.

Don't worry about your cholesterol, because Russo's not re-frying anything. He's learned his lessons well, but all these pictures come straight from Lee's easel. 'Diatonic' is a frantic abstract painted one slash and splash at a time, while 'You're It' is a happy, playful travelogue that lets Russo take off on soprano sax. It was a good choice for Russo to do a couple of numbers on soprano; given the small size of his group, some kind of tonal variation was needed to break up the overall attack. Trading Off wouldn't be boring if Lee only played tenor, but why take the chance?Then again, there's no way this date could be boring, given the rhythm section. I said the disc didn't have any other 'lead' instruments. In a traditional sense, that's true. That doesn't take into account Joe Barna, who makes drums a lead instrument the way Blakey and Max Roach did. Barna's solos and fills are as substantial as anything a piano or guitar could contribute. He kicks the intensity of 'Goldfinch' and 'O's Waltz' up notch after notch, and his solo on the title track would send West Coast aficionados running, leaving the rest of us to cheer wildly. We also get a taste of Barna's writing style ...