| | Gary Parent It Must Be Love CD Gary Parent Discography of CDs
MISSION STATEMENT:I'm very hopeful that an accomplished artist will hear my music and want to use my songs. I'm also interested in writing songs,instrumentals for use in television shows, commercials, radio, or any other media production that would be enhanced by having a great musical background to it. If you have any projects I could be involved with feel free to visit my website and please drop me an email.BIOGRAPHY:I feel very fortunate that my father (a concert violinist and graduate of the Julliard School of Music), introduced me to my love of music, and the guitar at the age of 5. Learning basic music theory, which I mixed with my own creativity, I soon learned I had the ability to re-create most anything I heard and loved being able to add my own feel to the songs.Influenced through the years by groups like the Beatles, The Doobie Brothers, and Creedence Clearwater Revival, I developed my own playing style, which is purely a mixture of all the great musicians I learned from earlier in my life.I will start out writing a song that has a taste of John Fogerty in it, then go on to something much heavier, where you might notice a touch of Black Sabbath, or maybe even some James Gang "funk", then move on to an instrumental, with the influence of my guitar hero, Joe Satriani. I have so many influences that there isn't enough room on this page to name them all.Though most all of my music must have at least a touch, or slight feel, or influence by some great musician, I always reach into my soul and inner spirit to create something very unique, using my own style which I've been working on my entire life.After spending most of the 80's doing the Hollywood club scene with many different bands, I found that I was much happier being in my studio writing and recording my own music. It was like my head was full of ideas just screaming to be let out!I love to just play a drum rythum and play one of my guitars and just see what happens. Most of my music starts out just like that. Though my style is probably concidered old school, I'm personally glad that I'm doing these types of songs. What good is writting a good story if you can't hear the lyrics? They still have a solid danceable beat behind it. I hope you will all find something about my songs that you can relate to. If not, thanks for stopping by anyway. Gary Parent It Must Be Love Songs | 1. | Little Angel |
| 2. | It Must Be Love |
| 3. | Goodbye to Lovin You |
| 4. | Back On the Run |
| 5. | All My Love |
| 6. | On My Way |
| 7. | Do I Love You |
| 8. | Runnin Away From the Law |
| 9. | Wishes Don't Come True |
| 10. | Let the Children Sing |
| It Must Be Love Review
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$18.25 The Follen Angels developed the Jazz Divas show for their November 2004 engagement at Scullers Jazz Club in Boston. The idea was to salute three vocalists, masters of jazz, who helped define the idiom. There were a number of extraordinary women to choose among, but after much discussion, they opted for the legendary Ella Fitzgerald, Peggy Lee and Billie Holiday. The three shared not only amazing musical talents, but also many life circumstances. All were born in the early part of the twentieth Century, had difficult childhoods, and the innate abilities and gumption to add new complexities to the art of jazz. Each of these women have received countless honors and awards. Ella Fitzgerald and Billie Holiday were inducted into the Jazz Hall of Fame, while Ella and Peggy Lee was inducted into the Grammy Hall of Fame. Peggy was also inducted into the Songwriters Hall of Fame. The Follen Angels resonate with each of these women’s love of music and the freedom to create and innovate. Ella said, “The only thing better than singing is more singing. ….I stole everything I ever heard, but mostly from the horns.” Nothing could be more evident of this than Ella’s rendering of, “How High the Moon.” Ella was not above feeling star struck, herself. Once, when Billie Holiday was playing at the Opera House nearby, Ella sheepishly went over to ask for her autograph. Billie was an innovator in altering phrasing and rhythm, long before it became the norm in jazz. She said, “I hate straight singing. I have to change a tune to my own way of doing it. That’s all I know.” Jeanne Moreau said of her, “She could express more emotion in one chorus than most actresses can in three acts.” Billie’s own composition, “God Bless The child” says everything about pain and lack of freedom and the vulnerability of a child in those haunting lyrics. And Miss Peggy Lee was a sensual, intelligent, hip and nuanced performer. Her breathy, quiet style gave the impression of “been there, done that.” Many of the songs she chose to perform were every bit as intense as those of Billie Holiday. Her prowess as a composer was anything but laid back: she wrote hundreds of songs. She not only wrote, “He’s a Tramp” for the Disney film, “Lady and the Tramp” but took on the corporation in a lawsuit and won for her share of royalties. These talented and determined women, and what’s behind their music, inspired the Angels. Their aim was not to imitate, but to pay homage. The love and ...
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