| | Four Freshmen Live In Holland CD Four Freshmen Discography of CDs
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Our Price: $20.29 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Four Freshmen Live In Holland Songs | 1. | Young And Foolish | |
| 2. | Invitation | |
| 3. | I'm Gonna Go Fishin' | $0.99 | |
| 4. | Indian Summer | |
| 5. | Every Time We Say Goodbye | |
| 6. | Angel Eyes | |
| 7. | You Call It Madness, I Call It Love | |
| 8. | After You've Gone | |
| 9. | Day In Day Out | |
| 10. | Poinciana | |
| 11. | There Will Never Be Another You | |
| 12. | Day By Day  | |
| 13. | It's A Blue World | |
| 14. | Route 66 | |
| Live In Holland Review
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$13.89 Until, born Luis Vargas in 1977, has been molding and perfecting his art since 1992. Then, only 14 years old, he would rap Eazy-E songs for friends that would request the performance. He quickly realized he could rap, and decided to write some raps of his own. He also realized he could make beats the first time he touched a keyboard. Heavily influenced by early 90's hip hop, he also grew to love east coast rap, like Wu-Tang, KRS-ONE, Nas, Gangstarr, and Erick Sermon. Although he grew up in a suburb city about 30 miles east of Los Angeles, he appreciated west & east coast hip hop equally. A troubled childhood led to rocky and rebellious teenage years. This carried on to his early 20's. He spent much of ...
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$16.45 PIANO, COMPOSITION & VOCALSFrederique Trunk, pianist, composer, arranger, singer, was born in Colmar, France and graduated in 1986 from the Conservatoire de Musique de Strasbourg with Honors in Piano, Ear Training & Theory. She earned a Certificate of Chamber Music & Sight Reading, and graduated with a diploma in Musicology from the Universite des Sciences Humaines de Strasbourg. In 1992, Frederique came to New York to study Jazz piano and harmony at the New School's Jazz and Contemporary Music Program with Kenny Werner, Fred Hersch and Maria Schneider. She has studied Jazz piano and composition privately with Richie Beirach and Kirk Nurock, as well as William Allaudin Mathieu; and perfected her classical piano technique and teaching skills with Madeline Bruser. As a soloist and bandleader, Frederique has toured in Europe, Morocco, Japan, the United States and Canada. She performs in New York in many different settings and musical combinations from solo piano to quartets, quintets, and larger groups such as salsa bands and orchestras. In 1996, Frederique Trunk formed a duet with Lebanese pianist, Ramzi Moufarej. A year later, parallel to their work as a duet, they created from their rich collaboration the quintet, Myriade. Experimenting with the unusual combination of two pianos, cello, oud/nay, and percussion, the group explores Jazz and Middle Eastern improvisational concepts in original compositions. Myriade's album, Soukoun, was released in the spring of 2001. Continuously developing her own voice, ...
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$11.49 At an early age, music was in the family. My sisters played clarinet, flute and violin and dad played the woodwinds and instilled my inspiration to play the sax. In high school, I played in the stage band, studied saxophone with Al Galidoro and Frank Foster, played in local bands and had my heart set on going to the Berklee College of Music in Boston. In my senior year, I was the recipient of an International Art of Jazz Scholarship Award to Berklee. As a scholarship recipient, I had the opportunity to play with Jerome Richardson, Garnett Brown, Clark Terry, Steve Grossman, The Lew Tabakin Big Band, Bo Diddley and a variety of other great musicians.Berklee was an incredible experience. It was the first time living away from home and having the opportunity to meet and play with great musicians from around the world. It was interesting and fun to learn to say, 'hello and good bye' in different languages, it was a real 'ice breaker'. Berklee was loaded with talent, Paul Moen, Gary Mazzoroppi, John Robinson, Jamie Haddad, Neil Stuebenhaus, Mark Soskin, Gary Dial, Gerard D'Angelo, Chuck Loeb, Mac Gollahon, Tiger Okoasi and on and on and on. It was amazing. I even had the opportunity to become friends and play with one of my heroes, Sonny Stitt, and hang with Miles Davis at Paul's Mall. After graduating from Berklee I went to St. Louis and played at Mr. Connors's Jazz house on Natural Bridge and Fair and at the Fountain Blue in East St. Louis, Ill. I had the opportunity to play with Ray and Tommy Kennedy, Jimmy Smith, Groove Homes, Jimmy McGriff, John Mixon, Kenny Gooch, David Hines, Joe Charles, Moses, and Johnny O'Neil. I moved back to New York and started to pay my dues. I played at all the jam sessions. At the start of a tune, 10 saxophone players would be playing at the same time until you were the last one standing. It could take 5 choruses of blowing until you were 'soloing'. The jams always had great rhythm sections. For example, the Tin Palace had Albert Daily, Clint Houston and Alvin Queen. Jo Jones Jr. at Barbara's. Boomers had Billy Hart. I used to sit in with Valarie Parmavy at a club on 7th Aveune called the Angry Squire. The house trio was Cedar Walton, Sam Jones and Bill Higgins. What else can you say?I used to play and sit in at a club in Long Island called Sonny's Place. There I met and played with Sal Nistico, Roy Haines, Turk Mauro, Ben Riley, Earl (drummer)?, George Granum, Arvell Shaw and the chef Miss B. My first official jazz gig a leader was subbing for Ernie Wilkins and Miss B cooked a big meal special for the occasion. I met Philly Joe Jones at Ali's Alley in Soho and we became instant friends. I played with Philly for a few years. We would drive in the car together from gig to gig and he would talk about his experiences with Trane, Chet Baker and Miles just to name a few. My roommate from college (Larry Moses, Trp) got me the opportunity to play with the Thad Jones and Mel Lewis big band. Wow. Thad used to call me Con Ed after the New York power company. Great music, again what else can you say. I also played some shows and club dates and what ever it took to keep ...
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