| | Hatepinks Tete Malade/Sick In The Head CD Hatepinks Discography of CDs
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For a band who probably weren't born when punk rock first swept Europe in 1976, French punks the Hatepinks do a fine job of summoning its raw energy on this seven-track CD EP. Titles like "My City Is Sick of Pizza" and "Should I Kill Myself or Go Jogging?" reveal a finely honed sense of the absurd, while "Tete Malade/Sick in the Head" is a ringer for the '70s one hit wonder Elton Motello's "Jet Boy, Jet Girl."
Recording information: GMEM, Marseille, France (08/19/2006-08/20/2006); The GMEM, Marseille, France (08/19/2006-08/20/2006).Alternative Press (p.112) - "[The album] shows our favorite French provocateurs, the Hatepinks, as raucous and in-your-face as ever." Tete Malade/Sick In The Head Music Hatepinks Tete Malade/Sick In The Head Songs Tete Malade/Sick In The Head Review
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Music composed by Jimmy Roberts. Lyrics written by Joe Dipietro.
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This Leicester quintet never even caused a ripple in the States, but for a brief moment in their homeland they appeared like saviors in a desolate land. It was 1987, and the U.K. was in yet another cycle of confusion. The indie scene was moored in a morass of angst, the NWOBHM was already a parody of itself, the dance scene was in shambles, and the press was waiting impatiently for the next big thing. Which was when Diesel Park West signed to Food Records and unleashed their debut single "When the Hoodoo Comes," a celebration of all things rock & roll. The full-length Shakespeare Alabama followed, and it seemed the band had attained the impossible, interweaving the genre's myriad threads into one phenomenal rock tapestry. Their varied influences splay out in all directions on this two-CD live set, a companion to the group's previously released DVD compilation, with the bulk of the songs recorded live between 1988 and 1993. "Like Princes Do" shows the unmistakable imprimatur of Bruce Springsteen, "Boy on Top of the News" their adoration of the jangly guitars of the British Invasion, "Fall to Love" their idolization of U2, and "Till the Moon Struck 2" their love of power ballads. Elsewhere you can hear traces of the Velvet Underground, the Sisters of Mercy, the Alarm, Big Country, Echo & the Bunnymen, and we haven't even gotten to the '60s and '70s rockers yet, with the Rolling Stones the most prominent. Perhaps that's why the band took over two years to write and record their sophomore set, Decency; they were still trying to shake their antecedents out of their hair. Off the road, and falling ever further off the radar by the time the second set arrived, all their momentum was lost, and the scene had moved on. The ...
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