| | Self Against City Telling Secrets To Strangers CD Self Against City Discography of CDs
(1 Customer Review)
Self Against City fit in nicely with the new face of Drive-Thru Records circa 2006: emo-indebted pop/rock (i.e., Socratic, House of Fools, etc.) that's heavy with earnestness and easy on attitude. The band rarely, if ever, strays from glistening choruses, warm instrumentation, and sweetly melodic lines about "overrated boys and attention-starved girls a little curious, a little insecure." That's not to say that this is an exasperatingly self-aware ordeal full of saccharine and heartache; Telling Secrets to Strangers is actually so light and subtly catchy that only the most jaded of emo fans could deny its appeal. Frontman Jonathan Michael Temkin has a relaxed delivery that pleasantly rolls about songs reminiscent of contemporaries the Early November or Something Corporate, and even when he slips into pleading mode, manages to retain a very down-to-earth appeal that keeps the band grounded. With the exception of the opening (and somewhat misleading) "Becoming a Monster" -- which nicely uses crunching guitars and a ragtag backing team of Wo-ohs! to kick things up a bit -- Self Against City embrace silky and straightforward midtempo numbers. Plodding bits of keyboard and brushes of percussion admittedly make it all nice and heartfelt enough, but by the album's second half, after the coolly lustful "Tequila Moonlight," things start to blur a bit. "Back to Our Innocence" does have a little Postal Service undercurrent going on, but more attempts at some sort of variety could do worlds to break up the diary-writing-locked-in-my-bedroom vibe. Regardless of this, and to their benefit, Self Against City are already way better than most tepid attempts at recycling the swooped bang/tight jeans emo blueprint of the early 2000s. There might not be enough for them to fully stand out quite yet, but seeing as the guys actually sound like they care about their music (and not just their image), this is certainly a very worthy starting point. ~ Corey Apar
Audio Mixers: Steve Haigler; Mike Watts .
Recording information: Vu Du Studios Freeport, Long Island, NY.
Photographer: Isaac White.
Self Against City: Jonathan Michael (vocals, guitar); Jack Matranga, Jeff LaTour.
Personnel: Jack Matranga (vocals, guitar, keyboards); Jeff LaTour, Jonathan Michael Temkin (vocals, guitar); Chris Trombley (drums).
Alternative Press (p.113) - "If you're seeking that addictive new staple for car-stereo karaoke, your quest ends here." Telling Secrets To Strangers Music | List Price | $12.97 (You save $2.88) | | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Drive-Thru | | Orig Year | 2007 | | All Time Sales Rank | 123650  | | CD Universe Part number | 7338057 | | Catalog number | 683650 | | Discs | 1 | | Release Date | Jan 09, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Steven Haigler; Steven Haigler | | Engineer | Mike Watts | | Personnel | Chris - drums Jonathan - vocals, guitar
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| | Shane MacGowan Snake CD (1995) Import
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$24.65 THE SNAKE is the first album, released in 1995, from ex-Pogue Shane MacGowan and his band the Popes. Sinead O'Conner guests on "Haunted." The album is unavailable in the U.S.
Shane MacGowan, who made a name for himself as the bandleader of the Pogues until they got fed up with his asinine, self-destructive behavior and kicked him out of the group, returned with a new band (the Popes, get it?) and a bracing set of new songs that draw heavily on traditional Irish folk music while pinning your ears back with a raucous, full-frontal rock sound. The album opens with a bang: "Church of the Holy Spook" is either an oblique expression of twisted religious faith or an all-out assault on the Roman church; it's impossible to tell which. Its refrain is based on the chorus to "Give Me That Old-Time Religion," and it pounds into your skull like fists against a cathedral wall. When that tune segues into a headlong romp through the traditional "Nancy Whiskey," you know you're in for a wild ride. The band uses banjo, whistle, and pipes as well as electric guitars, so no matter how aggressive the sound gets, you never really lose that folky Irish flavor. The farthest MacGowan gets from his roots is on the schlocky "Haunted," a maudlin duet he performs with Sinéad O'Connor. That track and the bizarre "Mexican Funeral in Paris" are the only musical missteps on this enormously exciting album; though he still hasn't brushed his teeth, cleaned up his language, or quit drinking, MacGowan seems to be on the brink of ...
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$11.59 Recorded in Cub Run, Kentucky. Includes liner notes by Peter Margasak.
Recorded, as the credits state and a photo in the album artwork confirms, "in a tobacco barn on the Niland's farm in Cub Run, Kentucky." Whether that provided the air of ripping, fiery country-goes-to-hell guitar work that permeates Lived to Tell may not be known, but clearly the setting didn't hurt the band any. Whatever pressure from Atlantic came down to record something user friendly, Eleventh Dream Day stuck to its guns with fine results on its second major-label effort. Rizzo and Beveridge Bean make a fantastic ...
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$14.09 When a band names their first album Living Legends and poses for the front cover in the midst of a '60s-vintage gold record presentation ceremony, it's safe to assume a high irony factor. Germany's Backwood Creatures ...
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