| | Hatarakiman Soundtrack CD - Import
Hatarakiman Soundtrack Music | List Price | $51.99 (You save $3.40) | | Category | Soundtrack Albums | | Label | Phantom | | CD Universe Part number | 7339046 | | Catalog number | 646837 | | Discs | 1 | | Release Date | Dec 26, 2006 | | Additional Info | Original Soundtrack |
Hatarakiman Soundtrack Review
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Before he scored his first success with the Garrick Gaieties at the age of 22 in 1925, Broadway composer Richard Rodgers had a surprisingly long apprenticeship that included many amateur productions. Fly with Me, the Columbia University Varsity Show of 1920, heard here recorded live at Columbia's McMillan Theater 60 years later, was not his first such show, but actually his fifth, even though he was only 17 when it was produced. By then, he had already met and begun writing with his longtime lyric partner Lorenz Hart, himself a Columbia alumnus. Not surprisingly, Rodgers recycled some material from his earlier shows: "Don't Love Me Like Othello" was interpolated from You'd Be Surprised, a musical he wrote for the Akron Club that was mounted a couple of weeks before Fly with Me; "Always Room for One More" (aka "There's Room for One More") was a song he had written with Oscar Hammerstein II, another Columbia man and a future partner, for Up Stage and Down in 1919, and "Twinkling Eyes" was another song from Up Stage and Down for which Rodgers himself had penned lyrics (something he wouldn't do again for another 40 years or so). The new songs included some excellent tunes, among them "Gone Are the Days," "Another Melody in F," and "Working for the Government," which boasted characteristically witty wordplay from Hart. The show's plot was an absurdity about a time 50 years in the future (1970) when Communism rules the world but love still triumphs. The 1980 Columbia University Revival Cast, playing before an enthusiastic audience, doesn't worry about the ...
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Limited to 10,000 pieces.
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Inspirational and colourful. Melissa's music is of as many genres as there are of emotions, evoking sensitivity, harmony and passion in every song creating a story with instrumentation, heartfelt lyrics and exceptional vocal. There are many songs to the Melissa repertoire, ready to record at least three albums.These tracks are performed at their numerous live performances across the south coast UK. With many gigs under their belt and repeat bookings, they have many more live performances for the coming year. Melissa Sullivan, singer/songwriter,keyboards,flute. Dave Wilkes, electric & acoustic guitars. Jerry Sharpe, bass. Pete Isbel, drums. "Sit back and relax. UK talent at its best."— global grooving.com reviewing 'Did He Say' Ep"With an effortless, smooth vocal, this jazz meets showtime record contains an abundance of classy piano too.'Who Knows' harks back to the heroines of 70s folk-pop whereas 'Say Hello' sounds more like a song from a jazzy-musical. 'Nothing Changes' has the flavour of an eighties throbber, albeit with an easy listening syncopated drum beat flowering things up.The strangest element to Melissa's sound is that, while there's a lot going on, it's quite a quiet record. The vocal doesn't need to demonstrate a mass of projection and that wouldn't work for these songs anyway. It's all very neat and tidy and the songs are all the more classy for this unusual treatment.This is one of those records that calls out for the word 'accomplished' and I'm not about to deny the request."Written By: Steve Date: 20/08/2007http://www.the-mag.me.uk— The Mag (reviewing the Say Hello Ep)"Cooly confident rhythms, crisp piano, cut glass- harmonies and a distinctive , free range vocal. Melissa's voice dances with the sweetness and maturity of Carole King or Joni Mitchell as she proves that power doesn't automatically equal volume. There's no denying this is effortlessly classy stuff.''.... For the full review visit http;//www.overplay.com"— Overplay ( reviewing the 'Say Hello' EP)"Nothing Changes by Melissa is one of those songs that you can play over and over again and never get tired of. It's almost like floating on clouds, or drifting along with the gentle currents of the sea. Set to a light Bossa Nova beat, it just sails along with the wind.very soothingly arranged, perfectly accented with Muse-like keyboard and beautifully sung by this multifaceted and wonderfully talented lass from Southampton, Hampshire, UK, and like her rather ...
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