| | Pumpkin Scissors Wonderful 1 Soundtrack CD - Import
Pumpkin Scissors Wonderful 1 Soundtrack Music | Category | Soundtrack Albums | | Label | Phantom | | CD Universe Part number | 7339134 | | Catalog number | 646898 | | Discs | 1 | | Release Date | Dec 26, 2006 | | Additional Info | Original Soundtrack |
Pumpkin Scissors Wonderful 1 Soundtrack Review
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Purchase Music From Pumpkin Scissors Wonderful 1 CD To buy, Click on price to add to cart | Xanadu CD (1980) Original Soundtrack
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John Waters' Cry-Baby goes hand in hand with Hairspray, and is a musical film that will probably appeal more to Waters' fans than fans of musical cinema. There is nothing original or exciting about the music on the soundtrack, as energetic as it is, and its bizarre nature is probably due to the scenes from the film rather than its own oddities. Waters describes it as "music that proved kids knew how to be bad before sex, drugs, and rock & roll," yet there seems to be little separation between those attributes and the concoction of lust and loudness here. Songs like "Doin' Time for Bein' Young" and "High School Hellcats" are no different from rock & roll, except that they sound like weak imitations of songs from Grease. Waters, the master of imitation and suburban insult, may very well have planned it that way. What might have changed everything would be to have Johnny Depp, who stars as Wade "Cry-Baby" Walker, sing the songs himself. He lip-syncs to the voice of James Intveld. Depp, a surprising ...
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A film that stands up to repeated viewing is complemented by an album that has the same effect. The musical stars make cameos to perform one track each, Aretha as the waitress in a diner tears into 'Think' while Cab Calloway dons his best white suit for a spectacular 'Minnie The Moocher'. The 'brothers' are supported by most of ...
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Bobby Vee is rarely counted among the premier vocalists of the Brill Building era, but in truth he made some very memorable if hopelessly slight pop records, marshaling the enormous talents of the composing team of Gerry Goffin and Carole King to ring up a series of hits in the months prior to the explosion of Beatlemania. Of the 22 tracks compiled on Take Good Care of My Baby, the title cut remains Vee's high watermark. His sole chart-topper, this Goffin/King effort remains a perfect distillation of period-puppy-love innocence with its absurdly milquetoasty lyric and sappy melody. "Punish Her" and the Gene Pitney-inspired "The Night Has a Thousand Eyes" are almost as good, while the minor 1963 hit "Be True to Yourself" documents an early collaboration by the songwriting team of Hal David and Burt Bacharach. Vee's commercial fortunes fell precipitously after 1963, although he returned to the Top Five with 1967's aptly titled "Come Back When You Grow Up." The set concludes with an ill-considered medley of the Temptations' "My Girl" and Goffin/King's "Hey Girl." Whatever Vee's talents, singing R&B was clearly not among them. ~ Jason Ankeny
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Edward Simon & David Binney Fiestas de Agosto From: AllAboutJazz.com Review by: John Kelman Red Records With the possible exception of solo performance, there is no more exposed format than the duet. But while solo playing allows for more complete freedom of interpretation, the duet demands, perhaps, a greater sense of responsibility, without the safety net afforded by larger groupings. In the duet format there is no room for error; risks are taken with the knowledge that there is little to hide behind, and the expectation that one's partner simply has to be there without fail at all times. Still, the duet also provides a great opportunity for liberated interplay; with only one foil there is a chance for greater exploration, as long as the two players are intimately simpatico. Such is the case with pianist Edward Simon and woodwind multi-instrumentalist David Binney, who have been working together in a variety of contexts for over fifteen years. The result ...
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