10CC: Greatest Hits & More DVD Movie

10CC: Greatest Hits & More

List Price	$17.99 (You save $2.84)
Studio	MSI
All Time Sales Rank	41876
CD Universe Part number	7339221
Discs	1
Release Date	Nov 27, 2006
Rating	Not Rated
Movie Details	Color

10CC: Greatest Hits & More Review

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Fleetwood Mac Tusk CDs (1979) Bonus Tracks; Remastered; Deluxe Edition

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This deluxe edition of Tusk includes a bonus disc featuring roughs, outtakes and demos. No home should be without at least one copy of TUSK. Fleetwood Mac's magnum opus of 1979 is considered by some to be their greatest work. And while you are probably familiar with the hits, you may not realize that this recording is full of gems like Christine McVie's gorgeous "Brown Eyes" and Lindsey Buckingham's rousing and infectious "I Know I'm Not Wrong." Of course, even the Nikei industrial average would sound beautiful if it were sung with Christine's wonderful voice. And Lindsey Buckingham's home recordings that show up here are a virtual blueprint for the indie-rock home-recording scene that would flourish nearly 20 years later. While some records from this period seem campy and quaint in retrospect, TUSK still sounds terrific, thanks to those Dashut/Buckingham production values. But what's up with that marching band on the title track? In the spring of 2004, Warner Strategic Marketing reissued as remastered expanded editions Fleetwood Mac's first three albums with Lindsey Buckingham and Stevie Nicks. Tusk restores "Sara" to its original running length (on the previous CD edition, it was offered in a truncated single edit in order to fit the whole album on one disc), and is given a bonus disc with 21 tracks, which is longer than the original double album. Of these, two are previously released single versions of "Think About Me" and ...

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With this album, years of personnel changes ended for Fleetwood Mac with the departure of guitarist Bob Welch. The remaining core of the group (Mick Fleetwood, John McVie and Christine McVie) invited guitarist/vocalist Lindsey Buckingham and singer Stevie Nicks to join, and thus began the most commercially successful period for Fleetwood Mac. With 3 strong songwriters in Nicks, Buckingham and Christine McVie, FLEETWOOD MAC was their first number-1 album. PETER GREEN'S FLEETWOOD MAC, the band's full-length debut, is miles removed from commercially tailored soft rock of Fleetwood Mac's 1970s incarnation. The '60s version of the band, led by guitarist/singer Peter Green, was edgy, psychedelic, and rooted deeply in the blues. Green's love of revved-up 12-bar jams, raw boogie grooves, and shredding electric leads come together beautifully on this album, with the help of slide guitarist/singer/pianist Jeremy Spencer, drummer Mick Fleetwood, and bassist John McVie. With the exception of Spencer, the members had played together in John Mayall's Bluesbreakers, and took the slashing, mercurial sound and lock-step interplay from that outfit and--arguably--improved on it. Though the album is steeped in traditional blues and includes covers of tunes by Robert Johnson ("Hellhound on My Trail"), Howlin' Wolf ("No Place to Go"), and Elmore James ("Got to Move"), the compositions penned by Green ...

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When EMI signed the teenage prodigy Kate Bush, the label claimed that in order to nurture her talent, it wouldn't release her first album until she had a few years to grow up. As a result, her debut, THE KICK INSIDE, didn't see daylight for three years. On the other hand, her second album, LIONHEART, was rush-released only nine months after the success of its predecessor. Fortunately, Kate still had some leftover songs from the debut session, helping make her sophomore effort an equally strong offering. With the wisdom of someone much older, Kate looks at sex, spirituality, and death in "Symphony in Blue"; at childhood in "Peter Pan"; and the trauma of relationships in "Fullhouse" and "Don't Push Your Foot on the Heartbreak." Her handwritten lyrics for the beautiful "Oh England My Lionheart" give her away--the handwriting is that of the 16-year-old she was at the time. As Kate often said in those days, "wow." Japanese pressing of Kate's 1978 album. Comes packaged in a miniature ...

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Kate Bush was never the most prolific of artists; this 1993 album and its attendant singles formed her complete '90s output. Her recordings are carefully conceived, densely orchestrated, and finely tuned, and THE RED SHOES is no exception. Though spontaneity may not be her strong suit, her records are never dull or self-indulgent. Among Kate Bush's most relaxed recordings, THE RED SHOES features a number of guest appearances, notably Eric Clapton, Nigel Kennedy, and Jeff Beck. Highlights include the appropriately bouncy "Rubberband Girl," the double entendre-laden ...