| | PJ Elliott Standin' On The Shoreline CD PJ Elliott Discography of CDs
PJ Elliott has been performing for 20 years. He performs during the summer in upstate New Yorks Finger Lakes Region, and during the winter in California.His first CD "Standin' on the Shoreline", includes covers by Bob Dylan, Neil Young, Van Morrison, Grateful Dead and more, plus the original song True Story (The Bay Street Song) based on true experiences performing (and imbibing) at the Bay Street Hotel in Sodus Point, NY for the past four years every Sunday from Memorial Day until Columbus Day. Standin' On The Shoreline Music PJ Elliott Standin' On The Shoreline Songs | 1. | Late In The Evening |
| 2. | True Story (The Bay Street Song) |
| 3. | Boat Drinks |
| 4. | Just Like Greta |
| 5. | Stuck In The Middle With You |
| 6. | Powderfinger |
| 7. | Highway 61 Revisited |
| 8. | Panhead's Forever |
| 9. | Blue Eagle |
| 10. | Folsom Prison Blues |
| 11. | Shakedown Street |
| 12. | Through My Sails |
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Standin' On The Shoreline Review
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Purchase Standin' On The Shoreline CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling ...
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of ...
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Internationally acclaimed singer, musician, storyteller, bard, Danny O'Flaherty's infectious performance captivates audiences world"Unfiltered and heartfelt, Danny O'Flaherty's music is the product of an intensely personal enthusiasm that makes his work dramatically different" -Brain MacQuarrie, Boston Sunday Globe This irrepressible ...
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Daystar songs are written by co writer of channel 4's drama 'No Angels' theme tune. You could picture the street on a lazy hazy summer afternoon with the sunlight shining through the trees and be anywhere in post war suburban Britain. From out of a garage in the back garden of a 1930's built semi-detached house. over the sound of lawnmowers and Ice cream van melodies drifts the distant sound of 'Daystar'. This places us in Stockport, Cheshire, North of England, only its not summer and its raining. Outside there is a 1980's silver Daimler (which could be described as parked but also could have been abandoned) and once ushered inside through the house into the garage /studio the most striking aspect of the room is the way the 1967 metallic gold and chrome scooter spares blend harmoniously with the retro valve amplifiers, vintage guitars and keyboards. Here we discover 'Daystar' the first significant musical project to emerge from the 'Stone soup' forum conceived by musicians David Cooper and Phil Cuthbert. On this particularly freezing December morning 'Stone Soup' are taking us with Photographer Andrew Moseley to meet 'Daystar' front man Simon Monaghan on the platform of Manchester Deansgate station. 'I am quite a sensitive soul really, a deep thinker' Simon tells us, 'I was born from a rough area with quite a hard upbringing and as soon as I was old enough I just wanted to make something of myself and be accepted and liked by people. Music is one of the many ways I can communicate my emotions to everyone so people can see ...
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Shane Allen Iceberg was born and raised just outside of the "Motor City", Detroit, Michigan. As a child he dreamed of being a musician, but it wasn't until he was 16 that his dream would start coming true. Shane bought a bass guitar and taught himself to play, and within a few months he was performing regularly on the Detroit scene in the first of many local rock and roll bands. Since then Shane has been touring the nation with various artists and bands, performing as sideman or frontman playing lead guitar, keyboards, bass and/or harmonica. His résumé now includes such well-known names as Mitch Ryder, Randy Travis, Tim McGraw, Mindy McCready, Marty Haggard, and The Romantics, among others. Shane studied composing and music theory at the University of Florida where he also learned to play lute, viola da gamba, and acoustic bass. In the spring of 1995, Shane met Shannon Noël in Nashville, TN, and the two began writing and recording their songs together. What followed were a solo album by each, and the newly released "Mr. Holland's Opium". Iceberg's solo album, "Highway Songs", is best described as a blend of alternative-country and rock. It received extensive radio play in several states and in Europe. Immediately upon finishing "Highway Songs" (of which Iceberg was also the producer, engineer, and mixer), he began working on "Mr. Holland's Opium" - a project that seemed to have a life of its own right from the beginning. It led Iceberg and Noël down a different road than the previous albums had, and the finished result was a collection of songs more intimate and personal than either had anticipated. Reaction to "Mr. Holland's Opium" has been nothing but positive, proving what Iceberg and Noël had suspected all along - that they make an excellent team. Also produced, engineered and mixed by Iceberg, "Mr. Holland's Opium" is filled with energetic guitars, hypnotic rhythms and soul-baring lyrics. Shannon ...
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Oklahoma City singer-songwriter John Randolph merges pop, rock, folk, americana, and jazz. His lyrics honestly explore the depths of depression, but with optimistic self-revelation. He writes about the complexities of relationships, a desire for acceptance, and a longing for clarity. Using percussive rhythms and jazz progressions with accessible pop sensibilities, Randolph delivers expressive, Appalachian-tinged vocals. Raised in the Mid-Ohio Valley, John Randolph was handed his father’s trumpet when he was only two years old and surprised his family with one perfect tone. “My ...
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