| | Hitomi Shimatani Dragonfly CD - Import Hitomi Shimatani Discography of CDs
Dragonfly Music | List Price | $33.99 (You save $2.44) | | Category | Japanese Albums | | Label | Phantom | | CD Universe Part number | 7344776 | | Catalog number | 647398 | | Discs | 1 | | Release Date | Jan 23, 2007 |
Dragonfly Review
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$14.99 First installment in this four volume series from the celebrated jazzmen with deep Blues roots, a prolific musical team with exquisite chemistry. Volume One, the only two CD set of the series, comprises the only two albums in which Wild Bill Davis was the primary session leader, and in which his name preceded that of Hodges in the original cover art (Con-Soul & Jazz and Wild Bill Davis & Johnny Hodges in Atlantic City). In addition, we also have the album Blue Pyramid, in which Hodges' name is, as usual, the first one mentioned. The three albums, recorded in 1965 and 1966, were the last small group albums ...
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$20.65 The story of Delta blues starts with Charley Patton's slashing slide style, hoarse and gruff vocals, and unerring ability to enliven and enlarge even the most mundane blues lyric. Patton's 78s have been collected in several fine packages, including the JSP box called Complete Recordings: 1929-1934, Catfish's nifty three-disc budget box called The Definitive Charley Patton (this is a straight reissue of that set via Recall), and the last word in all this, the impressive (and expensive) seven-disc Screamin' and Hollerin' the Blues from Revenant Records. For those without deep pockets, though, this package really has everything at a decent price, including Patton's best-known songs like "Pony Blues," the two-part "High Water Everywhere," "Down the Dirt Road Blues," "High Sheriff Blues," "A Spoonful Blues," and "Revenue Man Blues." Since Patton's rhythms and overall approach can be repetitive at times, casual listeners wondering what all the fuss is about might be better served with a single-disc release (there are several on the market), but Patton's work is both the big bang and the epicenter of country blues, so going a little deeper and springing for this one makes perfect sense. ~ Steve Leggett
The digital remastering on this compilation is just as superior to any previous attempts to transcribe Patton's marginally recorded and preserved legacy as that of the Document discs. And as it is only slightly less thorough -- the Document discs include extra takes on "Elder Green Blues," "Hammer Blues," and "Some of these Days I'll Be Gone" -- this compilation seems the likely choice for anyone with an interest ...
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