| | Kurt Weill & Bertolt Brecht CD Leib / May / Polster / Rotszch / Schreier / Weill CDS
Kurt Weill & Bertolt Brecht Music | List Price | $13.98 (You save $3.29) | | Label | Berlin Classics | | Orig Year | 12/26/2006 | | All Time Sales Rank |  34284  | | CD Universe Part number | 7346173 | | Catalog number | 1375 | | Discs | 1 | | Release Date | Dec 26, 2006 | | Recording Time | 1 10 |
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Kurt Weill & Bertolt Brecht Songs 1. Die sieben Todsünden (The Seven Deadly Sins), ballet: 1. Prolog. Andante sostenuto (31:47)  Windows Media  Real Audio | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Herbert Kegel | | Performer | Hermann-Christian Polster
Gisela May (Voice)
Gunther Leib
Hans-Joachim Rotzsch
Peter Schreier | | Date Written | 1933 | | Country | Germany | | Venue | Kongresshalle, Leipzig, Germany | | Recording Date | 09/1966 | | 2. Die sieben Todsünden (The Seven Deadly Sins), ballet: 2. Faulheit. Allegro vivace (2:30) Windows Media Real Audio | | Common Name | Das Berliner Requiem Cantata For Tenor Baritone Male Chorus & Wind Orchestra | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Henry Krtschil | | Performer | Gisela May (Voice) | | Genre | Cantata | | Date Written | 11/1928-12/1928 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 08/1968 | | 3. Die sieben Todsünden (The Seven Deadly Sins), ballet: 3. Stolz. Allegretto, quasi Andantino (3:54) Windows Media Real Audio | | Common Name | Surabaya Johnny, Happy End Musical Play | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Date Written | 06/1929-08/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 4. Die sieben Todsünden (The Seven Deadly Sins), ballet: 4. Zorn. Molto agitato (4:41) Windows Media Real Audio | | Common Name | Bilbao Song, Happy End Musical Play | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Date Written | 06/1929-08/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 5. Die sieben Todsünden (The Seven Deadly Sins), ballet: 5. Völlerei. Largo (6:36) Windows Media Real Audio | | Common Name | Happy End Musical Play | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Date Written | 06/1929-08/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 6. Die sieben Todsünden (The Seven Deadly Sins), ballet: 6. Unzucht. Moderato (2:26) Windows Media Real Audio | | Common Name | Happy End Musical Play | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Date Written | 06/1929-08/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 7. Die sieben Todsünden (The Seven Deadly Sins), ballet: 7. Habsucht. Allegro giusto (1:35) Windows Media Real Audio | | Common Name | Aufstieg Und Fall Der Stadt Mahagonny Rise And Fall Of The City Of Mahagonny | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Genre | Opera | | Date Written | 04/1927-04/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 8. Die sieben Todsünden (The Seven Deadly Sins), ballet: 8. Neid. Allegro non troppo (3:28) Windows Media Real Audio | | Common Name | Aufstieg Und Fall Der Stadt Mahagonny Rise And Fall Of The City Of Mahagonny | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Genre | Opera | | Date Written | 04/1927-04/1929 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 9. Die sieben Todsünden (The Seven Deadly Sins), ballet: 9. Epilog. Andante sostenuto (4:09) Windows Media Real Audio | | Common Name | Barbara Song, Die Dreigroschenoper The Threepenny Opera | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Genre | Opera | | Date Written | 05/1928-08/1928 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 10. Das Berliner Requiem, cantata for tenor, baritone, male chorus & wind orchestra: Vom ertrunkenen Mäd (2:33) Windows Media Real Audio | | Common Name | Die Dreigroschenoper The Threepenny Opera | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Genre | Opera | | Date Written | 05/1928-08/1928 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 11. Happy End, musical play: Surabaya-Johnny (3:25) Windows Media Real Audio | | Common Name | Die Dreigroschenoper The Threepenny Opera | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Heinz Rogner | | Performer | Gisela May (Voice) | | Genre | Opera | | Date Written | 05/1928-08/1928 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 12/1965 | | 12. Happy End, musical play: Bilbao-Song (2:02) Windows Media Real Audio | | Common Name | Das Berliner Requiem Cantata For Tenor Baritone Male Chorus & Wind Orchestra | | Composer | Kurt Weill (1900 - 1950) | | Conductor | Henry Krtschil | | Performer | Gisela May (Voice) | | Genre | Cantata | | Date Written | 11/1928-12/1928 | | Country | Germany | | Venue | Studio Reichstagufer, Berlin, Germany | | Recording Date | 08/1968 |
Purchase Kurt Weill & Bertolt Brecht To buy, Click on price to add to cart | Cinderella CD (1965) Original Soundtrack
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All music written by Richard Rodgers and Oscar Hammerstein II.
Sony Classical's recording of Rodgers and Hammerstein's Cinderella is a fine version of the musical, featuring strong performances ...
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Houston Symphony ChorusCharles Hausmann, DirectorThe Houston Symphony Chorus, led by Dr. Charles Hausmann, is one of the oldest symphony choruses in the United States. From its founding in 1946 hundreds of singers have sung with the Chorus during its nearly 60 year history. Members are experienced choral singers coming from throughout the community and representing a great variety of professional disciplines. Committed to the performance of masterworks from the choral-orchestral repertoire, these volunteer musicians rehearse weekly for their annual schedule of concerts with the Symphony at Jones Hall. In addition to their regular performance season with the Houston Symphony, the Chorus has performed throughout Europe and has had a 17 year collaboration with the Orquesta Sinfónica de MinerÃa in Mexico City.Dr. Hausmann has been director of the Houston Symphony Chorus since 1986. During that time he has prepared ...
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