Shins Wincing The Night Away CD

The Shins: James Mercer (various instruments, programming); Dave Hernandez (guitar); Marty Crandall (bass guitar); Jesse Sandoval.
Personnel: James Mercer (vocals, guitar, banjo, ukulele, synthesizer, percussion); Chris Funk (lap steel guitar, bouzouki, hammer dulcimer); Paloma Griffin (violin); Marty Crandall (organ, synthesizer, percussion); Jesse Sandoval (drums); Anita Robinson (background vocals).
Audio Mixer: Joe Chiccarelli.
Recording information: Avast! 2, Seattle, WA; Supernatural Sound, Oregon City, OR; The Aural Apothecary, Portland, OR.
Illustrator: Robert Pierce Mercer.
With their music referred to as "life-changing" in the popular 2004 film GARDEN STATE, the Shins, already a revered indie-rock band, recorded their third Sub Pop studio album under the weight of high expectations. Finally, in early '07, the group emerged with the strikingly ambitious and accomplished WINCING THE NIGHT AWAY.
On the opening "Sleeping Lessons," woozy keyboard lines and the wavering vocals of frontman James Mercer immediately announce WINCING as a departure, but slowly the drifting atmospherics give way to a guitar-driven rave-up. Much of the record echoes this more expansive sound, with the shimmering "Phantom Limb" hitting a cavernous crescendo, and the dreamy, synth-laden "Red Rabbits" bordering on ambient territory. Of course, the Shins haven't forsaken their knack for pop-perfect tunes, as best evinced by the exuberant "Australia," proving that they can temper newfound experimentalism with the quirky, easy-going charm that garnered them attention in the first place.
"The Shins will change your life!" That kind of proclamation is loaded with expectations when it's just one friend talking up a band to another, but it's magnified a thousandfold when Natalie Portman says it in a hit movie. The band's popularity was already growing steadily with each album they released, but Garden State took them to another level entirely -- if anyone's life was changed by that praise-filled cameo, it was the Shins'. The expectations and pressure that the Garden State effect brought could've been too much for any band, especially a delicate, wistful one like the Shins. Though they took a little while to deliver a new album, Wincing the Night Away shows that time was well spent. Neither a retread nor a radical departure -- nor, thankfully, a conscious attempt at making "life-changing" music -- the album is a mix of quintessentially Shins songs and tracks that take their sound in subtly different directions. Wincing's clean, borderline slick production is the main concession to the band's post-Garden State fame, but this just makes joyfully sad songs like "Australia" and "Turn on Me" sound like nods to jangly '80s indie instead of jangly '60s guitar pop. "Phantom Limb," Wincing the Night Away's single, is the closest the album comes to the Shins-by-numbers that some fans feared this album would be in the wake of their mainstream success, though the strange, soaring chord change that leads into the chorus keeps things from being too predictable. Actually, many of the album's best moments show how the Shins' music has progressed: "Sleeping Lessons" begins and defines Wincing the Night Away, moving from shimmery opening keyboards to strummy acoustic guitars to a rousing, electrified finish. "Black Wave" is another standout, a stark ballad with chilly layers of electronic textures surrounding James Mercer's plaintive vocals, and "Spilt Needles" continues this dark, dreamy, synth-heavy feel. The band ventures even farther from familiar territory with "Sea Legs"' slinky beat and funky bassline, and with "Red Rabbits"' keyboards, which sound like a cross between dripping water and steel drums. These experiments never feel contrived, and never get in the way of the vulnerable heart of the Shins' music (which beats loudest on the hopeful album closer, "A Comet Appears"). Wincing the Night Away is the sound of the Shins acknowledging where thRolling Stone (p.71) - 3.5 stars out of 5 -- "The melodies are very nearly on par with the curlicues and knockout drops of the band's breakthrough, and Mercer is still singing so lithe and refined you'd think Ray Charles had never existed."
Spin (p.p.87) - 3.5 stars out of 5 -- "[W]istful....WINCING is a purposefully low-impact affair. On the gorgeous finale, 'A Comet Appears,' Mercer picks at a nimble guitar line like it's 3 a.m...."
Q (p.100) - 4 stars out of 5 -- "[S]uper-smart pop music the way they used to make it 20 years ago....The Shins deliver anthems to little people in troubled times. Life-changing, for sure."
Uncut (p.72) - 4 stars out of 5 -- "[E]verything is awash in shimmering production, harmonic flourishes and unexpected textures."
Alternative Press (p.109) - "[T]he bright points are plenty bright..."
Q (Magazine) (p.87) - Ranked #08 in Q's "The 50 Best Albums Of 2007."
Mojo (Publisher) (p.100) - 4 stars out of 5 -- "There are twists, but no clutter, just a gentle lyricism leaving every song lie from the inside. WINCING THE NIGHT AWAY is, on its own quiet terms, a little landmark."