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De La Salle / Foster / Gulbenkian Orch / Liszt - Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD Cover Art
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Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD

 De La Salle / Foster / Gulbenkian Orch / Liszt CDS

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Category Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Concerto
Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Music


Detailed Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Music Information



List Price $16.97 (You save $6.02)
Label Naïve
Orig Year 2/26/2008
All Time Sales Rank   11176  
CD Universe Part number 7349208
Catalog number 5053
Discs 1
Release Date Feb 26, 2008
Recording Time 59 minutes
Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Review


Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Classical Reviews



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Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Songs


Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Songs Detailed Work Information



1. Piano Concerto No. 1, for piano, trumpet & strings, in C minor, Op. 35: Allegro moderato - Allegro v  (22:42)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Dmitry Shostakovich (1906 - 1975)
   Conductor  Lawrence Foster
   Performer  Gabor Boldoczki (Trumpet)
Lise de la Salle (Piano)
   Genre  Concerto
   Date Written  1933
   Country  Soviet Union
   Venue  Fundacao Calouste Gulbenkian, Lisbon, Po
   Recording Date  05/2006
2. Piano Concerto No. 1, for piano, trumpet & strings, in C minor, Op. 35: Lento  (19:22)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Piano Concerto 1
   Catalog No.  S 124
   Composer  Franz Liszt (1811 - 1886)
   Conductor  Lawrence Foster
   Performer  Lise de la Salle (Piano)
   Genre  Concerto / Romantic Period
   Date Written  1835-1856
   Period  Romantic
   Venue  Fundacao Calouste Gulbenkian, Lisbon, Po
   Recording Date  05/2006
3. Piano Concerto No. 1, for piano, trumpet & strings, in C minor, Op. 35: Moderato  (16:37)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Piano Concerto 1
   Composer  Sergey Prokofiev (1891 - 1953)
   Conductor  Lawrence Foster
   Performer  Lise de la Salle (Piano)
   Genre  Concerto
   Date Written  1911-1912
   Country  Russia
   Venue  Fundacao Calouste Gulbenkian, Lisbon, Po
   Recording Date  05/2006


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Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle Music


Elements featured on Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD



Composers on Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD : Dmitry Shostakovich, Franz Liszt, Sergei Prokofiev

Conductors on Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD : Lawrence Foster

Genres on Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD : Concerto, Romantic Period

Performers on Shostakovich, Liszt, Prokofiev: Concertos / Lise De La Salle CD : Gabor Boldoczki, Lise de la Salle

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MASTERS OF THE RENAISSANCEThis release from Gloriæ Dei Cantores features sacred music from one of the most inspired periods in the arts: the Renaissance. Each of the European schools of composition (Italian, Flemish, German, Spanish, and English) is represented by a total of twenty composers, offering a fascinating cross-section of styles and influences. Great masters such as Lassus, Byrd, and Victoria are featured, as well as lesser-known composers such as Hassler, de Wert, and Nanino. The central work of this recording is the Missa super Bella Amfitrit' altera by Lassus, generally considered one of his finest works. Other selections include Anerio's tender and stirring Requiem aeternum and William Byrd's Terra tremuit, which has been described as "one of the most dramatic texts in the whole of music."Masters of The Renaissance The Italian School 1 Exsultate justi Viadana 2:13 2 Mirabile mysterium Vinci 2:28 3 Adoramus te, Christe Nanino 2:22 4 Voce mea Porta 2:35 5 Requiem aeternam Anerio 3:19 Missa super Bella Amfitrit' altera 6 Kyie Lassus 2:12 7 Gloria Lassus 4:10 8 Credo Lassus 6:19 9 Sanctus Lassus 1:25 10 Benedictus Lassus 1:49 11 Angus Dei Lassus 2:07 The Flemish School 12 Ave Maria Clemens 2:17 13 Jubliate Deo Rore 1:43 14 Improperium Lassus 3:08 15 Peccavi super numerum Wert 3:36 The German School 16 Eripe me de inimicia Raselius 2:14 17 Rorate caeli Handl 2:07 18 Dixit Maria Hassler 2:34 19 Verbum caro factum est Hassler 2:56 The Spanish School 20 Duo seraphim Esquivel 1:52 21 Ecce sic benedicetur Morales 3:12 22 O Domine Jesu Christe Victoria 2:47 23 Ego sum panis vivus Esquivel 2:07 24 O vos omnes Victoria 3:28 25 Rorate caeli Guerrero 3:02 The English School 26 O magnum mysterium Byrd 2:31 27 Terra Tremuit Byrd 0:51 28 Laboravi in gemitu Morley 4:54 29 Tibi laus Philips 3:16 Total Time: 79:32 "Gloriae Dei Cantores is the only amateur choir I know of that can beat many a professional ensemble at their own game. Here, in a reissue from 1996, is a generous survey of luscious Renaissance choral music performed in a special venue: Mechanics Hall in Worcester, MA -- a restored 19th century edifice that has hosted many notable historical figures, from politicians to musicians. . . ."I've lost count of the albums I've covered from this group -- what can I say about them without sounding like a broken record? . . . Ms. Patterson is a true choral alchemist, and never fails to draw truly golden sound and beautifully nuanced singing from her hard-working musicians. Sacred illumination is their mission, and they achieve it with spiritual sincerity and power."Recorded sound is especially ravishing, capturing Mechanics Hall's warm, yet detailed acoustic. Excellent notes and full texts." L. Koob American Record Guide January/Febuary, 2007 --------------------------------------------------------------------------------"Is it possible for a mixed choir of 44 voices to sing late Renaissance and early Baroque Flemish, Italian, German, and French antico polyphony in an artistic, historically informed manner? Probably not very often—that is, unless the mixed choir in question is the Gloriæ Dei Cantores. For them, the answer is an emphatic affirmative. This group sings with the clarity and control of a carefully drilled chamber ensemble a fifth their size. Phrasing, intonation, articulation, blend, and color are precisely thought out and perfectly executed." The American Organist August 4, 1997 --------------------------------------------------------------------------------"This is quite an astonishing competitor to such celebrated ensembles as The Sixteen . . . This disc will greatly enlarge most collections of Renaissance motets with rare pieces of outstanding worth, sung with skill and devotion." Fanfare July 4, 1997 --------------------------------------------------------------------------------
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