| | Southern Lean Volume One: Screwed And Chopped CD
Southern Lean Volume One: Screwed And Chopped Music Southern Lean Volume One: Screwed And Chopped Songs | 1. | Fuck Him Fuck Her - Jokaman |
| 2. | Who I Is - Three 6 Mafia/Lil Wyte/Trillville |
| 3. | Dem Boyz - Boyz N da Hood |
| 4. | Back Then - Mike Jones |
| 5. | You a Balla - Chamillionaire |
| 6. | Flow - DJ CFB/B.W.O.T./Southside Smokeshop |
| 7. | Hold Up - Bun B/Webbie/Lil Bosie |
| 8. | Big Spenda - Trina/Louis V |
| 9. | I Here You Talkin - King Koopa |
| 10. | G-Code - Scarface/Bun B/Paul Wall |
| 11. | Love Come Down - Fat Pat |
| 12. | Lil Wayne - DJ CFB/B.W.O.T./Southside Smokeshop |
| 13. | Toot That Booty Up - B.G./Dirtbag |
| 14. | Wait-Whisper - Ying Yang Twins/Jacki-O (Rmx remix) |
| 15. | Flow - DJ CFB/B.W.O.T./Southside Smokeshop |
| 16. | Sittin Side Wayz - Paul Wall |
| 17. | Scandolous Hoe's - Mike Jones |
| 18. | Bonus Track 1 - Frankie D. |
| 19. | Bonus Track 2 - Jokaman |
|
Southern Lean Volume One: Screwed And Chopped Review
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Purchase Southern Lean Volume One: Screwed And Chopped CD To buy, Click on price to add to cart | Dru Hill Enter The Dru CD (1998)
Southern Lean Volume One: Screwed And Chopped
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On their sophomore effort, Sisqo, Nokio, Woody and Jazz drop another gem. Following up on their 1996 debut, ENTER THE DRU finds Dru Hill delivering the same cutting-edge R&B that has made them a worldwide success. Contributions from some of the most talented contemporary writers and producers make ENTER THE DRU a hard album to resist. Super-hitmaker Babyface co-wrote and co-produced the first single, "These Are the Times," while David Foster co-produced the Diane Warren ballad "What Do I Do With The Love." Wu-Tang's Method Man flips a verse on "This Is What We Do."
There are plenty of trademark Dru Hill ballads such as "One Good Reason," "I'll Be The One' and "What Are We Gonna Do." Be sure to check out the Daryl Simmons-produced "The Love We Had (Stays On My Mind)," which is a cover of a classic Dells song. With the huge success of their debut album, one can imagine the inherent difficulty in following it up. ENTER THE DRU is everything Dru Hill fans could want and more.
Producers include: Dru Hill, Dutch, Daryl Simmons, Warryn "Smiley" Campbell, Babyface.
Engineers include: Jon Smeltz, Manny Marroquin, Joe Warlick.
Personnel: Dru Hill (vocals, background vocals); Nokio the N-Tity (vocals, keyboards, drum programming); Sisqó (vocals); Method Man (rap vocals); Sonny Lallerstedt, James Harrah, Michael Hart Thompson (guitar); Cameron ...
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Released in conjunction with the similarly packaged Ghetto Dictionary: The Mystery, Ghetto Dictionary: The Art of War is a 20-track compilation of Bounty Killer tracks organized around a single theme: his supremacy over other DJs. The practice of DJ battling is a long-standing and venerable one in the dancehall reggae world, and Bounty Killer is one of its most respected practitioners. But as impressive as his lyrical flow and powerful delivery are, he is hobbled on this collection by the sameness of the rhythms provided him by a shifting array of producers. His credibility is also somewhat undermined by the relentless and violent homophobia of his lyrics, which run to lines like, "Wipe out the faggot with a pure ...
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Seven years after MALPRACTICE, Reggie Noble returns in a fury with RED GONE WILD. Funkdoc's sixth album ranks among his best work thanks to hot production from Pete Rock, Timbaland, Eminem, Rockwilder, Scott Storch, and ...
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Though they're not nearly as well-known as their Utah-based brethren, the Brooklyn Tabernacle Choir gives those Mormons a run for their money with their first holiday-themed recording. This is a powerfully orchestrated set of new and traditional Christmas tunes, with the choir's impeccably arranged, harmonized vocals backed by a full orchestra. The end result ...
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Kiran Ahluwalia was once a bond trader and is now a full-time musician with a fascinating and unusual mission: she writes and sings modern songs in the ghazal tradition -- one that originated in tenth century Persia and was transplanted to her native India in the 14th century. She also interprets traditional Punjabi folk songs, songs that form the basis of modern bhangra. But her influences range much farther than her native country's cultural traditions; Canada is her adopted home, and on this album she is accompanied by guest artists who include the acclaimed Cape Breton fiddler Natalie MacMaster, whose playing adds a strange but lovely dimension to the beautiful "Jhanjra"; on that track, guitarist Rez Abbasi serves as a stylistic bridge between MacMaster's skirling Celtic lines and the more traditional percussion and sung melody, by playing Indian scales in a bluegrass-inflected, flatpicking style. For the most part, though, this album sounds less like an experiment in cross-cultural fusion than simply an honestly modern version ...
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