| | Knightowl Classics For The Calles CD Knightowl Discography of CDs
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Personnel: Mr. Knightowl (rap vocals).
Additional personnel: Kokane, Slush Tha Villain, Kozme, Brenton Wood.
Classics For The Calles Music Knightowl Classics For The Calles Songs Classics For The Calles Review
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Purchase Classics For The Calles CD To buy, Click on price to add to cart | CD Wallet - 72 Disc Capacity (2001)
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All songs written by Dick Wagner except "Baby Once You Got It" (Don Hartman/Gordy Garris/Bob Rigg).
"Sweet Jenny Lee" opens the album Frost Music like some unholy marriage between the Zombies and Ted Nugent's Amboy Dukes. And that sums up nicely this wonderful amalgam of British and Detroit rock, a surprisingly poppy effort from Dick Wagner and company. As a future purveyor of hard rock, and within the decade, eventual producer of his friend Mark Farner, the English sounds of bands like Kaleidoscope (U.K.) reverberate through songs like "Stand in the Shadows." With hints of very early Pink Floyd meets Strawberry Alarm Clock in track two, "The Family," Frost Music is more than a respectable effort from the young Wagner, and an adventurous offering from the label famous ...
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Singer/songwriter Joe Mannix immediately can be placed in a fine niche of performers such as Michael Penn and Neil Finn. The pop sensibilities oozing from "Silver Girl" on White Flag are quite apparent, as is his above-average lyrics. With vocal and acoustic guitar setting the tone, Mannix also brings Ryan Adams circa Gold on the lovable "Bellerose Hill." "All hail and applaud the wounded modern man," he sings over the traces of roots pop. "Light After the Darkness" is another strong acoustic ballad that reflects a bit of Ron Sexsmith although the humming in the song recalls the melody to "True Colors" by Cyndi Lauper. "Bamboo" has more of a melancholic melody with a faint organ in the distance. The most accessible or radio-friendly effort is the pop/rock of "Higher Intervention." Creating a lofty plateau for himself, Mannix moves into a murky rock area with the title track à la R.E.M.. The appropriately named "Dream" is a brilliant lullaby that the singer takes great care in delivering. "Everyman" comes close to constructing a modern-day approach to Springsteen's or Dylan's early work. Possibly a reference to the events of September 11, the song speaks about standing up for the common person. "Last Gang in Town" has a military drumbeat to it and includes a choir and accordion, but isn't one of the stronger songs. "The Echo" shows Mannix has an ear for quality melodies. If there's one drawback to White Flag, the 16 songs at times travel down the same musical road. But overall, if "Moving On" is a measuring stick, Mannix should be moving into a bigger spotlight shortly. ~ Jason MacNeil
Joe Mannix is a key figure of the New York City songwriter underground, hosting monthly showcases and building a cult reputation with raves from the NY Times, Washington Post and media/airplay in the UK, Spain, Japan, France and more.Joe is constantly touring and garnering airplay, fans and a reputation as a formidable live act either solo or with his trio ("with melody and muscle...the band and their leader held court from the get go" Amplifier, Feb. 2003). This is Joe's first solo album (there were two acclaimed CDs with his pop rock band, Mannix). Recorded in an old dark church in Hamilton, Ontario, ...
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