Good German Soundtrack CD

Good German Soundtrack Music

Category	Rock/Pop Albums, Soundtrack CDs
Label	Varese Sarabande
Orig Year	2007
All Time Sales Rank	77401
CD Universe Part number	7350450
Discs	1
Release Date	Jan 16, 2007
Studio/Live	Studio
Mono/Stereo	Stereo

Good German Soundtrack Review

Guidelines
Remember to focus your comments on Good German Soundtrack CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

Good German Soundtrack CD

Good German (2006) Full Frame; Dubbed; Subtitled; Black & White 4 stars

$14.39

Ads by Google (turn off ads)

To buy, Click on price to add to cart

Also Bought

Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack

Good German Soundtrack

$9.58

Also Bought

Grease CD (1978) Original Soundtrack

Good German Soundtrack

$10.49

Also Bought

Cadillac Records CD (2008)

Good German Soundtrack

$11.39

Based on the story of Leonard Chess, the co-founder of the legendary Chess Records label, CADILLAC RECORDS is a film that chronicles the rise of one of America's great recording institutions. Throughout the 1950s and '60s, Chess was the premiere label for blues and R&B, putting out music by such iconic talents as Howlin'Wolf, Muddy Waters, ...

Also Bought

Coyote Ugly CD (2000) Original Soundtrack

Good German Soundtrack

$6.15

Personnel: Tim Pierce (guitar); Alan Pasqua (piano); Jamie Muhoberac (keyboards); Curt Bisquera, John "J.R." Robinson (drums); Nikki Harris, Sue Ann Carwell ...

Also Bought

Rick Wakeman Myth & Legends Of King Arthur & Knights Of Round. CD (1975)

Good German Soundtrack

$8.15

Also Bought

Sixx Am Heroin Diaries Soundtrack CD (2007)

Good German Soundtrack

$12.15

John Scofield Hand Jive CD (1994)

Good German Soundtrack

$9.09

Hip Hop Reformed & Reborn Higher Ground: Hip-Hop Reformed & Reborn (Music From And Inspired By The Film Higher Ground) CD (2004)

Good German Soundtrack

$14.69

Ashlee Simpson I Am Me CD (2005) (Import) Bonus Tracks; Japan

Good German Soundtrack

$36.79

CD contains 1 bonus track.
Ashlee Simpson's first album was an Autobiography and her second is I Am Me -- clearly, she has a burning need to express herself, to explain who she is and why she is. Or, as she puts it on the title track, "I am me and won't change for anyone," which is a little ironic since the Ashlee of her 2005 sophomore effort is quite a bit different than the Ashlee of her 2004 debut. First off, there's her look. Gone are the dark, dyed locks; back is her natural blonde hair. Gone are the bright, happy colors and cute Ashlee depicted on the cover of Autobiography. In its place is a dark, shadowy black-and-white portrait of the singer on the cover, topped off by thick, gothic lettering. All of which makes Ashlee Simpson the first person in history to go goth by going blonde. Ashlee, with her co-songwriters John Shanks and Kara DioGuardi (Shanks also produces), has had enough with the fun, deciding that the time is ripe to prove Simpson is a serious artist. But she's really a celebrity, a creature of pop culture who lives her life on MTV and in tabloids, and then writes songs about the whole ordeal -- so, if you have any passing knowledge of US Weekly, Star, VH1's Best Week Ever, or such pop culture-saturated blogs as Pinkisthenewblog, you will have a context for these songs. You'll know, for instance, that she broke up with fellow tween-pop starlet Ryan Cabrera and hooked up with That 70s Show's Wilmer Valderrama (aka Fez), prompting a feud with Lindsay Lohan. Armed with this, it's easy to hear "Boyfriend" -- as in "I didn't steal your..." -- as a retort to Lohan, to imagine the plaintive breakup ballads being sung to Cabrera, to think of Wilmer as the subject of her new love songs, and to picture her posse from MTV's Ashlee Simpson Show when she sings about her girls being total best friends forever.
While some of the songs on I Am Me do skirt typical adolescent themes, Simpson no longer sounds like she's sorting things out; she sounds sullen and defiantly complacent. Avril is still a touchstone, partially because Lavigne's mall-punk is at the foundation of Ashlee's pop, but also because this is as somber as Avril's second album. Yet I Am Me is hipper, or at least plays younger, since it flirts with dance and, especially, the '80s revivalism of the new millennium. When she flirts with dance, she either references dance-pop godmother Madonna -- explicitly so, since "Burnin Up" borrows its title from Madge's first confession from the dancefloor -- or Gwen Stefani (on "L.O.V.E.," spelled out as if it were bananas). While Ashlee uncannily sounds like Courtney Love when she snarls out the title ...

Koten Kotenko Animation Soundtrack CD (2006) (Import)

$38.09

Genesis In The Beginning CD (2007) U.S.; Bonus Track

Good German Soundtrack

$14.15
Additional Tracks Personnel: Sue Richman (vocals).
This 1967 album kicked around cutout bins well into the 1970s, enticing, confusing, and ultimately frustrating fans of the better-known British band of the same name. It deserved a lot better than that curio status -- the fact is, it's a lost psychedelic-era treasure, and an unusual one as well, coming from an L.A.-based band that generated a version of the "San Francisco sound" perfectly and naturally, maybe better than some of the originals. Much of In the Beginning could pass for the work of the Jefferson Airplane in their heyday, singer/rhythm guitarist Jack Ttanna and vocalist Sue Richman harmonizing beautifully but with a hard, gritty sound when they needed it. Based on the evidence here, Bob "Crusher" Metke and Fred "Foxey" Rivera might not have been Spencer Dryden and Jack Casady, but their playing was solid enough. At other times, the album is a throwback to the softer folk-rock sounds of 1966-1967, yet Kent Henry's angular lead guitar manages to intersect -- at different moments -- with the kind ...