| | Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra CD Mallon / Pichl / Toronto Chamber Orchestra CDS
Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra Music | List Price | $8.97 (You save $2.38) | | Label | Naxos | | Orig Year | 1/30/2007 | | All Time Sales Rank |  14674  | | CD Universe Part number | 7352201 | | Catalog number | 8557761 | | Discs | 1 | | Release Date | Jan 30, 2007 | | Recording Time | 1 13 |
Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra Review
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Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra Songs 1. Sinfonia in C major, "Calliope", Zakin 11: Grave e maestoso (14:26)  Windows Media  Real Audio | | Composer | Wenzel Pichl (1741 - 1805) | | Conductor | Kevin Mallon | | Venue | St. Anne's Church, Toronto, Canada | | Notes | St. Anne's Church, Toronto, Canada (01/02/2005-01/05/2005) | | 2. Sinfonia in C major, "Calliope", Zakin 11: Andante (sempre piano) (18:27) Windows Media Real Audio | | Composer | Wenzel Pichl (1741 - 1805) | | Conductor | Kevin Mallon | | Venue | St. Anne's Church, Toronto, Canada | | Notes | St. Anne's Church, Toronto, Canada (01/02/2005-01/05/2005) | | 3. Sinfonia in C major, "Calliope", Zakin 11: Minuetto (17:11) Windows Media Real Audio | | Composer | Wenzel Pichl (1741 - 1805) | | Conductor | Kevin Mallon | | Venue | St. Anne's Church, Toronto, Canada | | Notes | St. Anne's Church, Toronto, Canada (01/02/2005-01/05/2005) | | 4. Sinfonia in C major, "Calliope", Zakin 11: Finale: Allegro assai (20:48) Windows Media Real Audio | | Composer | Wenzel Pichl (1741 - 1805) | | Conductor | Kevin Mallon | | Venue | St. Anne's Church, Toronto, Canada | | Notes | St. Anne's Church, Toronto, Canada (01/02/2005-01/05/2005) |
Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra Music Composers on Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra CD : Wenzel Pichl Conductors on Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra CD : Kevin Mallon Purchase Pichl: Symphonies / Kevin Mallon, Toronto Chamber Orchestra To buy, Click on price to add to cart | Roland Greutter Ulrich Leyendecker: Violin Concerto; Symphony No. 3 CD (2005)
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Track Listing of songs: Variations On Swedish National Airs, ...
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The three themes of this CD are extracts of the "Projections" Collection, and allow the listener to discover this work.The « Projections » collection relies on numerous clinical studies to offer a musical support - which has shown itself to be effective - for those who seek to improve their personal well-being. Numerous testimonies emphasize its unique capacity to put each one in touch with his problematic characteristics, thereby shedding light upon his personal search for 'meaning'.Making this music resonate along with the mental and affective sphere in each person can serve to reveal and activate the subconscious and its driving archetypes. It is therefore particularly recommended for use by psychotherapists and sophrologists... but at the same time for use by retirement homes - in particular for the treatment of Alzheimer's disease - for palliative treatments... and, generally speaking, ...
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The recording of the Tchaikovsky Violin Concerto marks the end of a long, long project of mine. I remember clearly when I first heard the piece. Violinist Robert McDuffie, and his performance of the Mendelssohn concerto in Spartanburg, SC under the baton of Sir Yehudi Menuhin, had inspired me to completely immerse myself in the repertoire and to learn the violin. My dad had an old LP recording of the Tchaikovsky performed by Jascha Heifetz. However, the reaction was a bit different from the Mendelssohn. It only took the first movement, particularly the several bars of double stops starting at bar 176, for me to come to a similar conclusion of the first critic of the concerto: the violin was not played, but rather "beaten black and blue". Eventually, the piece began to grow on me and now, although I wouldn't say it's one of my top favorites, I love it. It's full of a lot of interesting, very distinct soloing. I think this concerto is one of the more different ones in the Romantic repetoire. It's not as mysterious or dark as the Sibelius or as emotional as the Bruch but it's got a certain amount of ingenuity to it that makes it stand out the most perhaps. I began the transcription in London in 1991 and completed it a few years later after it dawned on me that a full transcription was in reach. Looking back, I wish I had chosen a piece that wasn't as monstrously difficult. In fact, for violinists, this is definitely one of the most difficult (probably the most difficult) of the Romantic concertos. Brahms had Joachim to advise him on the solo part, Mendelssohn had David, Saint Saens had Sarasate, and Sibelius was an aspiring violinist himself. Tchaikovsky had no consultation and no firsthand knowledge. The result is solo writing that is sometimes unwieldy (it’s original dedicatee, Leopold Auer, even declined to play it stating that it was “impossible”). At the same time, I was happy at how well the piece adapted to the guitar. The transcription is probably about 99 percent accurate to the original violin part. Recording the piece was a frightening ordeal ...
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