| | Michael Benjamin Mika CD - Import Michael Benjamin Discography of CDs
 (1 Customer Review)
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Our Price: $34.29  CDFor Sale Limited Availability
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Mika Music | List Price | $48.99 (You save $14.70) | | Category | Jazz Albums | | Label | Disco Car | | CD Universe Part number | 7353003 | | Catalog number | 1101677 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Michael Benjamin Mika Songs | 1. | Michael Benjamin 01 Intro (Hati) |
| 2. | Michael Benjamin 02 Bl Fanm |
| 3. | Michael Benjamin 03 Yon Ti Chans |
| 4. | Michael Benjamin 04 Interlude 1 |
| 5. | Michael Benjamin 05 I'm Sorry |
| 6. | Michael Benjamin 06 Pakab Ank |
| 7. | Michael Benjamin 07 Sonje |
| 8. | Michael Benjamin 08 Interlude 2 |
| 9. | Michael Benjamin 09 Si'm Te Gen Zl |
| 10. | Michael Benjamin 10 Depale |
| 11. | Michael Benjamin 11 Count On Me |
| 12. | Michael Benjamin 12 Interlude 3 |
| 13. | Michael Benjamin 13 Paradi |
| 14. | Michael Benjamin 14 Fanatik |
| 15. | Michael Benjamin 15 MYC Party (Blkp Remix) |
| 16. | Michael Benjamin 16 Over You |
| 17. | Michael Benjamin 17 Ble E Rouj |
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Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing that jazz, for the most part, lost after World War II). Of course, one doesn't necessarily rule out the another; the late saxophonist Grover Washington, ...
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The woman who played fiddle and sang on Carl Cacho's excellent Spark album releases a dreamy and elegant 50 minutes of music over 13 titles. Kris Delmhorst's Songs for a Hurricane do not overpower like Stacie Rose's and Deb Pasternak's fine and more rocking endeavors. This artist is subtle in her approach with music that comes up behind you and a voice that breathes through the speakers. The eight-page booklet stretches the lyrics to all the songs in scroll-like fashion down four of the pages, a good way to get this extensive material into the listener's hands. The packaging is very old world with a weather vane pointing southwest. "Blow me down and leave my lying in your wake," she sings on the title track, and there's no doubt it's a passionate albeit dysfunctional relationship, commentary that the person in question would "rage" and "rain" and how "you could see it coming on for miles." Boy, hasn't everyone been there. It's music to take to heart, and though Neil Young made a similar comparison on his original while Bob Dylan was referencing fighter Rubin Carter, Delmhorst uses track eight to wake the sleeping giant, having lulled you into a trance with "Waiting Under the Waves," and on "Weathervane" she does dip into that world where Rose and Pasternak explode on record. The production by Delmhorst and Billy Conway is commendable, and the different instruments by a host of musicians find their place, all the elements part of a fabric. The singer doesn't use her voice to command the album as most artists do, but there are textures here, flashes of lyrical brilliance with lap steel guitars, accordion, xylophone, fiddle, and cello weaving in and out.Songs for a Hurricane is not an album for one sitting; it's a complex and deep work that begs for your attention, demanding you listen with careful ear. "Now it's Somerville Avenue rain/the night's coming down," the album reads like existential poetry with musical accompaniment, "Wasted Word" and "Short Work" tunes worth noting. Captivating and very intriguing. ~ Joe Viglione
Growing up in Brooklyn with one ear permanently glued to the radio, a multi-instrumental education, a four-part-harmony-in-the-car family, notebooks full of poetry, and a voracious curiosity for the inner workings of music from the Beatles to Tom Waits, Jimmy Reed to John Coltrane, Led Zeppelin to Dvorak to The Smiths, Kris Delmhorst was a songwriter waiting to happen. As it turned out, there was a while to wait, as her path wound through a studio art degree, a time living and working on a remote homestead farm in Maine, a journey by thumb around Ireland learning the fiddle from various old-timers, a turn on the crew of a seagoing schooner, and a stint teaching an outdoor program to 5th graders on Cape Cod before the right combination of skills and experience suddenly led to the appearance of the first song in Delmhorst's own voice. That beginning effort has since evolved into a body of work that reflects the wide-ranging travels of an inquisitive artist, songs with pavement under their feet or dirt under their fingernails, or sometimes out of sight of land altogether. Delmhorst's third CD "Songs for a Hurricane," set to be released in August 2003 on Signature Sounds, is the latest stride in a career she's built in classic Do-It-Yourself fashion, touring the country incessantly and releasing her music independently. And clearly she's doing something right, having sold 25,000 copies of her first two discs, "Appetite" and "Five Stories", on the strength of strong performances and ...
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Roy Ayers (vibraphone); Moe Daniels (Fender Rhodes piano, keyboards); JK (keyboards, vocodor, acoustic guitar, bass, programming); Dinky Bingham, Kirk Johnson (keyboards, programming); James Lloyd (keyboards); Fareed (acoustic guitar); Mike Scott (guitar); Kevin Walker (bass); Omar Hakim, Greg Philips (drums); ...
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