| | Wilderskies CD John Loughman Discography of CDs
Wilderskies Songs | 1. | The Forest |
| 2. | Wilderskies |
| 3. | Golden Rendezvous/Flying Time |
| 4. | Barcelona |
| 5. | Indigo Angel |
| 6. | Invisible |
| 7. | Space |
| Wilderskies Review
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Purchase Wilderskies CD To buy, Click on price to add to cart | Irish Tenors The Irish Tenor Christmas CD (2009)
Wilderskies album
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Wilderskies CD music
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| | Jenni Scott CD (2006)
Wilderskies music CDs
$7.99 Jenni Olson Scott is an active orchestral and chamber music performer in the Los Angeles area. She performs regularly with the chamber group Orion Winds which she co-founded and has played with various orchestras such as Santa Monica Symphony, Redlands Symphony and the Pacific Symphony. She is currently principal flute with the Stockton Symphony and second flute with the Long Beach Symphony. Performers she has worked with include John Williams, Tony Bennett, Stevie Wonder, Dianne Reeves, Jerry Goldsmith, Terence Blanchard, Kelsey Grammer, John Lithgow, Quincy Jones, and Herbie Hancock. Jenni also teaches flute at Citrus College and Music Appreciation at Pasadena City College. She is also an accomplished soloist, and has performed concertos with the California State University Stanislaus Symphony, the Modesto State Theater Orchestra, the Henry Mancini Chamber Orchestra, The University of Southern California Wind Ensemble, and the Westchester Symphony.Shiny Kiss refers to stage lights bouncing and reflecting off a metal flute, and the sensuous way a flutist's mouth embraces the embouchure. This simple hollow tube is the vehicle for such passionate expression, and just watching expert lips coaxing music from it can be a nearly voyeuristic experience. Published by Activist Music. alexshapiro. org (Program notes and poem by Alex Shapiro)Three Pieces for Trio was written for me by my dear friend Bear McCreary. He created a fun piece that utilizes the flute, accordion and bass in non-traditional ways. bearmccreary I had the privilege of performing the first movement of Daniel Kelley's Suite for Piccolo and Piano at the 2005 Flute Convention in San Diego. It was such a fun experience that I decided to record the entire work. Published by Last Resort Music; lastresortmusic Cameo for Flute by Henry Mancini was written for James Galway. My wonderful husband arranged this dazzling work for flute and guitar.M.jay was written for the performing ensemble by my husband Mike Scott. mikescottguitar Bachianas Brasileiras No. 6 by Villa-Lobos is a challenging, but fun work for flute and bassoon. It is one of my favorite pieces of chamber music because it takes advantage of the myriad textures and timbres that these instruments can make. For Embers of Agni, Steve Gates looked to the fireflies and their environment as a starting point for the composition of the piece. He developed an imaginary mythology ...
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Wilderskies songs
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| | Vladimir Fedoseyev, conductor The USSR TV and Radio Large Symphony Orchestra Ludwig Van Beethoven. "Creatures Of Prometheus", Ballet. CD (2007)
Wilderskies album
$25.29 Prometheus was the son of the Titan Iapetus, brother to Kronos who was the father of Zeus. Prometheus means "Forethought". He was the wisest among the Titan Gods. Stories describing Prometheus' deeds can be found in both Greek and Roman mythologies. There are several versions of the myths. The most famous of them tell that Prometheus created man and later stole fire from Mount Olympus to save mankind: Zeus and the gods felt they received no respect from men. They plotted to wipe humanity out and create a new race. Prometheus decided to help people and brought to them fire, science and art. As a punishment, Zeus ordered Prometheus to be chained in the Caucasus Mountains for eternity. Each new day an eagle (in some versions a vulture) would come and rip out his liver and each new day the liver would regenerate. The cycle continued until Hercules killed the eagle and freed Prometheus. Prometheus has often been described as the Christ character in Greek mythology since they saw him as the redeemer and saviour of humanity. Beethoven considered the Prometheus self-sacrifice as the highest form of heroic action. The usage of musical material from "Creatures of Prometheus" in the "Eroica" symphony and "Eroica" Variations for piano confirms this assumption. Other versions of the myths don't credit Prometheus with the creation of men, but describe how he refined them through science and art. Sometimes Beethoven's Prometheus is not considered as the fire-bringer, but the "lofty soul, who drove ignorance from the people of his time, and gave them manners, customs and morals". (Sounds like it would be very helpful also today!) ...
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