| | London Theatre Orchestra & Cast Tommy Soundtrack CD - Import
London Theatre Orchestra & Cast Tommy Soundtrack Songs | 1. | 1921 |
| 2. | Amazing Journey |
| 3. | Eyesight To The Blind |
| 4. | Christmas |
| 5. | Cousin Kevin |
| 6. | Acid Queen, The |
| 7. | Pinball Wizard |
| 8. | Go To The Mirror |
| 9. | I'am Free |
| 10. | Sally Simpson |
| 11. | Sensation |
| 12. | We're Not Gonna Take It |
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Tommy Soundtrack Review
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Purchase Music From Tommy CD To buy, Click on price to add to cart | Rockstar Rock Star CD (2001) Original Soundtrack
Tommy Soundtrack album
 $9.99   
The most booty-kickin' spoof Metal group to come down the pike since Spinal Tap is Steel Dragon, the Mark Wahlberg-fronted hair band in the film ROCK STAR. Along with other '80s metal tracks and modern tunes, this soundtrack makes for a great listen.
ROCK ...
| | Paint Your Wagon CD (1969) Original Soundtrack
Tommy Soundtrack CD music
$7.79 
The movie Paint Your Wagon was an attempt to update the plot of an old stage musical by Alan Jay Lerner and Frederick Loewe, with new songs by André Previn and Lerner. The soundtrack is a peculiar release; in purely musical terms, it would only be of interest to dedicated fans of Harve Presnell (who performs "They Call the Wind Maria") and Anita Gordon, who acquits herself well singing Jean Seberg's part on "A Million Miles Away Behind the Door." It is Clint Eastwood and Lee Marvin, however, who do more of the singing here, and while they might not be of much interest musically, there is a certain "Golden Throats"-type allure to their songs. Neither reveals any hidden musical talents, though Eastwood does the better job of the two on his songs, particularly "I Still See Elisa." The Nitty Gritty Dirt Band also spent time working on the movie, both on camera and on the soundtrack, but their major surviving contribution is "Hand Me Down That Can O' Beans," in which they share the ...
| | Easy Rider CD (1969) Original Soundtrack
Tommy Soundtrack music CDs
$6.49
| | Stand By Me CD (1986) Original Soundtrack
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| | Iron Eagle CD (1986) Original Soundtrack
Tommy Soundtrack album
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| | Phantom Of The Opera (1987)
Tommy Soundtrack CD music
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| | Dionne Warwick Greatest Hits (1979-1990) CD (1989)
Tommy Soundtrack music CDs
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| | Flux Of Pink Indians Fucking Cunts Treat Us Like Pricks/Taking A Liberty CD (1984) (Import) Import; United Kingdom
Tommy Soundtrack songs
$19.69
| | Homegirls Of Soul CD (2001)
Tommy Soundtrack album
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| | Boy Friend CD (1955) Original Soundtrack
Tommy Soundtrack CD music
$13.49
The Boy Friend is billed on the cover of the original Broadway cast album as "a musical comedy of the 1920s," which is not the same thing as being a musical comedy actually written and produced in the '20s; in fact, composer/lyricist/librettist Sandy Wilson's show originated as a pastiche of '20s musicals like No, No, Nanette for the delectation of members of a London theater club in 1953, then was expanded for a West End production and finally imported to Broadway starting on September 30, 1954. Wilson knew his sources well, and the songs heard here have obvious antecedents to the work of Jerome Kern, Rodgers & Hart, Noël Coward, and Irving Berlin. The cast has been replaced entirely from the London version with a combination of British and American performers. There are also other changes from the first cast recording issued in the U.K. by HMV Records. The piano/bass/drums trio that served as accompaniment has been replaced by the 13-piece jazz band Paul McGrane & His Bearcats, and the score has lost one song ("It's Nice in Nice") and gained two ("The 'You-Don't-Want-to-Play-with-Me' Blues" and "Safety in Numbers"), which were actually in the British production but didn't fit onto the 10" LP. (Also due to the time restrictions on the short HMV recording, the versions of the songs that are common to both albums are given more complete performances on the Broadway disc.) But there are really two main differences. First, while the London cast clearly had their tongues in their cheeks, the New York one is playing things a bit straighter. It's not that they are investing the deliberately lightweight, formulaic material with any real conviction, just that they are performing it as if it were a real period show, without emphasizing the three decades that have ensued since the '20s. Second, the ingénue is played by 19-year-old Julie Andrews in her Broadway and American recording debut. Her warm, precisely articulated British voice makes an immediate impression in the title song as well as "I Could Be Happy with You" and the Coward-like "A Room in Bloomsbury," marking the emergence of a major talent in the musical theater. With these advantages, the original Broadway cast recording of ...
| | Eric Serra Rxra ( English Version, 12 Trax) CD (Import)
Tommy Soundtrack music CDs
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| | Border & Alamo Bay The Border / Alamo Bay CD (2006) (Import) Australia
Tommy Soundtrack songs
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The folks at Raven Records in Australia must have a blast assembling projects. This pairing of two 1980s Ry Cooder soundtracks is a case in point. The Border, composed and released in 1982, was the soundtrack to Tony Richardson's film The Border, and 1985's Alamo Bay was directed by Louis Malle. The interesting thing about these soundtracks is that they come immediately after Cooder's successful collaboration with Walter Hill on The Long Riders and Southern Comfort, and as the before-and-after bookends to his enigmatic score for Wim Wenders' Paris, Texas. The score for The Border is perfectly balanced. Cooder's slide work is always touted, but also noteworthy is his ability to virtually disappear in the mix when collaborating with Flaco Jimenez, Freddy Fender, Jim Dickinson, Jim Keltner, and Sam "The Sham" Samudio. The haunting title track, "Across the Borderline," sung by Fender, is among the most beautiful and literate cuts Cooder has ever written. The cantina music by Jimenez and Samudio is utterly evocative. Check the tunes with Samudio on vocals, such as "Palomita" and "No Quiero," to get the laid-back, sun-up feel. Then there's John Hiatt. Hiatt was at the beginning of his association with Cooder. He helped to pen some of the better cuts on the set, including the aforementioned "Across the Borderline" and the bluesy garage rock jam "Skin Game." His high-whine vocals are perfect for the tension between cultures and reflect the conflict of Jack Nicholson's character as a principled U.S. border guard. Alamo Bay, Malle's picture that pits American shrimpers against refugee Vietnamese on the south coast of Texas, is another study in contrasts. Once more, Cooder assembles an all-star band that includes Hiatt, ...
| | Vladimir Cosma 40 Films CD (2009) (Import)
Tommy Soundtrack album
$105.15
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