Dean Martin Happy Feet CD - Import

Eddie Gomez, 2003"Both Sides Now (...) is a jazz jewel in the whole sense of the word (...) pours cohesion, fluidity, feelings and a symbiosis between the Puerto Rican protagonists as you haven't heard them before in a Cd of this style (...). The phrasing, the melody and the dialogue between both artists brings a fresh and curious air to the repertoire". Jorge Melendez. (2003). Escenario / El Vocero; San Juan, P.R. " A delivery that exudes a particular chemistry of much feelings and sensibility, as if pianist Carli Muñoz and bassist Eddie Gomez had shared -in another life- their love and respect for swing, blues, improvisation and other elements inherent in good jazz(...) I got three surprises. I found a fabulous club, where the food was terrific and the music was in a high level with Carli and his trio. We met, we talked, and the different influences on Carli -such as Oscar Peterson, Bill Evans, and Bud Powell- resulted obvious to me, but most of all I liked the fact that Carli was developing his own voice in jazz, explained Eddie Gomez". Jaime Torres Torres, El Nuevo Día (01/13 /2004), San Juan P.R. As if we were in New York witnessing a be-bop or hard-bop or swing recital at the Iridium Jazz Club & Restaurant or at the basement of the Village Vanguard, the audience went dumb to the first cord Carli played at the grand piano(...) His block cords, his dominion over the octaves, his fine digitation, and his expressive phrasing in tunes such as "Be my love","Katira Waltz", -a romantic and passionate, pastoral love confession to his wife Katira- and his version of Consuelo Velázquez' Besame Mucho earned the unanimous applause from a crowd that at the end did not know how to exit the event.". Jaime Torres Torres, El Nuevo Día (01/16 /2004), San Juan, P.R. "The desire to help the masses on the island better appreciate jazz has united the artistic expressions of Old San Juan's "piano man" and those of a pioneering Puerto Rican bassit bred in NY whose resume includes playing with Miles Davis and Bill Evans(...)(...) the music flows naturally with a comon thread uniting the beautiful melodies, the phrasings and solos. (...) the listener can truly appreciate the brilliance of Gomez and Muñoz' creative and expressive musical dialogue.