| | Palehorse Split CD Palehorse Discography of CDs
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Our Price: $10.39  CDFor Sale Limited Availability
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Recording information: 51 Lions (2006); Raw Recordings, NY (2006). Palehorse Split Songs | 1. | Marital Law | |
| 2. | Bleed the Sheep | $0.99 | |
| 3. | Holding On | $0.99 | |
| 4. | Badlands, The | |
| 5. | Slavedriver | |
| 6. | Regulator, The | |
| 7. | Counting Lessons in Purgatory | |
| 8. | Kiss Me Goodbye | |
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Split Review
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| | Sasquatch II CD (2006)
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It's one thing for a power trio hailing from trendy L.A. to go consciously against the grain, embrace a musical genre as unfashionable as classic, retro-hard rock with stoner nuances, and call themselves Sasquatch, of all things. But when that band's impressive first album handily puts contemporary efforts of most other, truly backwoods-living denizens (Bigfoot and human alike) to shame, well then the triple heaping of insult upon injury upon irony must have made for quite a few hard-to-swallow chicken-fried-steak dinners in the stoner rock wilderness. Even worse (for the competition, not the fans), Sasquatch have done it all again -- and more -- with their modestly titled second album, II. The first minor but essential change worth noting is how Sasquatch have done away with a few of their debut's '90s stoner rock vestiges (creepy spoken intros ...
| | Chase Martin Smokin' Room CD (2006)
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Chase Martin is not your typical singer/songwriter; he is an artist whose desire is to relate to the listener through sharing his own experiences within the musical landscape he creates. Chase, a native of Oakland, California began his musical interests around age 5 “Music was always a part of my everyday life since I can remember, I couldn’t imagine existing without it in my life”. Chase began auditioning for school musicals & plays in addition to becoming a member of the world-renowned award winning Love Center Choir in the ministry of Bishop Walter L. Hawkins. Within his high school years Chase discovered an interest in songwriting which in turn served as a canvas for his thoughts and experiences “Songwriting for me is my way to share myself with the listener, it’s like talking to a friend about situations we all can relate to”.In 2004, Chase embarked on what would be the beginning of his pursuit of a career in a professional capacity. Chase ...
| | Joan As Police Woman Real Life CDs (2006)
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Joan Wasser sings her jazzy, personal love songs in a fragile, paper-thin voice that recalls both the early-21st-century performer Norah Jones and the 1960s Greenwich Village singer Karen Dalton. "Christobel" is a gothic-tinged love song incorporating a deft violin solo (Wasser has played violin with Lou Reed, Rufus Wainwright, and the Scissor Sisters, among others), and her duet with Antony, of Antony and the Johnsons, on "I Defy," displays a sensibility that intriguingly combines pop with the avant-garde.
Joan Wasser spent most of the '90s and 2000s playing with everyone from the Dambuilders to Antony and the Johnsons to Jeff Buckley (with whom she was involved when he died), but of all the projects she's been involved in, Joan as Police Woman is the the finest. Real Life seems like an immediately brilliant debut, but, as is usually the case, years of experience went into it. You can hear it in Wasser's voice, womanly and raspy; in the way she and the rest of the band fuse soul, post-punk, and '70s-style singer/songwriter pop into something familiar, unique, and seemingly effortless; and in the remarkable vulnerability and strength on display throughout. Wasser took "beauty is the new punk rock" as the manifesto for Joan as Police Woman, and while it's certainly catchy and describes the group's music, there's more to it than that: in Joan as Police Woman's world, it's more challenging, more unexpected, to honor hope and beauty instead of just tearing things down. Real Life's music and words are filled with plenty of spine-tingling beauty, as well as honesty, from how the simmering strings slowly overtake the lilting piano melody on the title track, to the way Wasser offers up her heart on "Anyone": "Try me please/I'm a better dancer than it seems." Even in the supposedly confessional realm of singer/songwriters, it's rare to hear this kind of genuine, nuanced emotion; it's even rarer to have it surrounded by music that's beautifully structured and elegantly played. There is no contrived edginess in Joan as Police Woman's work -- in fact, Real Life's warmth and accessibility might be the most (pleasantly) surprising thing about it. Most ...
| | Brothers 3 Far From Home CD (2008)
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Brothers 3 has become an enormously popular fan favorite at music festivals and concert venues across Texas. What’s their secret recipe? Take 6 men and 1 woman, add over 20 different instruments ranging from washboard to wind synthesizer, blend in 6 vocal harmonies, dozens of musical styles, and season with a unique sense of humor. Apply megawatts of energy, and what have you created? Listen and find out!ABOUT BROTHERS 3Brothers 3 came into being in January, 1997, when—following the usual Menikos family Christmas dinner— Mark and Tom got to talking about their respective day jobs and musical lives. For the purposes of protecting the innocent and preventing backlash, let's just say that things could be better.Mulling over the conversation later, Mark decided that the time had come to implement a long-held dream to create a folk and world-music group that combined traditional melodies and rhythms with contemporary instruments and musical settings. Even before all the details were clear in his mind, Mark contacted Tom and they talked a long time about this idea — the first time ever that these brothers would play together in an ongoing venture. The excitement started brewing. Tim was brought in, and in early the next month, Brothers 3 had its first rehearsal.At first, it was indeed just the three brothers: Mark on violin, Tom on guitar, and Tim on bass, with all three singing carefully constructed harmonies. It was a little shaky at first. Brothers 3 decided they would concentrate on music and song from the British Isles before expanding outward to include their Greek heritage and other musical traditions. The Menikos boys moved quickly to weekly rehearsal schedule. Everyone looked eagerly forward to these sessions. Later, as things began to jell, the brothers decided to expand the possibilities by moving Tom to drums and percussion and replacing him on guitar with another player. It was a big step to add someone else. The name, "Brothers 3", would no longer be completely descriptive, and of course there was the usual issues. Would he/she get along with everyone else? be reliable? be ...
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