| | Inga Luhning / Andreas Schnermann Tell Me The Truth About Love CD Inga Luhning / Andreas Schnermann Discography of CDs
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Our Price: $13.25  CDFor Sale Usually ships in 1-2 days
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Recording information: Fattoria Musica, Osnabruck, Germany (07/25/2005-07/27/2005).
Photographers: Florian Ross; Jochen Arndt.
Arrangers: Andreas Schnermann/Inga Luhning; Florian Ross.
Personnel: Andreas Schnermann/Inga Luhning (piano); Inga Lühning (vocals); Kai Brückner (guitar, dobro); Jan Von Klewitz (alto saxophone); Matthias Bergmann (flugelhorn); Dietmar Fuhr (double bass); Sebastian Merk, Hardy Fischötter (drums).
Audio Mixers: Hans Peter Katzenburg; Christian Kock.
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Purchase Tell Me The Truth About Love CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes with help from the exquisite if understated electric guitar work from Dwight Sills. The ballad "Before You Leave" follows suit with Carrington providing elegant brushwork. These are pretty basic straight-ahead numbers. This is not to suggest that there isn't some funky work here, too. Check Duke's "Soul Fries" with Genus on ...
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