| | Double Concertos CD Heifetz, Jascha CDS
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Double Concertos Songs | 1. Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 (14:00) | | Common Name | Double Concerto, Concerto For 2 Violins Strings & Continuo | | Catalog No. | BWV 1043 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sir Malcolm Sargent | | Performer | Thornton Lofthouse (Harpsichord) Erick Friedman (Violin) Jascha Heifetz (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1730-1731 | | Period | Baroque | | Venue | Walthamstow Town Hall, London, England | | Notes | Walthamstow Town Hall, London, England (05/19/1961-05/20/1961) | | 2. Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d) (26:26) | | Common Name | Sinfonia Concertante For Violin Viola & Orchestra | | Catalog No. | K 320D / K 364 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Izler Solomon | | Performer | William Primrose (Viola) Jascha Heifetz (Violin) | | Genre | Classical Period | | Date Written | 1779 | | Period | Classical | | Country | Austria | | Venue | Republic Studios Sound Stage 9, Hollywoo | | Recording Date | 10/02/1956 | | 3. Concerto for violin, cello & orchestra in A minor ("Double"), Op. 102 (28:37) | | Common Name | Double Concerto, Concerto For Violin Cello & Orchestra | | Composer | Johannes Brahms (1833 - 1897) | | Conductor | Alfred Wallenstein | | Performer | Gregor Piatigorsky (Cello) Jascha Heifetz (Violin) | | Genre | Romantic Period | | Date Written | 1887 | | Period | Romantic | | Venue | Republic Studios Sound Stage 9, Hollywoo | | Notes | Republic Studios Sound Stage 9, Hollywood, CA (05/19/1960-05/20/1960) |
Double Concertos Music Composers on Double Concertos CD : Johann Sebastian Bach, Johannes Brahms, Wolfgang Amadeus Mozart Conductors on Double Concertos CD : Alfred Wallenstein, Izler Solomon, Sir Malcolm Sargent Genres on Double Concertos CD : Baroque Period, Classical Period, Concerto, Romantic Period Performers on Double Concertos CD : Erick Friedman, Jascha Heifetz, Gregor Piatigorsky, Thornton Lofthouse, William Primrose
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$7.69 Music composed by John Kander, lyrics by Fred Ebb.
Principal cast: Mildred Natwick (Ida); Hans Conried (Harry); Lillian Roth (Gert); Gil Lamb (Walter); Lillian Hayman (Melba); Lucie Lancaster (Eunice); Goldye Shaw (Fritzi); Dorthea Freitag (Lorraine); Joey Faye (Detective Callahan); Henrietta Jacobson (Grandmother); Coley Worth (Officer Kowalski); Tommy Breslin (Eddie).
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Personnel: Louise Trépanier, Gregory Byers (guitar); Violaine Michel, Nathalie Bonin, Valérie Belzile (violone); Élisa Boudreau, Annie Boudrault (viola); Vincent Bernard (cello); Jérôme Laflamme (flute); François Aubin (timpani).
Recording information: Eglise St-Jean-Baptiste, Montreal, Quebec, Canada (06/22/2000-11/17/2002); Westwood United Chrurch, Guelph, Ontario, Canada (06/22/2000-11/17/2002).
| | Les Miserables: Highlights From The Complete Symphonic International Cast Recordings CD (2004)
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$12.39 This album features highlights from the box set LES MISERABLES: COMPLETE SYMPHONIC RECORDING (Relativity 1027).
Originally conceived as a simple recording production, Les Miserables evolved quickly into one of the premiere theatre events of the 1980s. Theatrically on par with Phantom of the Opera, Les Miz is drawn from the Victor Hugo novel of the same name. The story chronicles the life of Jean Valjean, a simple Frenchman who was arrested as a youth for stealing a loaf of bread. After serving five years for that crime, as well as an additional 14 for attempted escape, Valjean is released on parole. Upon changing his name and eluding his parole officer, Valjean becomes the surrogate father of a young girl and a mayor as the French Revolution sets in. As the war rages, he finds that he cannot change the man he is. Les Miserables is typical of theatre in the '80s, with extravagant effects and large full cast numbers. The beautiful score is full of emotion and humor, including such memorable and noteworthy songs as "Look Down, "Do You Hear the People Sing?," "Bring Him Home, "Empty Chairs at Empty Tables" and the ubiquitous "On My Own." The international studio cast includes members from the London, Broadway, and Tokyo productions and was recorded at three different locations. ~ Sarah Erlewine
Recorded between August and October 1988.
Principal cast: Debbie Byrne (Fantine); Gary Morris (Jean Valjean); Philip Quast (Javert); Gay Soper (Madame Thenardier); Barry James (Thenardier); Anthony Warlow (Enjolras); Tracey Shayne (Cosette); Michael Ball (Marius); Kaho Shimada (Eponine); Kenny D'Aquila (Grantaire).
Personnel includes: Philharmonia Orchestra Of London.
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$16.95 | | John David Coupland Which Way? CD (2006)
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$16.45 Which Way?This album is an attempt to break away from the straight jacket of the traditional song format of verse, chorus , verse etc. Why not give the majority of the time to the instrument rather than the voice? Ok great idea but what story to tell? I retreated to the garden shed and prayed. God is always easier to find in the garden shed. In there nothing sinful happens, unlike my living room where there is a TV, on which lots of sinful things happen and I watch them. News, movies, soaps and people generally being fairly nasty to one another. But in the shed I can find inspiration and there the idea was born.The four ways. The first way God dealt with Man was face to face in the garden. Symbolic or literal or a bit of both I am not qualified to say but I believe it to be true. After the Fall of Adam into sin however, that way was closed to us and will not be reopened before the return of the Lord. The second way was the 'Hands off,' approach. Man had decided, as many do today, to live as if God did not exist and God, being the perfect gentleman, left us to get on with it. The result was of course disaster and the Flood. The third way is the way of faith offered to Abram or Abraham as he later became. 'Go to the land I will show you. 'The fourth way is the way of law. Rules for this, rules for that but you have to keep them all 24/7 or else. ConclusionNow I do not know which of these four ways you are currently following but you are following one of them of that there is no doubt. So which is the right one? I give you no answer but I draw your attention to Jesus for that is my role and my purpose. God Bless You. John David Coupland
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Double Concertos
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