| | Starling Vol. 1-Starling Sounds CD Starling Discography of CDs
Starling Jones, Jr. -- Pianist / Organist Starling started playing the piano at the age of 12. Starling was active in his home church of Zion Gate Missionary Baptist Church, (Columbus, MS) Pastored by James A. Boyd. as a Jr. Deacon, Musician and Choir Member. Starling participated in talent shows, Gospel Choir Concerts, Plays, Musicals and also took piano lessons in High School. Starling also played the piano at the Local Baptist Conventions and Conferences.Starling attended Hinds Community College where he participated in the Drama, Choir and Band Departments. Starling along with other musicians formed a Gospel Group entitled "The Heavenly Tones". The 5 sometimes 6 man group was comprised of several HCC band members. While attending college Starling played for various colleges, churches and social functions. By working on his sight reading skills, his ability to play by ear was being developed also.Starling has over 20 years of musical experience and has trained under many teachers and musicians as well as attended musical workshops to produce his own unique sound. Some of Starling's accomplishments are as follows:HCC Band Scholarships (Bells and Bass Drum) Musical Service Awards From Various Churches Music Workshops : Min. Malcolm Speed, Min. Bryan Wilson, Elder Sammy James Song Writer / Producer : "More Than a Conqueror", Faith Outreach Christian Life Center Mass Choir, Co-Produced, 2000 & "Starling Sounds Vol 1", Instrumental Music, 2004 & "Mastered First", Instrumental Music 2007.Several of Starling's influences are Ben Tankard, George Duke, Hubert Powell, Joe Sample, Timothy Wright, Hezekiah Walker, Richard Smallwood and James Cleveland. Starling's inspiration for song writing comes at times when in church or just sitting in front of the piano practicing. Starling continues serve God through his musical ministry. Starling Vol. 1-Starling Sounds Music | Category | Jazz Albums | | Label | CD Baby | | CD Universe Part number | 7362489 | | Catalog number | 114057 | | Discs | 1 | | Release Date | Dec 05, 2006 |
Starling Vol. 1-Starling Sounds Songs | 1. | Give God the Praise |
| 2. | Covenant |
| 3. | He Cares |
| 4. | Near You Lord |
| 5. | Meditation |
| 6. | Praise Him |
| Starling Vol. 1-Starling Sounds Review
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Purchase Starling Vol. 1-Starling Sounds CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
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$9.85 JANINE GILBERT CARTER Live at the East Coast Jazz Festival; Fish’s Nightclub.If Janine Gilbert Carter had not named her debut CD In the Moment (Jazz Karma#919), that would be quite an appropriate title for this disc. Janine is obviously “in the moment” and enjoying every minute of it. In the liner notes for her debut CD I mentioned how I watched her go from a novice to a seasoned professional over the course of five hours. Listening to this CD has shown me just how much she has matured musically since that initial recording (check out Here’s to Life which is on both discs).Sometimes live recordings can sound “staged,” a product of over-production. Listeners can easily tell if the group is reacting spontaneously or in a programmed way. If someone had wanted this performance to sound “staged,” they failed! There are times this performance falls into a old style jam session, not a free for all, just a jammin’ good time.Janine is joined by a stellar cast of band mates who follow her every move to give a seamless polished performance. Chris Grasso, piano, Paul Carr, Saxes, Gavin Fallow, bass, Steve Abshire guitar and Clyde Adams, drums, each brings something special to the date. As you listen to the opening track, No Greater Love, you get an idea of what’s coming. Janine starts things off with a wide open, confident presentation of the “head” and Steve Abshire lights up the stage with his solo. Paul Carr uses the tenor sax to paint a different color and pretty soon everybody, including the listener, is having a rollicking good time. If you think you’re going to catch your breath on What a Difference a Day Made, you’re wrong. It may not be as fast in tempo as the first cut but the intensity is still there. Chris Grasso’s solo work and comping helps set up Janine’s on stage sassiness. You may not be able to see her, but if you close your eyes and listen, the joy Janine, the group and the audience share becomes apparent.From then on, it’s on. Don’t Go To ...
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