| | Simon Barere And Boris Barere: Father And Son CD - Import Barere, Simon CDS
| Category | Classical, Live Performances, Romantic Period, Chamber Music/Recitals, 20th Century Period, Concerto, Variations, Ballet, Waltz, Etude, Transcription, Polonaise |
Simon Barere And Boris Barere: Father And Son Music | List Price | $16.97 (You save $1.32) | | Label | Cembal d'amour | | Orig Year | 1/30/2007 | | All Time Sales Rank |  61529  | | CD Universe Part number | 7364513 | | Discs | 1 | | Release Date | Jan 09, 2007 | | Recording Time | 1 0 | | Additional Info | Import; Includes DVD |
Simon Barere And Boris Barere: Father And Son Review
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Simon Barere And Boris Barere: Father And Son Songs | 1. Introducing Simon Barere (0:26) | | Composer | Spoken Word | | Conductor | Frieder Weissmann | | Performer | Simon Barere (Piano) | | Date Written | 1948 | | Venue | Brooklyn Museum | | Recording Date | 1948 | | 2. Piano Concerto No. 1 in E flat major, S. 124 (LW H4) (15:24) | | Common Name | Piano Concerto 1 | | Catalog No. | S 124 | | Composer | Franz Liszt (1811 - 1886) | | Conductor | Frieder Weissmann | | Performer | Simon Barere (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1835-1856 | | Period | Romantic | | Venue | Brooklyn Museum | | Recording Date | 1948 | | 3. Valse de l'opera Faust, transcription for piano (after Gounod), S. 407 (LW A208) (5:19) | | Catalog No. | S 407 | | Composer | Franz Liszt (1811 - 1886) | | Performer | Simon Barere (Piano) | | Genre | Romantic Period / Waltz | | Date Written | 1861 | | Period | Romantic | | Venue | Marshall Family home | | Recording Date | 12/1949 | | 4. Etude for piano in F sharp major, Op. 42/3 (0:48) | | Common Name | Etude For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Simon Barere (Piano) | | Genre | Etude | | Date Written | 1903 | | Country | Russia | | Venue | Marshall Family home | | Recording Date | 12/1949 | | 5. Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 (1:31) | | Common Name | Etude For Piano | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Simon Barere (Piano) | | Genre | Etude / Romantic Period | | Date Written | 1830-1832 | | Period | Romantic | | Venue | Marshall Family home | | Recording Date | 12/1949 | | 6. Andante spianato and Grande Polonaise for piano & orchestra, Op. 22: [Excerpt] (3:56) | | Common Name | Andante Spianato And Grande Polonaise For Piano & Orchestra | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Simon Barere (Piano) | | Genre | Polonaise / Romantic Period | | Date Written | 1830-1835 | | Period | Romantic | | Venue | Marshall Family home | | Recording Date | 12/1949 | | 7. Host's comments (0:55) | | Composer | Spoken Word | | Performer | Simon Barere (Piano) | | Date Written | 1949 | | Venue | Marshall Family home | | Recording Date | 12/1949 | | 8. Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 (15:56) | | Common Name | Etudes In The Form Of Variations Symphonic, Symphonic Etudes For Piano | | Composer | Robert Schumann (1810 - 1856) | | Performer | Boris Barere (Piano) | | Genre | Etude / Romantic Period / Variations | | Date Written | 1834-1861 | | Period | Romantic | | Country | Germany | | Venue | New York, NY | | Recording Date | 1957 | | 9. Nutcracker, ballet, Op. 71: Divertissement: Chocolate-Spanish dance (0:57) | | Common Name | Nutcracker Ballet | | Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) | | Performer | Boris Barere (Piano) | | Genre | Ballet / Romantic Period | | Date Written | 1892 | | Period | Romantic | | Country | Russia | | Venue | New York, NY | | Recording Date | 1954 | | 10. Nutcracker, ballet, Op. 71: Dance of the Sugar-Plum Fairy (2:18) | | Common Name | Dance Of The Sugar Plum Fairy, Nutcracker Ballet | | Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) | | Performer | Boris Barere (Piano) | | Genre | Ballet / Romantic Period | | Date Written | 1892 | | Period | Romantic | | Country | Russia | | Venue | New York, NY | | Recording Date | 1954 | | 11. Nutcracker, ballet, Op. 71: Pas de deux - Coda (1:16) | | Common Name | Nutcracker Ballet | | Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) | | Performer | Boris Barere (Piano) | | Genre | Ballet / Romantic Period | | Date Written | 1892 | | Period | Romantic | | Country | Russia | | Venue | New York, NY | | Recording Date | 1954 | | 12. Nutcracker, ballet, Op. 71: Pas de deux - Intrada (5:10) | | Common Name | Pas De Deux Intrada, Nutcracker Ballet | | Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) | | Performer | Boris Barere (Piano) | | Genre | Ballet / Romantic Period | | Date Written | 1892 | | Period | Romantic | | Country | Russia | | Venue | New York, NY | | Recording Date | 1954 |
Simon Barere And Boris Barere: Father And Son Music Composers on Simon Barere And Boris Barere: Father And Son CD : Frederic Chopin, Franz Liszt, Robert Schumann, Alexander Scriabin, Spoken Word, Peter Ilyich Tchaikovsky Conductors on Simon Barere And Boris Barere: Father And Son CD : Frieder Weissmann Genres on Simon Barere And Boris Barere: Father And Son CD : Ballet, Concerto, Etude, Polonaise, Romantic Period, Variations, Waltz Performers on Simon Barere And Boris Barere: Father And Son CD : Boris Barere, Simon Barere Purchase Simon Barere And Boris Barere: Father And Son To buy, Click on price to add to cart | Festival Of Carols / Shaw, Robert Shaw Chorale CD (1987)
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Sergei Prokofiev entered the St. Petersburg conservatory at the age of 13. At that time one of the greatest composers of the 20th century was a cocky teenager who enjoyed startling his teachers - Rimsky-Korsakov, Lyadov and Tcherepnin. Myaskovsky encouraged his interest in Strauss, Debussy, Scriabin and Stravinsky. Being also a pianist and conductor, Prokofiev played the piano part at the premiere of hisdiploma work - The First Piano Concerto. The first public performance took place in 1912 under Konstantin Sarayev. Prokofiev's skills as a pianist were acknowledged by the Anton Rubinstein Prize in 1914. The concerto is written in the one-part form of sonata allegro with an introduction and conclusion. Though Prokofiev's music always remained tonal, his worksincluding the First Piano Concerto were very fresh, modern and often difficult to understand at that time. Prokofiev's music have been categorized as barbaric, eclectic, ironic, romantic, post-romantic and antiromantic, neoclassical, sarcastic, cosmopolitan, cold, industrial, lyrical, full of adrenaline, epic, schizophrenic... It looks like he cannot perfectly match any box ourmusicologists have been attempting to put him into. In fact his music simply reflects the controversial time in which he lived, its rapid dramatical changes. Four other concertos followed the first one during the next 20 years. Prokofiev composed more piano concertos than any other Russian composer. All piano parts were written to be performed by the author, except the Fourth Piano Concerto, which was commissioned by the Austrian pianist Paul Wittgenstein. He requested the piano part to be composed for the left hand only. Wittgenstein wrote to Prokofiev after receiving the score: "Thank you for the concerto, but I do not understand a single note and I shall not play it". After receiving another concerto, this time from Ravel, Wittgenstein wrote: "I asked for a concerto, not a sonata". He also rejected the concerto composed for him by Richard Strauss. For this reason Prokofiev's Fourth was premiered only after his death by German pianist Siegfried Rapp, who lost his right hand during World War Two. Prokofiev reduced the orchestra to the double staff to balance the piano solo with the orchestral tutti. Prokofiev's evolution made his music more lyrical and tragic. Besides the vigour inheritedfrom his youth, a more profound and balanced approach is displayed in his Fifth Piano Concerto. A kaleidoscope of images and their amazing coherence, a developed luxurious piano texture and brilliant orchestration feature in all piano concertos by Prokofiev. It is interesting, that he repeated the standard route of many Russian artists - after trying the USA most of them move to Paris. The outcome of American policy in regard to Prokofiev and other Soviet composers - Prokofiev never was paid mechanical royalties by American publishers and record labels during his lifetime, being discriminated against as a Soviet citizen. All together he spent 17 years abroad and after his return to the ...
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Track Listing of songs: DISC 1: Weihnachtsoratorium; Gloria, for 3 solo voices, chorus, trumpet, oboe, violin; Arlesienne, suite for orchestra No. 2, from the incidental music, L'; Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra, L'; Messiah, oratorio, HWV 56: Hallelujah; Weihnachtsoratorium; Dormi Jesu, for orchestra; Angels, We Have Heard On High, for orchestra; Jesus, Jesus, rest your head; Coventry Carol for voice & ensemble; DISC 2: Go Tell It on the Mountain, Christmas song; Weihnachtsoratorium; Violin Concerto, for violin, strings & continuo in F minor; Concerto Grosso in C major, Op. 3/12 "Christmas Pastorale": Christmas Concerto; Messiah, oratorio, HWV 56: Larghetto in C major; Seasons, for piano, Op. 37: December: Christmas, The; Nouveau Livre ...
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Simon Barere And Boris Barere: Father And Son
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