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Giant Swing - Get Up CD Cover Art
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Giant Swing Get Up CD - Import

 Giant Swing Discography of CDs

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Get Up Music


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List Price $32.99 (You save $10.14)
Category World Albums, Japanese CDs
Label Avex
CD Universe Part number 7365385
Catalog number 1104793
Discs 1
Release Date Jan 01, 2008
Giant Swing Get Up Songs


Giant Swing Get Up Album Track Listing



1.Get Up (Disc 01)
2.GET UP (Chicken Noodle Soup Mix) feat. MICHICO/L.L BROTHERS/WARNER
3.Album Snip
4.Get Up Feat. Michico Ll. Brother Warner (disc 02 Dvd)
5.Giant Swing Atlanks Guide
Get Up Music


Get Up Other Versions



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Personnel: Loreena McKennitt (vocals, harp, accordion, piano, keyboards); Ben Grossman (hurdy-gurdy, triangle, percussion); Hugh Marsh (violin); Caroline LaVelle (cello).
Liner Note Author: Loreena McKennitt.
Photographers: Loreena McKennitt; Mark McCauley.
Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from Celtic balladeer to worldbeat superstar began in the early '90s with the genre-hopping VISIT. Her penchant for Mediterranean/Far East/Middle Eastern instrumentation came to fruition on 1994's MASK AND MIRROR and 1997's BOOK OF SECRETS, the latter of which spawned her biggest commercial hit "The Mummer's Dance." The bulk of OLIVE AND THE CEDARis made up of material from those three albums. FROM ISTANBUL TO ATHENS mines much of the same material, but draws more heavily from 2006's ANCIENT MUSE

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2009 third album from the sensational Italian vocalist produced by Humberto Gatica (Celine Dion, Andrea Bocelli, Michael Bublé).The album features contemporary but timeless interpretations of Italian and American classics, ...
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Additional Tracks Personnel: Serge Gainsbourg (vocals, guitar, piano); L'Opera Comique, Jane Birkin (vocals); Jim Sullivan, Vic Flick (guitar); Jean-Luc Ponty (electric violin); Roger Coulam, Jean-Claude Vannier (keyboards); Brian Odgers (bass instrument); Dougie Wright (drums); Jeunesses Musicales of Paris (symphony).
Audio Remasterer: Dave Cooley.
Arranger: Jean-Claude Vannier.
You don't need to speak a word of French to understand Histoire de Melody Nelson -- one needs only to look at the front cover (with its nearly pornographic portrait of a half-naked nymphet clutching a rag doll) or hear the lechery virtually dripping from Serge Gainsbourg's sleazily seductive voice to realize that this is the record your mother always warned you about, a masterpiece of perversion and corruption. A concept record exploring the story of -- and Gainsbourg's lust for -- the titular teen heroine, Histoire de Melody Nelson is arguably his most coherent and perfectly realized studio album, with the lush arrangements which characterize the majority of his work often mixed here with funky rhythm lines which underscore the musky allure of the music. Perhaps best described as a dirty old bastard's attempt to make his own R&B love-man's record along the lines of a Let's Get It On (itself still two years away from release), it's by turns fascinating and repellent, hilarious and grim, but never dull -- which, in Gainsbourg's world, would be the ultimate (and quite possibly the only) sin. ~ Jason Ankeny
Brimming with ...

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Vas: Greg Ellis (hammer dulcimer, percussion); Azam Ali.
Personnel: Azam Ali (vocals, hammer dulcimer); Tyler Bates (guitar, keyboards); Brent Meyer (bouzouki); Cameron Stone (cello); Deepak Ram (bansuri); Pejman Hadadi (tombak).
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Feast of Silence is the fourth album from world fusion duo Vas (vocalist Azam Ali and percussionist Greg Ellis). The range of instrumentation as well as vocal technique have been expanded thoroughly since their previous albums. On the vocal end, the first things one will notice are the new use of English lyrics here and there, and more importantly, a sudden reliance on Eastern European stylings. The polyphony is decidedly Bulgarian through portions of most of the songs, alternating with a collection of other styles. Indian and Middle Eastern sounds flow easily and beautifully from Ali, often with some pattering accompaniment on what sounds like an udu or a ghatam, perhaps. Touches of guitar and bass are also new to the sound of the duo, but stay largely in the background, giving Ellis the ability to stand at the forefront with an array of percussion. African drums can be heard from time to time, but the bulk of his work appears to be in the Middle East and the subcontinent, with some cymbals heard here and there. ...

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Borknagar Quintessence CD  (2000)

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Borknagar: I.C.S. Vortex (vocals, bass); Oystein G. Brun, Jens F. Ryland (guitar); Lars A. Nedland (synthesizer); Asgeir Mickelson (drums).
Recorded in January 2000.
Personnel: Asgeir Mickelson (drums).
Audio Mixer: Peter Tägtgren.
Recording information: Abyss Studios, Sweden (01/2000).
Photographer: Sebastian Ludvigsen.
Borknagar, being one of Europe's most fruitful and creative acts, has always faced one serious hurdle in the confines of metal criticism: definition. Viking metal supergroup? Mid-paced black metal geniuses? How about revolving-door avant-garde extreme metal? Well, now they have gone and done it again, except that this time they have laid all definition to ruin. So people, give it a rest, Borknagar is, well, exactly what the name implies. Quintessence will most likely get lost in the shuffle of "albums not wanted to be understood," due to its strange buried production and sluggish off-kilter pacing. Admittedly nothing seems to happen on this album and nothing strikingly sticks out, as opposed to past releases. Upon repeated listens, though, the listener suddenly understands Borknagar's ingenious and beautiful joke. Go ahead, listen to "Ruins of the Future" one more time; now is the brilliance last heard on "A Tale of Pagan Tongue" evident? How about the unrelenting psychedelic synth textures oozing under each composition -- bringing to mind Diabolical Masquerade's Nightwork. In fact, everything seems to be subdued and buried on this release, a cruel trick, considering Tagtgren's usual Abyss Studio reputation, making it uneasy and demanding on the listener. I.C.S. Vortex shows why he is the most ...

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CD $9.69  1 stars Audio Samples
The Drunken Cholos: Wimpy (vocals); Joe Queer (guitar, background vocals); Jeff Useless (bass, background vocals); Pulu (drums, background vocals).
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As this is the originals Queers lineup -- Wimpy, Tulu, and Joe Queer -- you know what to expect: short, sharp, raspy punk rock that sounds a lot like the early-'80s Angry Samoans or sped-up, first-LP Ramones, with throwback comic-offensive lyrics. Like South Park times ten, it's juvenile -- funny if you have a high threshold of being able to laugh at highly personal sexual and sexual-orientation spoofs. It's crude, oh boy it is: "I Didn't Jerk" includes such Nobel-quality poetry as, "I didn't jerk, passed out instead/Magazine lying by my head," while "I Spear the Rear" will make gays either incensed or fall over laughing, or both. And what to make of "There's a ...

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Track Listing of songs: The Wickedest Thing; The Prince ...
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cdu4asppid music 7365385 cdu4pidall cdu4pls7 ver231cdu cdu4all 11/27/2009 10:10:56 AM