| | Stick To Your Guns For What Its Worth CD Stick To Your Guns Discography of CDs
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Stick to Your Guns: Jesse Barnett (vocals); Casey Lagos (guitar, drums); Justini Rutherford, Curtis Pleshe (guitar); Noah Calvin (bass guitar); Elliott Sellers (drums). Stick To Your Guns For What Its Worth Songs For What Its Worth Review
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Purchase For What Its Worth CD To buy, Click on price to add to cart | Liferuiner No Saints CD (2007)
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| | As I Lay Dying An Ocean Between Us CD (2007)
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$10.75 Faith-inspired heavy music has come a long way from the likes of glammy '80s pop metallists Stryper. San Diego's As I Lay Dying are steadfast in their beliefs, but make no effort to force the message lyrically. For the Christian hardcore metal outfit's fourth full-length (and third for Metal ...
| | Suicide Silence Cleansing CD (2007) Bonus CD
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$10.55 California's Suicide Silence has digested the history of extreme metal from black, to death, to doom, to thrash, to hardcore, and everywhere in between, and synthesized it into a potent mixture. Thundering tracks like "Hands of a Killer" ...
| | Parkway Drive Horizons CD (2007)
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$11.25 Aside from the Bee Gees or Kylie Minogue, you rarely hear much about popular Australian musical exports, and even less about Australian metal. It should come as no surprise that a country rife with deadly beauty and harsh deserts features some killer metal, and the deceptively named Parkway Drive certainly fit the bill. Armed with racing licks and amped-up drums, the songs on HORIZONS thrash and grind with conviction. Burned-black vocals from Winston McCall rasp along like gravel under hot tires, and the band mixes things up by shifting into the tar-pit blues of Pantera whenever the tempos slow. This ...
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| | Tracy Chapman CD (1988)
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$10.15 Tracy Chapman exploded out of the Boston folk scene in the late eighties, carrying the acoustic guitar-playing singer/songwriter mantle to a more political and socially conscious level than had recently been achieved. Her deep alto and throttled vocal delivery, combined with attentively scrutinized social scenarios presented in a simple, accessible manner, rocketed Tracy to the top of the charts and into the Grammy record books. Instrumentally crisp and minimal, TRACY CHAPMAN is a compelling statement from the no-holds-barred black singer/songwriter, stealing the focus away from the popular folk mafia.
Chapman expresses a heretofore unmined black, feminist, disenfranchised point of view--from the helpless-but-hopeful underclass of the smash hit "Fast Car," to the defiant politicos of "Talkin' `Bout A Revolution." In regards to other issues, Tracy responds to Suzanne Vega's "Luka" with her own a capella song about domestic violence, "Behind The Wall"; and the percussive "Mountains O' Things" is about material wealth. But TRACY CHAPMAN is not all social politics; there are several rapturously tender love songs included as well.
There are many strong influences to be heard in Tracy's voice, particularly Joan Armatrading (on "Baby Can I Hold You") and Odetta. Infused with those powerful ...
| | Mindless Self Indulgence Frankenstein Girls Will Seem Strangely Sexy CD (1999)
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$10.39 Principally recorded at The Theater Studio & Mindswerve, New York, New York.
Mindless Self Indulgence's brilliantly named The Frankenstein Girls Will Seem Strangely Sexy collects more of the group's outré, hip-hop-tinged industrial thrash. Singer Urine's bizarre falsetto sounds like a sped-up Jello Biafra, especially on tracks like "Boomin'" and "I Hate Jimmy Page." The album's 30 songs -- which sport titles like "Dicks Are for My Friends," "Cocaine and Toupees," "Faggot," and "Royally Fucked" -- are all pretty much slight variations on the group's fast-and-shocking style. Though The Frankenstein Girls Will Seem Strangely Sexy doesn't quite deliver on the sleazy ...
| | Sleater-Kinney Woods CD (2005)
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$11.99 The remarkable ONE BEAT seemed to be the culmination of Sleater-Kinney's transformation from three-minute-song riot grrls to post-punk artisans, as the WA trio delivered gloriously wandering, lop-sided compositions reminiscent of the Fall, adorned by thoughtful, willfully obtuse lyrics. However, THE WOODS proves its predecessor to be merely another step, with Carrie Brownstein, Janet Weiss, and Corin Tucker mixing indie rock, punk, arena rock, folk, and even progressive rock into a potent concoction.
Helmed by revered producer Dave Fridmann, THE WOODS opens with "The Fox," a hard-driving, distorted, and sinisterly fun story about forest creatures. The song is as unpredictable as anything that follows; the early S-K punk ...
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| | Latin Lounge Jazz: Spanish Harlem CD (2007) Remastered; Reissued
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