| | Abide CD Paul Ahn CDS
Instrumental music designed for times of reflection, meditation and worship without the distraction of words. Abide Review
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"There are no frills or large cinematic productions (on Lover Undercover), but rather the songs are unadorned, bare and vulnerable like a newborn baby, and enraptured in the same innocence." -Northeast In-Tune"Lover Undercover...features 11 songs that are all different yet all charmed with (Carroll's) unique sound. Listeners will detect influences such as Stevie Wonder, Bruce Springsteen, and Patty Griffin, as well as hints of indie rock, doo-wop, and folk...Often, as with the song 'This Love Inside Me', his guitar playing takes on a bluesy, soulful feel, which he accompanies with his soulful, motownesque vocals. Songs such as 'Angel's Arms' incorporate gentle strumming and a 50s-sounding refrain." -The Outlook*****Ben Carroll's soulful, powerful voice lives somewhere at the crossroads of Stevie Wonder and James Taylor-he's captivating, distinctive, mesmerizing. With the help of his accomplished acoustic guitar playing, he moves his audiences with his plaintive songwriting, written from the heart and with a thoughtful, sometimes keen eye, while exploring the endless themes of love, of a search for ...
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Debbie Hunter, a 'lithe voiced..'warm and thoroughly likeable performer' will win you over with her open, honest and elegant style. Recorded "live" with world renowned stride pianist, Paul Asaro, this album has a truly unique sound.The liner notes read 'With Paul at the piano, I feel like I'm at a party where you might hear George Gershwin or Hoagy Carmichael playing their latest tune. This seems appropriate since I came to love many of these tunes either singing over Paul's shoulder, leaning against the tall upright, or draped over the crook of the grand while he played. 'A Chicago native, Ms. Hunter now makes her home in the Pacific Northwest. She has performed with the Oregon Symphony, written and produced two of her own cabaret shows, and entertained aboard the Columbia Queen, Empress of the North and Queen of the West riverboats. She also participated in the acclaimed international Cabaret Conference at Yale University this past summer. Along with singing, Debbie is a versatile stage actress, who has appeared in leading roles in dozens of productions, both musical and non-musical at a variety of theaters including Portland Center Stage, Dallas Theater Center, Court Theater, and Artists Repertory Theater. She is a founding member of Quintessence Language and Imagination Theater, a company devoted to both Shakespeare and original work. Paul Asaro is known as one of the finest of a select group of pianists who still perform the demanding, two-handed piano styles from the first half of the 20th century. The Stride piano of James P. Johnson, Willie "The Lion" Smith and Fats Waller, the New Orleans styles of Jelly Roll Morton, the ...
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Freshly signed to the Anti- label, Edmonton rapper Cadence Weapon (or Rollie Pemberton) continues -- with his flat intonation and half-mocking confidence -- to help redefine the boundaries of modern hip-hop, something he began on his very excellent debut. But while Breaking Kayfabe was all heavy beats and grime, Afterparty Babies turns more to the fringes of house and tech-house, even going so far as to title a song "House Music." For the most part, these new production additions work well, although sometimes the inherent corniness of the club instruments pushes the rapper's already tongue-in-cheek lyrics (which are normally a strength of his songs) to near silliness. Not that Pemberton is trying to be serious; in fact, he's assuredly aware of how he comes off, but the synths in "Getting Dumb," for example, played under the slowly rhymed hook of "Where'd you go, I'm always here/Whatever you need, I'm always near/And I know you are losing touch/And I know you are getting dumb," are more tiresome than ironic or sardonic. Fortunately, these moments are in the minority, and the rest of Afterparty Babies flows with equal parts self-deprecation, wit, and insight. Cadence Weapon is the kind of MC who's able to present accessible rhymes that also, upon further listening, reveal themselves to be much more. On "Messages Matter," which has the most "standard" hip-hop beat on the entire album, he uses chopped-up soul samples and violins alongside his normal electronics, and comments on the state of the technology-driven social relationships and forms of communication that he sees replacing the human-to-human ones. "And people, they don't laugh anymore, they use acronyms to make their opinions known/This is why I might stay home for the next couple weeks, and retreat to my form of Beats, Rhymes and Life," he spits, only later to go on about girls he's ...
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