| | Higher On Fire CD Higher Discography of CDs
With ON FIRE, the Higher's 2007 debut for the Epitaph label, the Las Vegas-based band adds elements of pop and even contemporary R&B to its earlier emo sound. While some fans might be perplexed, the change suits the group well, allowing it to stand out from the overflowing punk-pop/emo crowd, particularly on "Weapons Wired," a catchy tune that oddly recalls Top 40 mainstay Rob Thomas, and "Insurance?"--a smooth, dance-oriented track.
Audio Remixer: Patrick Stump.
Recording information: The Treefort, Los Angeles, CA.
Editor: Ben Richards.
Photographer: Justin Borucki.
Personnel: Mike Green (guitar, keyboards, percussion, programming); Robert "Reggie" Ragan, Tom Oakes (keyboards).
Audio Mixers: Matt Wallace ; Mike Green .
Spin (p.94) - 3 stars out of 5 -- "The punchy odes to underage misbehavior on the Higher's follow-up to their 2005 debut give thick guitar chug and nasal voices a sleek R&B sheen." Alternative Press (p.190) - 3 stars out of 5 -- "[A]coustic guitars and handclaps drive 'Histrionics,' and a Patrick Stump remix of 'Pace Yourself' is a full-on techno headtrip." On Fire Review
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Purchase On Fire CD To buy, Click on price to add to cart | Sugarcult Palm Trees And Power Lines CD (2004)
On Fire
$11.55 Sugarcult's debut album was an energetic slice of alternative-rock-flavored power-pop that also paid passing tribute to the band's Southern California punk-tinged brethren. With PALM TREES AND POWER LINES, the group introduces a more layered, varied sound, while still retaining enough hooks to fill a tackle box. While the sweetly melancholy "Back to California" uses a touch of trip-hop, "Destination Anywhere" recalls the driving drama of U2's "Bullet ...
| | Starting Line Based On A True Story CD (2005)
On Fire
$12.25 Of course, with the members barely into their early 20s, the trials and tribulations of romance are never far away. When vocalist Kenny Vasoli isn't confessing to missing his significant other on "Stay Where I Can See You," he's defiantly stepping away from a broken relationship within the confines of the anthemic "Cut! Print It." Incorporating decidedly non-punk instrumentation (harpsichord and glockenspiel) into ...
| | Funeral For A Friend Hours CD (2005)
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$11.35 As Gavin Rossdale and Bush proved in 1994 with their adaptation and refinement of American grunge, sometimes the ...
| | Bayside CD (2005) With DVD
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| | 30 Seconds To Mars Beautiful Lie CD (2005)
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| | Cartel Chroma CD (2005)
On Fire
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| | When In Rome CD (1988)
On Fire
$9.25 When in Rome was another in a long line of British pop acts scoring one major hit single before seemingly disappearing without a trace. The 1988 hit "The Promise" was essentially a carbon copy of New Order's radio-friendly dance-rock. Dark yet catchy, boasting a throbbing dance rhythm, a singalong chorus, and a hypnotic melody, "The Promise" certainly deserved the success. Like many one-hit wonders of the '80s, When in Rome failed to maintain the momentum set by its only hit song by releasing a dud of an album. "The Promise," the opening track on When in Rome, starts things off nicely, but the remainder of the album is embarrassingly weak. Vocalists Clive Farrington and Andrew Mann sound just fine solo (as demonstrated on "The Promise"), but their attempts to harmonize on such tunes as "Heaven Knows" and "I Can't Stop" are often laughably bad. "Wide Wide Sea" is the only track here that comes close to matching the dramatic, instantly memorable songcraft of "The Promise"; the rest of the album is utterly forgettable. There are several ways a band could set its place in musical history as a one-hit curio. One way is following quickly dismissed musical trends, exemplified by the endless parade of quickly forgotten disco acts of the '70s. Some artists establish themselves with novelty tunes (like Billy Ray Cyrus or Falco) and struggle to be taken seriously with subsequent releases. But most one-hit wonders are capable of providing only one magical, memorable tune. When in Rome falls into the latter category. "The Promise" is the only When in Rome track anyone really needs, and it is available on a variety of '80s hits compilations. ~ William Cooper
Engineers: ...
| | Nine Inch Nails Broken CD (1992)
On Fire
$8.49 Having caught the public's attention with his catchy, chart- topping PRETTY HATE MACHINE, Trent Reznor was ...
| | DJ Fred Delirium CD (2001)
On Fire
$14.35 Delirium - the debut U.S. album from French techno stars DJ Fred & Arnold T. - includes all ...
| | Copper Press #21: It's Not Strictly Legal CDs (2004) CD & Book
$6.25 | | Camaron De La Isla La Leyenda Del Tiempo 1979 CD (2000)
On Fire
$24.45 A monumental album from the late flamenco vocalist that expanded the range of flamenco beyond its perceived limits by incorporating non-traditional instruments and styles on this set. Among the musicians was an electric bassist, drummer, percussionist, synthesizer player, flautist and zither. Among the influential styles you'll hear are rock, jazz and oriental rhythms. This was an album that would turn out to be a real precedent setter for future world music.
Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition. La Leyenda Del Tiempo ...
| | Ovoian CD (2006)
On Fire
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| | Kochwolfram Lunar Park CDs (2006) (Import)
On Fire
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| | Gueden Die Zauberfloete CD (2007) (Import)
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