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Occupying an avant-rock world triangulated between the chilly post-rock modernism of Rachel's, Lisa Germano's emotionally raw vocal style and keening violin, and the childlike wonder of Joanna Newsom, the debut album by Autumn Shade is an intriguing, often engrossing listen. The centerpiece of Autumn Shade is Jes Leneé, a Tulsa-based instrumental prodigy whose piano and acoustic guitar are at the root of the songs. Violin, dulcimer, percussion and other instruments fade in and out of the mix underneath Leneé's instantly attractive vocals, a mixture of high-register wails and a less ethereal low register that strongly recalls Germano's sadder-but-wiser vocal persona. The lyrics are an often abstruse metaphorical salad that rarely press a literal picture onto the listener but remain emotionally effective through Leneé's skillful delivery and the melodic strength of the folk and country-tinged tunes. (The title track in particular is an absolute heartbreaker.) Many albums in what's been dubbed the "new weird folk" scene are so evanescent that they dissolve upon close listening, but Autumn Shade's blend of gothic atmospheres (in the sense of both Flannery O'Connor and 4AD Records) and straightforward tunefulness makes it a far more satisfying album than most. ~ Stewart Mason
Personnel: Sharla Pember (hammer dulcimer, violin); Nathan Wright (clarinet).
Recording information: Various Living Rooms, Tulsa, OK (10/2006).
Autumn Shade Ezra Moon Songs Ezra Moon Review
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Purchase Ezra Moon CD To buy, Click on price to add to cart | Organ Grab That Gun CD (2004) (Import) United Kingdom
Ezra Moon
$14.49 The Organ's 2002 debut EP Sinking Hearts was more captivating than most of that year's full-length releases: over the course of just 15 minutes, the band crafted chiaroscuro meditations on falling in and out of love that were just as light and jangly as they were dark and brooding. The EP was a promising beginning, and Grab That Gun, the Organ's first album, builds on that promise by delivering more appealingly moody music instead of reinventing the band's sound. It's tempting, initially, to be slightly disappointed that the Organ didn't broaden its sonic territory. But, even though the music remains remarkably focused, Grab That Gun proves that the band has plenty of room for expression within its rather limited palette of droning organs, succinct drumming and sharp, upturned guitar lines that give new meaning to the term "hook." While this sound comes from the legacy of '80s college rock -- at times suggesting a fusion of the Smiths' ...
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| | Hollies Greatest Hits CDs (1973)
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$19.55 One of the best British Invasion bands, the Hollies were rightfully famous for their stellar harmonies (this is of course where Graham Nash honed his vocals skills) and keen sense of pop songcraft. This two-CD anthology from EMI covers the band's entire career, from their earliest (and probably best) incarnation in the 1960s up to an early 2000s recording made specifically for this collection, and including the band's various hits from the intervening decades.
While the non-chronological sequencing seems a bit random, it does highlight the Hollies' many phases and stylistic segues, from jangle-pop and country-rock to psychedelic heaviness and adult contemporary balladry. Those looking for only the chiming folk-rock the Hollies' are best known for ("Bus Stop," "Carrie Anne," and the like) may want to seek out a different collection, but enthusiasts looking for a solid career retrospective will do well to check this out.
There are better-sounding repackagings of Hollies material-the 30th ANNIVERSARY COLLECTION box set, for example. On balance, though, GREATEST HITS is probably the most representative single-CD Hollies best-of collection available. All but three of the songs were recorded during the tenure of Gram Nash-the band's most creative period -and most of them are unarguable pop rock gems, among the best records of their era. The rest, including ...
| | Guitar Ace: A Tribute To Link Wray CD (2003)
Ezra Moon
$13.49 This long overdue homage to Link Wray, inventor of the power chord, gets it right. 24 scrappy garage,surf, and punk artists from across the globe contribute versions of popular and obscure Link Wray nuggets, proving that his music transcends cultures, ages, genres, and trends. With a sufficiently primitive approach and more vocals than you might expect from someone best-known for his instrumentals, ringers like The Fleshtones (blitzing though a minute-and-45-second, raucous beach party rave-up of "Soul Train"), Southern Culture on the Skids (grinding out "I'm Branded" with lo-fi raw power) and Calexico (the lovely "Fallin' Rain" is this album's least-frantic cut) rub elbows with lesser-known yet talented bands; all of whom deftly capture Wray's eclectic musical personas. From the reverbed, spaghetti western twang of The Hellbenders "The Outlaw," The Space Cossacks "Mustang," and Boston's Four Piece Suit "Roughshod," to variations on the "Rumble" theme courtesy of an international crew featuring Belgium's Fifty Foot Combo ("Slinky"), Finland's The Downers ("Genocide"), and the Scandinavian ad-hoc group Spy-Fi ("The Shadow Knows"), Guitar Ace leaves few Wray guns holstered. Excursions into surf (San Francisco's Pollo Del Mar's frantic "Jack the Ripper") country (Deke Dickerson & The Eco-Fonics finds his inner Ricky Nelson on "Run Boy Run"), and poppy garage rock (The Gore Gore Girls run "Baby Doll" through the Shangri-Las' tough but tender wringer) show how Wray was far from a one-chord pony.
A solo acoustic rendition of "Ace ...
| | Juan Pablo Balcazar Heckler City CD (2008) (Import)
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| | Margie Cumbie Sings Patsy CD (2004)
Ezra Moon
$10.15 Margie Cumbie sings Patsy like no other. Her smooth, clear voice brings back glimpes of Miss Patsy herself... but then Margie also does sing these great songs in her own teasing, seductive style. Margie records once again with Mr. Mike Dunbar's great production efforts and Mr. Razzy Bailey's amazing engineering talent. The musicians who play on this production are some of Nashville's very best, from Mr. Willie Rainsford (keyboard), Mr. Ed Glass (percussion), Mr. John Heinrich (steel guitar), Mr. Bailey (guitar) and Mr. Dunbar (bass, mandolin) to Mr. Robert Thames (guitar). They resurrect the great original music from the Patsy recordings with a few special twists. ...
| | Philosophy In The Trenches CD (2006)
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