| | Ai Tokunaga Love Live Life Soundtrack CD - Import
Love Live Life Soundtrack Music | List Price | $54.99 (You save $3.74) | | Category | Soundtrack Albums | | Label | Phantom | | CD Universe Part number | 7370157 | | Catalog number | 55846 | | Discs | 1 | | Release Date | Jan 29, 2007 |
Love Live Life Soundtrack Review
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Recorded during the same sessions that produced The Allegory of Healing (and mixed at the same time as that album some months later), Silver Wheel of Prayer isn't so much a companion piece as its own particular, self-contained effort. Both sonically and in terms of how Montgomery named each piece -- "For the Imperiled," "For the Disoriented," etc. -- there's a greater sense on the solely instrumental Silver Wheel of conscious arrangement and organization than on the here and there Allegory. ...
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Lamp Fall is the first international release from the Senegalese singer/songwriter and guitarist Cheikh Lô. Issued on World Circuit, it is a collection of traditional and original songs that heavily showcase his trademark mbalax drums, reggae grooves, and funky polyrhythms, with a host of colors and textures added by widely varying instrumentation. This time out, Lô goes to Brazil for inspiration -- about half the album's tracks were recorded in Bahia. Lamp Fall's opener, "Sou," is a traditional song with a radically different arrangement. It is sung in Bambara, the language Lô learned in Burkina Faso. It is a Mandinka song in origin, and comes form Mali. One can heard the Brazilian feel here in the employment of a sanfona accordion -- a close relative of the bandoneon. It is juxtaposed against a talking drum, as Lô's falsetto carries its melody -- a love song -- over. The title track was one of many recorded in Dakar and in London. Lamp Fall is a tribute to Cheikh Ibra Fall, a religious leader whose faith Lô belongs to. What's startling is the opening guitar chord, which sounds like it could have been lifted off James Blood Ulmer's Are You Glad to Be in America? Saxophone great Pee Wee Ellis blows hard and funky here against crisscrossing rhythms by Saliou Seck, accented by a Crescent City piano vamp played by Arona Barry. The Brazilian feel comes to the fore in "Satta Kaani Xeen," where castanets, wood blocks, cajon, and berimbau make up the main body of the tune lyrically and rhythmically. The band here is large, with a sitar, tama, bass clarinet, and Paulinho Andrade's flute orchestrating the melody. Ellis is heard fiercely in "Bamba Mo Woor," over the top of twin electric guitars riffing like hell, and fronting both Bigga Morrisson's Hammond B-3 and the rest of a horn section featuring Byron Wallen on trumpet and Tim Smart on trombone. The reggae groove here is deeply dread, shuffling and slipping along a bubbling bassline and Lô's sweet -- but not saccharine -- falsetto vocals. The only pure mbalax tune here is "Fattaliku Dëmb," where Lô plays a mean flamenco-style rhythm guitar part over the rolling drums and pumped bassline. It also features a fine guitar solo by Lamine ...
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Once, country artists used Christmas albums as an opportunity to create versions of holiday classics suitable for airplay on country radio. In the late '90s, country artists used holiday albums as an opportunity to stretch artistically--and that usually meant recording with a full orchestra. Martina McBride's WHITE CHRISTMAS, her first holiday collection, is a fine example of this trend. It finds McBride, a singer of astonishing talent and power, cradling her amazing voice in lush orchestral arrangements which occasionally, as on a track like "Let It Snow," turn whimsical. The material here is strictly classic Christmas, from secular favorites like "Silver Bells," and "I'll Be Home For Christmas" to religious ones like "What Child Is This" and "Away In A Manger."
In an attempt to mimic classic Christmas albums of the past, there's a vocal choir on many tracks, but McBride's voice is so breathtaking that you find yourself wishing they'd just be quiet and let her do all the singing. Thankfully, on the standout track, "O Holy Night," the arranger wisely lets her soaring vocals go solo. WHITE CHRISTMAS' true appeal is the warmth and emotion McBride manages to bring to Christmas standards the listener has heard countless times.
Martina McBride's White Christmas features the singer's countrified versions of holiday classics like the title track, "The Christmas Song," "Silver Bells," "I'll Be Home for Christmas," and "Silent Night." [The album was reissued in 2007 with a slightly re-ordered track list as well as ...
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