| | Marillion Somewhere Else CD Marillion Discography of CDs
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With 'Somewhere Else' Marillion have played to their strengths and cut one of their very best records. With their innate sense of drama and pomp tempered by a winning melancholy, Marillion have produced a set of rich and vivid soundscapes. 'Somewhere Else' is a genuinely remarkable testament to Marillion's enduring creativity and crystal vision and Pete Trewavas, Ian Mosley, Mark Kelly, Steve Rothery, and Steve Hogarth have yet again proved that they are slaves to no-one, instead being prophets calling proudly in an uncaring musical wilderness.
Marillion: Steve Rothery (guitars); Pete Trewavas (acoustic guitar); Mark Kelly (keyboards); Ian Mosley (drums); Steve Hogarth (percussion).
Additional personnel: Michael Hunter (various instruments); Sam Morris (French horn).
Marillion Somewhere Else Songs Somewhere Else Music Review Average Rating: (3 out of 5 stars)   List All Reviews Somewhere else?
I have been a huge fan of H and the boys for about 10 years now but I've got to be honest about this CD. I wish I spent my money somewhere else! this CD makes them sound like a lounge act. Come on guys, liven it up for heaven sakes. I feel insulted as a Marillion fan. This is strike 1 as far I'm concerned. (Radiation gets a pass because of Under the sun!) either retire or make some good friggin' songsa again.
Submitted by npduffy (Pascoag, RI, USA) 
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Just for Horgath Era
In my humble opinion this album is great just for Marillion Horgaths fans.
I love all marillion´s album since era Fish. I think Marillion is a very classic band.
Submitted by ascanderkiss (Caracas, Venezuela.)
Was This Review Helpful? Yes No  Another Great Album!!!!!!!!!!!!!!!!!!!!!!!!!
I can't believe how many people still live in the past. Time to get over the fact that fish is gone (19 years). Marillion have been putting out quality music their whole career,I realise those living in the past want the 10th version of "misplaced childhood".If thats what you want to hear then check out IQ or Pendragon as they are still playing 80's prog.
"Somewhere Else i can honestly say is worth buying .IMHO i think it's a notch below "Marbles". It gets better with each listen. I love it that you have to work a bit at their music, you have to give it a chance to grab you and get its hooks in you.everything you want from Marillion… passion, perfection, darkness, touching lyrics . my fav tracks are The Wound,The Other Half,Somewhere Else,Thank You...,The Last Century... , A Voice From The Past and Faith. These are not so much songs as they are emotions put to music.
With so much crap music in the world today We should be thankful that Marillion still produce great music that actually means something. If you want music that doesn't make you think then don't buy this , but if you want music that has emotion and feeling then i highly recommend "Somewhere Else"
Submitted by FT (South Hadley,Ma USA)
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Revisit!
After watching this album performed mostly live on "Somewhere in London" I came away with a new respect on how this album feels. It opened up layers I didn't hear or feel just listening! I'm awake to this album after seeing it!
Submitted by yakshot (Asad Yreka, CA USA)
Was This Review Helpful? Yes No  Not Again..no...
Please decide whether you’re prog or pop musicians. These “comes & goes” are only destroying your image. Prefer to follow Fish instead, yes, he’s totally derranged, but maintains his style through time.
Submitted by Mike (California)
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| | Guided By Voices Bee Thousand CD (1994)
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Guided By Voices: Robert Pollard (vocals, guitar); Tobin Sprout (vocals, bass, guitar, drums, piano); Mitch Mitchell (guitar); Jim Pollard (guitar, bass); Dan Toohey (bass); Kevin Fennel (drums).
Additional personnel: Don Thrasher (drums); Greg Demos.
All songs written by members of Guided By Voices.
Personnel: Robert Pollard (vocals); Tobin Sprout, ...
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| | Low In The Fishtank CD (2004) Extended Play
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In The Fishtank is a project of Konkurrent Onafhankelijk Muziekbedrijf. In this collection of short-length recordings, Konkurrent invites bands to whom they are strongly related to record while touring Holland. These bands are given 2 days to put down on 24 tracks 20-30 minutes of whatever they like: regular songs, funny versions, improvised pieces. 6 tracks. 2001 release.
Low & Dirty Three includes: Alan Sparthawk, Mimi Parker, Zak Sally.
Recorded in November 2000.
Recording information: Kowienverguur (11/2000).
In late 1999, the Dutch label KonKurrent invited Minneapolis band Low into an in-house studio to record one of the label's near-legendary In the Fishtank sessions; bands have two days to record ...
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| | Big Moe Purple World CD (2002)
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Personnel includes: Big Moe, Ronnetta Spencer, D-Reck, Tyte, Eyez, D-Gotti, Dirty $, Pokey, Project Pat.
Producers: T-Gray, Blue, Salih Williams, Noke D.
Recorded at Southside Studios, Holman Sound & Design and Wreckshop Studios, Houston, Texas.
Personnel includes: Big Moe, Ronnetta Spencer, D-Reck, Tyte, Eyez, D-Gotti, Dirty $, Pokey, Project Pat.
Producers: T-Gray, Blue, Salih Williams, Noke D.
Recorded at Southside Studios, Holman Sound & Design, and Wreckshop Studios, Houston, Texas.
Audio Mixer: Noke D.
Recording information: Holman Sound And Design, Houston, TX; Southside Studios, Houston, TX; Wreckshop Studios, Houston, TX.
To most urban/rap listeners, the Houston rap scene seemed more of a curious oddity than a serious breeding ground for great music. Purple World convincingly argues otherwise. It's a great album, plain and simple, on a par with the best albums that came out of New York, Atlanta, and Los Angeles in 2002. The real beauty of Purple World, though, is how Big Moe sticks with his Houston peers. No, the Neptunes and Dr. Dre don't produce any tracks here, nor will you find P. Diddy or Snoop Dogg on Purple World. Instead, Moe teams up with Houston's finest: Lil' Keke, Lil' Flip, Hawk, D-Gotti, Big Pokey, Ronnie Spencer, and more. Plus, he works exclusively with producers ...
| | Gene Clark No Other CD (1974)
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Re-Issue;From The Mid-1970s
Personnel: Gene Clark (vocals, guitar); Gene Clark; Cindy Bullens, Clydie King, Ronnie Barron, Timothy B. Schmit, Venetta Fields, Claudia Lennear, Carlena Williams (vocals, background vocals); Sherlie Matthews (vocals); Danny Kortchmar, Steve Burton, Jerry McGee, Jesse Ed Davis , Stephen Bruton, Howard "Buzz" Feiten (guitar); Chris Hillman (mandolin); Richard Greene & Beryl Marriott, Richard Greene (violin); Ted Machell (cello); Bill Cuomo (organ, keyboards); Craig Doerge, Mike Utley (keyboards); Leland Sklar (bass instrument); Russ Kunkel ...
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I was born in Indiana in the Spring of 1971. My family was from Southeast Ohio. My mother's family played a lot of bluegrass. On special occasions, the family would all get together at my Grandma's house. They'd sing country, bluegrass, and gospel music. They played fiddles, guitars, bass, banjo, mandolin, and other stringed instruments. They were a fun-loving bunch, always laughing and joking. They had a song for every occasion. If one of us kids came in crying, they'd start up a sentimental, melodramatic, "Make the World Go Away". It was impossible to hang on to sadness for long with that bunch. On my dad's side of the family, a more somber mood prevailed, but there was music there, too, with my aunt playing piano, my dad and his brother playing guitar. They were more solitary. My mother played piano, although she did not play much music with her family. She had gotten away from it, too busy to practice, once she had children. She tried to practice when I was a child, but as soon as I could reach the keyboard, I would bang on the keyboard right along with her whenever she tried to play, so she taught me to play. I learned to read music before I learned to read words, and by the age of 5, was composing songs. My first song was a tribute to Charles Schulz's cartoon character "Snoopy" whom I adored. My musical training in grade school focused mostly on classical from sheet music. Besides piano, I had a decent voice and was active in choir, taking part in solo and ensemble contests. When I was 12 or 13, I tried to get a band together with a couple friends. One played saxophone and the other played guitar. I made us a logo and wrote a lot of lyrics. We called ourselves the WKC - the White Knights of Christ. We were a Christian rock band. We couldn't find a drummer and never performed anywhere outside of my parent's house. We didn't have much time to evolve, because my family moved to Northern Wisconsin. We moved on Valentine's Day of my Freshman year of high school. As we drove north, the snow became deeper and the distance between my old friends (and antagonists) grew. The braces on my teeth were gone, and I had ditched my scoliosis brace in the chaos of the move, to my mother's dismay. I was looking forward to a chance at a new life, one in which I would be popular and sought after. The time and energy it took to make new friends and get to know my teachers was a distraction from music. When I finally did put together a three movement composition in my junior year, my jazz band teacher discouraged me, telling me he thought it was monotonous. In the tumultuous year that followed, I ran away from home. I lost the sheet music along the way and have ...
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