| | Virtuoso Strauss Transcriptions CD - Import Lane, Piers CDS
 (2 Customer Reviews)
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Character Piece, Fantasy, Waltz, Transcription, Humoresque, Arabesque, Paraphrase |
Virtuoso Strauss Transcriptions Music | List Price | $11.97 (You save $2.88) | | Label | Hyperion | | Orig Year | 2/13/2007 | | All Time Sales Rank |  16526  | | CD Universe Part number | 7371511 | | Discs | 1 | | Release Date | Feb 13, 2007 | | Recording Time | 1 14 | | Additional Info | Import |
Virtuoso Strauss Transcriptions Classical Review Additional track information is unavailable.
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually sounds as if he threw a bunch of leftover studio bits on a tape for the movie), makes a return appearance here with an actual song. The track "Porque" features the stirring vocals of Raul Malo of the Mavericks, who contributed the lyrics to the selection. It's a sad, romantic ballad. Lost love drips from the cowboy's hat, regret drapes itself in tears in his shaded eyes, and he stands out in the rain singing to no one. Also, homage is paid to Stuart's greatest influence and benefactor, the daddy of bluegrass music himself, Bill Monroe. His "My Last Days on Earth" is included here. (Everybody knows nobody was listening to bluegrass music in Texas or Mexico in the late '30s.) The only real complaint about this gorge
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Track Listing of songs: Wenn im Lenz die Knospen sprießen; Sei gepriesen, du lauschige Nacht; Der Zauber liegt nur allein; Ich tu nur bös, bin sonst fidel; Heimat, mit der Seele, grüß' ich dich; Nur die Liebe macht uns jung; Zwischen Kirschen und Melonen; Hasta mañana; Tiefe Nacht, wo sonst strahlender Sonnenschein; Ich bin in einen Mund verliebt; Fröhlichkeit, Seligkeit, alle Tage Sonnenschein; Ein Kuss im Frühling; Man muss sich anziehen können; Künstlerball bei Kroll; Chin-Chin-Chinaman; Immer in der letzen Reihe steh'n; Jedes kleine Mädel hat eine kleine Lieblingsmelodie; Ich bin verliebt in meine eigene Frau; Jede Frau hat irgendeine Sehnsucht; Täglich tausend Liebenbriefe; Wie tanzen dort die Paare; Du, du, du, schließ deine Augen zu; Zigarettenlied; Über die Landschaft weit; Laridi, laridon, 's ist Karneval; Wer am Rosenmontag an Aschermittwoch denkt; Ein Schwipserl möcht' ich haben; Gibt's in Wien a Hetz'; Komm doch, komm doch, Faschingsfee; Ich bin dein Untertan, dein treuer; Jede Frau empfindet Lust an Intrigen; Auf dem Berge Ida; Wir sind beide vornehm; Kleine Blumen, kleine Blätter; Der Prinz von Thule; Tanzt der Pole die Mazur; Melodram; Du sollst der Kaiser meiner Seele sein; Sei nicht bös'; Heut' ist ein Tag; Man lacht, man lebt, man liebt; Ein Spiel mit der Liebe ist gefährlich; Das Lied vom schwachen Stündchen; Madel, ich kenn' dich; Muss auch jetzt geschieden sein; Komm mit nach Mailand;
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A great performance.
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