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Taylor, James - 1987 CD Cover Art
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James Taylor 1987 CD

 James Taylor Discography of CDs
3 stars (1 Customer Review)

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 Our Price: $14.75  CD
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This is the story of the hectic 1st year of the JTQ. It contains both sides of their #1 indie record, & for the 1st time in 20 years, gathers together all of the band's 1987 Re-Elect The President sessions that were to be the birth of the acid jazz movem

James Taylor (Organ/Keys): Simon Howard, James Taylor , David Taylor , Allan Crockford.
1987 Music


Detailed 1987 Music Information



List Price $18.99 (You save $4.24)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Acid Jazz
Label Beat Goes Public BGP
Orig Year 2003
All Time Sales Rank   272759  
CD Universe Part number 7374895
Catalog number 184
Discs 1
Release Date Mar 20, 2007
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 68 minutes
James Taylor 1987 Songs


James Taylor 1987 Album Track Listing



1.Blow Up
2.One Mint Julep
3.Be My Lady
4.Mission: Impossible
5.Goldfinger
6.Cat, The
7.Mrs Robinson
8.Alfie's Theme
9.Stooge, The
10.Money Spyder, The
11.One Way Street
12.Car Chase
13.Spiral Staircase, The
14.Mr Cool's Dream
15.Untitled No.1
16.Real Mean Time, A
17.Onion Club, The
18.Stroll, The
19.Los Cuevos Pablo
20.Midnight Stomp (The New Rhumba)
21.Buzy Bee
22.In the Park
23.Untitled No.2
1987 Music Review


Customer 1987 Reviews 




Average Rating: (3 out of 5 stars) 3 stars

3 stars not james taylor
this item on james taylors page is not james taylor - folk rock belongs to james taylor quartet
Submitted by davo (slc ut)
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Buy James Taylor 1987 Posters From Allposters.com



Two-Lane Blacktop

11 x 17 inch
Masterprint

Price: $14.99
James Taylor, Rolling Stone no. 76, February 28, 1971

17 x 24 inch
Photographic Print

Price: $39.99
Two-Lane Blacktop

16 x 22 inch
Framed Art Print

Price: $89.99
James Taylor

14.5 x 20.5 inch
Framed CD

Price: $49.99
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For the follow up to his classic SWEET BABY JAMES, which rivals TAPESTRY's place in the boomer canon, archetypal sensitive singer-songwriter Taylor wisely elected not to stray too far from the approach that had worked so well on his previous album. He covers another Carole King tune ("You've Got A Friend,") perfects the L.A. folk-rock sound he inaugurated on his earlier work, courtesy of studio hotshots ...
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Mostly recorded at Taylor's home studio, ONE MAN DOG is an atypical release for a man known for putting out straightforward sets of his distinctive brand of folk-rock. This release from 1972 came after Taylor had achieved a good measure of stardom, and was free to explore some untraditional approaches. After this record, he returned to a more straight-forward format, but ONE MAN DOG has a relaxed, pastoral vibe that makes for enjoyable listening. The record consists of 18 shortish pieces strung together: traditional pop/folk songs, like the graceful single "Don't Let Me Be Lonely Tonight," as well as humorous, off-the-cuff gems like the ode to a favorite food "Chili Dog," a jig, a drug song ("Mescalito"), and several gentle instrumentals. The production is more low-key than usual, and even though the atmosphere is relaxed, the playing is top-notch thanks to Taylor stalwarts Danny Kortchmar, Russ Kunkel and Leland Sklar. ...
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This 2004 compilation dives deep into the work of the late heartland country-folk vocalist, revealing most of his numerous hits, including "Take Me Home Country Roads," "Annie's Song," "Rocky Mountain High," "Thank God I'm A Country Boy," and his original version of "Leaving On A Jet Plane." This is an enjoyable sampler highlighting John Denver's biggest hits for the RCA label, along with a few ...
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Simply put, there are three James Taylor albums in this box: the hit JT (1977), That's Why I'm Here from 1985, and the truly awful Never Die Young from 1988. If you ...
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FOURMOST captures the collaborative efforts of drummer Grady Tate, tenor saxman Stanley Turrentine, long-time Smith guitarist Kenny Burrell and the master organist himself, as they groove through a sizzling live set. Recorded in 1990 at Fat Tuesday's in New York City, the show overflows with the kind of evocative, free-flowing yet tightly disciplined artistry one has come to expect from Smith. The soul that drips off tracks like "Midnight Special" and Burrell's own "Soulful Brothers," as filtered through Smith's mind-bending hand/foot work at the Hammond, Turrentine's pure, personal tone, and Burrell's swinging melodic lines, is enough to make a convert of just about anyone. Even tired standards such as "Summertime" and "My Funny Valentine," as well as the two Ellington treatments ...
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This is a stunning debut, and the standard by which all of the Roches' subsequent releases have been measured. The three Roche sisters have voices that meld in ways that only those of a family can. THE ROCHES is built upon a frame of sparest accompaniment (usually just an acoustic guitar), and is in ways quite symphonic. Producer Robert Fripp (of King Crimson) wisely chose to render the Roches' sonic world in pristine clarity, keeping the spotlight focused squarely on the singing during the course of this album's 10 songs. The ...
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1987 CD music
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Though it's not nearly as comprehensive as the 1998 best-of Hatful of Rain, 20th Century Masters -- The Millennium Collection does feature Del Amitri's biggest hits, such as "Roll to Me," "Driving With the Brakes On," and "Hatful of Rain," as well as key songs from their albums, within its dozen tracks. Despite its relative brevity, the collection does manage to fit ...
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I'm Wide Awake, It's Morning
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1987 album
CD $10.79  4.6 stars Audio Samples Definitive Album
In early 2005, young indie icon Conor Oberst (AKA Bright Eyes) unveiled two full-length albums--I'M WIDE AWAKE, IT'S MORNING and DIGITAL ASH IN A DIGITAL URN. Whereas the latter proved to be a departure into electronic music, the former sticks to Oberst's established sound, which combines the urgency and heart-on-the-sleeve sentiment of emo-rock with twangy, down-home feel of alt-country and folk music. I'M WIDE AWAKE begins with Oberst telling a story that morphs into "At the Bottom of Everything," a jangly, upbeat tune featuring My Morning Jacket's Jim James on backing vocals. Throughout the record, Oberst reaches nearly hysterical peaks, seemingly overcome with emotion as his wavering voice, which often recalls Violent Femmes' Gordon Gano, veers almost, but not quite, out ...
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