| | Cairo Arabic Music Ensemb / Nesma Del Nilo Al Guadalquivir CD Cairo Arabic Music Ensemb / Nesma Discography of CDs
Audio Remasterer: Gabriel Gutierrez.
Personnel: Noor El Wasalaty, Gehan, Mumdoh, Hamdy Hashem, Suzan, Nasser, Nora (vocals); Mundouh El Gebaly (oud); Hazem Kasabgy, Mohamed Kotb, Mumtaz Talaat, Mustafa Shefa, Mustafa Amin, Mohamed Eid, Mustafa Aziz, Mohamed El Mougy (violin); Yasser Taha, Hassan Motaz (cello); Ahmed Abdel Fattah (accordion); Mohamed Fouda (nay); Tarek Omran (oboe); Salah Ragab (contrabassoon); Khamis Henkesh, Ahmed Bendir, Ahmed Ayady, Mohsen El Swaf, Ismail El Geby (tabla); Hesham El Araby (req); Maged Serour, Noor (unknown instrument); Nubian Music Ensemble.
Del Nilo Al Guadalquivir Music Cairo Arabic Music Ensemb / Nesma Del Nilo Al Guadalquivir Songs | 1. | Nesma't el Nile |
| 2. | Del Nilo Al Guadalquivir |
| 3. | El Gourya |
| 4. | Sukari |
| 5. | Lamouni Ligharou Menni |
| 6. | Raks el Shamadan |
| 7. | Lamma Bada |
| 8. | Raidak |
| 9. | Shakawet el Bannat |
| 10. | El Reda Wel Noor |
| 11. | Nesma't el Nile - (Finale) |
| Del Nilo Al Guadalquivir Review
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Purchase Del Nilo Al Guadalquivir CD To buy, Click on price to add to cart | Lhasa CD (2009)
Del Nilo Al Guadalquivir album
$13.65 Lhasa's earlier work included arrangements that drew on ranchera and Gypsy music, as well as American, Canadian, and Mexican folk, French chanson, and pop. The international flavor is more subtle on LHASA, without vanishing entirely. The songs on the album all deal with love, usually of the obsessive, hopeless, and doomed variety, and even at her most seductive, as on the subtle rock/tango "The Lonely Spider," Lhasa's vocals hint at grief and despair. The song's Latin standup bassline and subtle chiming guitar combine with a muted tango beat to give the song a deeply melancholy air. "Is Anything Wrong" is a bluesy pop song with a haunting melody carried by ...
| | Bebo & Cigala Lagrimas Negras CD (2004)
Del Nilo Al Guadalquivir CD music
$8.99 Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a world-class arranger. Dieguito El Cigala was born in 1960, and has become the undisputed king of Spain's flamenco singers. This recording features nine tracks that meld together cooking son, jazz, Afro-Caribbean, and flamenco rhythms, in tunes by composers such as Lolita de la Colina, Virgilio and Homero Expósito, Ramón Perelló, the grand team of Tom Jobim and Vinícius de Moraes, Caetano Veloso (who makes a guest appearance), Maria Teresa Vera, Miguel Matamoros (who composed the title track), and ...
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| | Jon Balke Siwan CD (2009)
Del Nilo Al Guadalquivir album
$14.65 An ambitious world fusion project, SIWAN brings together the Norwegian pianist Jon Balke, Moroccan singer Amina Alaoui, the Early Music ensemble Barokksolistene, minimalist trumpeter Jon Hassell, and others in a cross-cultural melange that imagines itself somewhere back in the medieval times of Andalusia, during the era when Spain was dominated by Muslim rule. With the expert help of Barokksolistene (Baroque solists), Balke has composed authentically evocative, Arabic-flavored ...
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Del Nilo Al Guadalquivir CD music
$22.15 Audio Remasterer: Michael J. Dutton.
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| | Yuriko Yoshida Yuon Series V.5 Starlit Song CD (2005) (Import) Japan
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| | Omar & The Howlers Bamboozled: Live In Germany CDs (2006)
Del Nilo Al Guadalquivir music CDs
$9.09 Mississippi-born but Texas-based Omar Kent Dykes understands a fundamental fact about modern electric blues. He knows there are only a handful of rhythms and themes in the blues grab bag, and he uses them all over and over again in slightly different guises. This isn't necessarily a bad thing. The blues has lasted this long because it's supposed to sound like the blues, and if you stretch it too far you end up with something like prog rock. It is this fundamental conservatism of the blues and its limited palette that has kept the form alive long after its colorful offspring (R&B, soul, rock & roll etc.) have flown the roost, taking a large part of the audience with them. But Omar understands all this. He has had a 30-year career playing these rhythms, and he knows how to keep it all simple, direct, and powerful, and how to build new songs out of the fabric of the old songs without destroying their familiarity. Bamboozled, a live set recorded at the Musa in Gottingen, Germany on October 20, 2005, finds Omar & the Howlers looking back over that 30 years of bars, sheds, and studios and hitting some of the high points. The opener, "Shake for Me," pretty much sets the tone with its gritty and overdriven guitar tone and harsh, ragged vocals that sound a bit like Wolfman Jack fronting a Texas blues trio. Omar slows things down for a couple of tracks here, like "East Side Blues" and the resonant "South Congress Blues," but pretty much the Howlers keep things chugging at a brisk pace as Omar trots out the Bo Diddley rhythm for "Magic Man," dips into the John Lee Hooker bag of rhythm tricks for his tribute to Hooker, "Boogie Man," continually recycling the history of the blues into a solid, 70-some minute example ...
| | Jean Nichol 20 Meilleurs CD (2008) (Import) Import
$24.95 | | Christian Jacob Styne & Mine CD (2008) (Import) Japan
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| | Johnny Jokers Rock N Roll Love Letter From Johnny CD (2008) (Import) Import
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