| | Pat Torpey Odd Man Out-Y2k CD - Import Pat Torpey Discography of CDs
Odd Man Out-Y2k Music | List Price | $24.99 (You save $1.34) | | Category | Heavy Metal Albums | | Label | Phantom | | CD Universe Part number | 7377328 | | Catalog number | 1031724 | | Discs | 1 | | Release Date | Nov 14, 2006 |
Pat Torpey Odd Man Out-Y2k Songs | 1. | Falling Of The Sun |
| 2. | Low Bottom Savior |
| 3. | Man On The Ground |
| 4. | On A Bender |
| 5. | Hell On Highwater's Son |
| 6. | Qp Doll |
| 7. | River, The |
| 8. | Circus Of Circumstance |
| 9. | Dilemma |
| 10. | Ain't That A Shame |
| Odd Man Out-Y2k Review
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$11.49 George Boone Blues BandWebpage at : home.nycap.rr.com/georgeboone// George Boone began on his musical path at age eight. His guitar-playing was influenced by Chuck Berry, Wes Montgomery, Kenny Burrell, and B.B.King, to name a few. Mr. Boone has performed with many well-known blues artists, including Jimmy Witherspoon, Lowell Fulson, Johnny Otis, Big Jay McNeely, and Albert Collins. He has toured Europe with Philip Walker and Screaming Jay Hawkins and has shared the stage with Robert Cray, John Littlejohn, Wildchild Butler, and Jimmy Rogers at European jazz festivals such as the Cahors Blues Festival in France, the North Sea Jazz Festival, and the Bonn Blues Festival in Germany "...I think Boone is one of the most amazing guys I've ever seen. He's the real thing. When he's on, he's as good as anybody." Matt Smith- Guitar Player Magazine"Boone equaled Otis Redding's impassioned pleas." Don Wilcock- The King Biscuit Times"Guitarist George Boone can certainly conjure up magical, classic blues like this area has never seen. When he's on, Boone can be one of the best that's ever been, with a passion and conviction that's jaw-dropping." Metroland Magazine "Best of 1998""Boone delivers raw soul to his audiences while performing!"Columbia University Spectator"His fans win whenever he straps on his guitar and lights up a song. As a singer, Boone's tremendous emotional authority matches perfectly the impetuous drive of his guitar-playing."Michael Hochanadel, The Schenectady Gazette One-page Press Sheet: The George Boone Blues BandWebpage: home.nycap.rr.com/georgeboone/Dressed to the nines in a fine suit, gold, leather, fur collar and the patented G clef etched into the hair on the back of his head, electric bluesman George Boone immediately changes the atmosphere of any room he's in. A commanding presence, this veteran singer/songwriter/guitarist promises an intensely explosive marriage of emotion and technique in performance. And he always delivers."Stranger in My Hometown" was cut in one afternoon in a converted church studio in Rensselaer, New York. Veteran blues critic Don Wilcock calls George Boone "...one of the best blues guitarists/singer/songwriters in the world." And he says of this debut album, "Angry isn't a strong enough word to describe the dangerous and predatory emotions laid down and burned off in this fantastic album recorded in one day at Cathedral Sound." Other critics have called it "scathing, angry, raw and tough as leather." "(It) smolders and explodes like Boone's live shows," says Mike Hochanadel in The Schenectady Gazette.Boone has performed recently in Europe and had a successful summer tour out West in 2002, including a Fourth of July date at the W.C. Handy Award-winning Waterfront Blues Festival in Portland, Oregon. His lead vocal and scorching guitar work on the title cut of Johnnie Marshall's recent JSP album "98 Cents in The Bank" prompted Blues Revue's Art Tipaldi to say, "Boone shows the world the future of the blues is in capable hands by slam-dunking the title cut."Like so many in blues, George Boone had to wait decades for his recording "debut." Gulf Coast blues legend Phillip Walker cut Boone loose from his band ...
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$15.35 As far as it goes, this 15-track overview, Tales of South African Jazz, is well thought out. There are tracks by many artists here who are either completely unknown to American audiences, or who have been heard so infrequently only connoisseurs of the genre know their names, let alone their music. So here is a slab with the beautiful airy sound of the townships as it was, and as it is. The music collected here crosses decades. For instance, there is Hugh Masekela's (easily the most well-known artist included) read of "You Keep Me Hangin' On" from the early '70s, and Jimmy Dludlu's smooth jazz "Linda," which could have been recorded last week. But these cuts are more exception than the rule. The music of the townships is reflected mightily in ...
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