| | Giant Swing Deli CD - Import Giant Swing Discography of CDs
Deli Music | List Price | $53.99 (You save $4.04) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7380124 | | Catalog number | 655827 | | Discs | 1 | | Release Date | Mar 13, 2007 |
Giant Swing Deli Songs | 1. | GET UP feat. MICHICO / L.L BROTHERS / WARNER |
| 2. | Turn Around feat. Chuka |
| 3. | Why Baby feat. CHEMISTRY |
| 4. | Your Eyes On Me feat. TIGER |
| 5. | Bitter Life feat. AI |
| 6. | How Low feat. Sam Salter |
| 7. | Can I Get It? feat. WARNER |
| 8. | Hold You feat. SHAMORA |
| 9. | Let's Go Out feat. L.L BROTHERS |
| 10. | I Got A Man feat. MICHICO |
| 11. | Life Time Story feat. ORITO |
| 12. | Can't Live Without You feat. MICHICO |
| 13. | I Got A Man (Remix) feat. MICHICO / The Kid Slim |
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The Tunisian oud genius has done it again. Anouar Brahem has issued only five records under his own name over the past decade, each more adventurous than the last, without compromising his original vision: for the music of his region to meet with the other music of Africa and Asia and create a delirious sound that is equal thirds past, present, and future, along the precipice of historical lineage. For Brahem there is no attempt to synthesize the globe, or even the sounds of the East with those of the West. He is content in his knowledge that sound is infinite, and that his tradition, as it evolves and expands into a deeper pan-African/trans-Asian whole, is more than large enough for a master musician to rummage through in one lifetime. Astrakan Café, the follow-up to his brilliant Thimar, is a smaller-sounding recording that reaches farther into the deep crags of the Balkans. With Barbaros Erköse on clarinet and the Indian and Turkish percussion stylings of the professor of somber precision, Lassad Hosni, Brahem's oud enters into a dialogue, musically, that has never before existed (though he has collaborated with both players previously). Erköse is a Turkish clarinetist of gypsy origin. His low, warm, rounded tones are consonant with the oud. Erköse plays equal parts music of the Balkan and Arab worlds with a tinge of the ancient klezmorim whispering their secrets through his horn. Despite the journeying these musicians do here, they never stray far from the takht, a small ensemble capable of improvising to the point of drunken ecstasy. Listening through Astrakan Café, you can hear the gypsy flamenco tied deeply to Indian ragas and even a kind of Eastern jazz. But there is no hyperactivity in it, no need to cram as many traditions as possible into one putridly excessive mix that expresses nothing but the novelty of the moment. Astrakan Café has many highlights: its two title tracks that have their roots in Russian and Azerbaijan music; "Ashkabad," which is an improvisation on a melody from the folk music of Turkmenistan; "Astara," a modal improvisation based on love songs from Azerbaijan; "Halfounie," a segment from a Brahem-composed ...
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