| | Andrew Neu In Clear View CD Andrew Neu Discography of CDs
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With a contemporary blend of traditional jazz, R & B and Latin music, saxophonist Andrew Neu brings you a fresh new sound. Nationally acclaimed ANDREW NEU is in constant demand as a saxophonist, arranger, composer and recording artist. He is equally comfortable performing with The Philly Pops or the Newport Jazz Festival.Andrew has shared the stage with Sir Elton John, Patti LaBelle, Mellissa Manchester, Mel Torme, Malcom-Jamal Warner, The Four Tops and The Temptations, among others. He has also recorded with Sister Sledge, Manhattan Transfer and jazz legend Buddy DeFranco.Fueled by the critical success of his first album, INSPIRE, Andrew has just released his second CD, IN CLEAR VIEW, produced by bassist Brian Bromberg. It features performances by Jeff Lorber, Kevin Toney, Dave Weckl, Vinnie Colaiuta, Gerald Veasley, 'Doc' Gibbs and the Bright and Tight Horns. He has performed at the Newport, Bermuda, St. Croix, Mellon and Lake George jazz festivals and is a voting member of NARAS and the Grammy Awards.Members of the Andrew Neu Group have performed and recorded with Vickie Winans, Pieces of a Dream, Grover Washington Jr., Gerald Veasley, Jill Scott, Wynton Marsalis, Lou Rawls, Teddy Pendergrass, India.Arie, David Byrne, Tom Scott, Arturo Sandoval, Burt Bacharach and Julie Andrews.THE ANDREW NEU GROUP Andrew Neu – Alto, Tenor and Soprano SaxophoneTom Petroski – Keyboard Demetrios Pappas - KeyboardRichard Tucker - GuitarRob Cochran – BassButch Reed – DrumsHector Rosado – PercussionPeter Neu - TrumpetChuck Gottesman - TrumpetBrian Pastor - TromboneYou – The audience is always a member of our group when we perform! Andrew Neu In Clear View Songs | 1. | Celebration |
| 2. | Wine |
| 3. | Moving On |
| 4. | Come To Me |
| 5. | Seven Mile Bridge |
| 6. | Night Lights |
| 7. | I Heard It In The Night |
| 8. | You Are |
| 9. | Shadow Dancing |
| 10. | Clear View |
| 11. | Sob City |
| 12. | Babe |
| 13. | D'Aja Vu |
| 14. | Blame It On Rio |
| 15. | Easy Pass |
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In Clear View Review
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Personnel: Jessica Simpson (vocals); Lyle Workman, Paul Jackson, Jr. (guitar); David Mann (tenor saxophone); Abe Laboriel, Jr. (drums); Siedah Garrett, Tamyra Gray (background vocals).
With 2006's A PUBLIC AFFAIR, Jessica Simpson's first major studio release since her divorce from Nick Lachey, the singer/actress parlays her newfound single-superstar status into an energetic dance-oriented album. Clearly feeling a sense of liberation, the Texas-born performer evokes the carefree spirit of Madonna's "Holiday" on the funky, club-ready title track, while "B.O.Y." makes the most of a brief Cars sample to create a slinky synth-pop number. In addition to a lively cover of Dead or Alive's "You Spin Me Round (Like a Record)," A PUBLIC AFFAIR includes the similarly 1980s-inspired "If You Were Mine," and even many of the disc's quieter moments (see "The Lover in Me") feature a beat-driven groove backing Simpson's emotive vocals. Opting for a sophisticated, night-on-the-town aesthetic over a more blatantly sexual look, Simpson stays true to her amiable model-next-door image, resulting in a highly entertaining set that has more in common with Kylie Minogue than Britney Spears.
There are basically two ways to deal with a divorce in pop music: dig deep into your soul and pour it all out on the page (ŕ la Blood on the Tracks), or treat it as sheer liberation (ŕ la Back in the High Life). Perhaps it's only appropriate that the dissolution of the Jessica Simpson/Nick Lachey marriage -- one of the biggest tabloid stories of the 2000s, or at least 2006 -- produced two wildly different records that nevertheless follow these blueprints to a tee. First, Nick delivered the mopey What's Left of Me, whose title pretty much gives away the game; he paints himself as the man wronged, unaware that he's coming across a bit like a simpering cuckold but clearly aware that he's placing all the blame on Jessica's shoulders, and even if she doesn't explicitly embrace that burden on her ...
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*** Check out the companion EP to this one, called 'Paratrooper' http:// cdbaby.com/cd/haalemusic2, featuring Sean Lennon *** AND Haale's website www.haale.comPRESS"Percussionists provided driving rhythms...over which Haale's warm, supple voice unfurled like a curlicue of smoke. Her band's amplified rumble served as a reminder of the extent to which rock bands like the Doors and the Velvet Underground turned to the East for their hypnotic efforts; here their borrowings were reclaimed with interest." NEW YORK TIMES 2/6/2007 (click HERE to view full article)"Haale is...a star on the rise. Her first recordings came out in January [2007], and the two five-song EPs show her split musical personality to wonderful effect...her raw sound owes as much to '60s psychedelic rock as it does to the ancient Middle East..." WASHINGTON POST 3/24/2007 (click HERE to view full article)"Totally original songs." CMJ "On her two latest EP releases, 'Paratrooper' and 'Morning' (both self-releasd), [Haale] works a panoramic blend of luscious rock, heady bass, and brilliantly produced rhythms." POPMATTERS'[Haale's] earnest blends of electric guitar, thoughtful lyrics, and vocal gymnastics borrow from both ancient song and the poetry of Persia. The surprise chestnut at the heart of the music is the dynamic, fiery delivery of Haale herself, whose voice is by turns deep and commanding, feather-light and breezy, and as rich and sensual as dark-chocolate fondue.' FLAVORPILL (MUSIC PICK: LA on 1/5/07, SF on 1/12/07)"A mixture of experimental downtown stuff with the vocal intensity of U2, but more intimate." DAVID BYRNE, http:// journal.davidbyrne.com/ April 7,06"[Haale] draws from both the American rock lexicon and Sufi mysticism...She sings in Persian and English, quotes Iranian poets like Rumi and can shred on guitar." SAN FRANCISCO CHRONICLE"A combination of Jim Morrison, Nico, Edith Piaf, and Selma Hayek...Haale'svoice was playful, sultry, and nuanced; she could wail over the din as well ascoax a melody out of her breath... The 90-minute set seemed to pass in ablink." METROLANDHAALE (pronounced HA’-leh, like Hallelujah) was born in New York City, of Iranian descent and grew up as many first generation kids do: with two cultures, two ...
| | Barbara Dennerlein Change Of Pace CD (2007)
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Barbara Dennerlein “Change Of Pace” A Symphonic Experience(Bebab 250973)www.barbaradennerlein.comcontact: please click on the email button on the left sideShe is a bundle of energy, full of creative restlessness, brimming with ideas and activity, on a permanent quest to enhance artistic outcomes, never content with her attainments, continuously advancing and adapting, a work in progress. In this respect CHANGE OF PACE is not only the title of one of Barbara Dennerlein’s most interesting compositions, but in actual fact her philosophy of life. An exceptional musician of international standing, she is, in a literal sense, a star on the legendary Hammond B3 Organ (a grand original from the fifties.) Today, on a global stage, the technical brilliance of her playing remains unrivaled. Even with blisteringly fast tempi and thorny rhythmic figurations, it is her incredible footwork with the bass pedals – the Dennerlein “trademark” – that provides a sensational crowning touch to her playing. It is not just the bravura of her interpretation – be it swing, bebop, blues, funk, soul, Latin, ballads, or tricky rhythms (she loves uneven time signatures) that causes Barbara Dennerlein to stand out in such a fascinating way. CHANGE OF PACE which documents her advance into an entirely new area of music. This remarkable project, bringing together an organ-jazz trio with a philharmonic orchestra, represents a musical first, and the development, in terms of aesthetics, ...
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