| | Anacondas Snakin' All Over CD - Import Anacondas Discography of CDs
Spicy surfband from Amsterdam with a taste for ballroom blitz and psychedelic bizarre. The Anacondas receive enthusisatic response from the crowds they play and no wonder; guitarhero Johhny Torpedo mixes lead and rhythm into an original reverberato blend while cruising a dense grooving beat. Weird and sometimes threatening sounds are boiled up with the aid of several extra -terrestrial devices such as an obscure monosynth. This is their second album for Sonic Rendezvous label. Anacondas Snakin' All Over Songs | 1. | Red Baron On Patrol Again |
| 2. | King Of The Surf |
| 3. | Kalahari |
| 4. | Girl From Da Bang Cheng |
| 5. | Padrino |
| 6. | Tucson |
| 7. | Mysterion |
| 8. | Disciples Of Tonka |
| 9. | Vasonic |
| 10. | Puss Wagon |
| 11. | Inspector Souvlaki |
| 12. | Ripdeal At Zanderij |
| 13. | Theme For A Crispy Duck |
| 14. | Moonprobe / Lost In Space |
| 15. | Nino (Bonus Track) |
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Snakin' All Over Review
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Most people don't think of Rolling Stones' guitarist Ronnie Wood as a solo artist. His career in pop music has been a long one and is entering its fifth decade. Like his former Faces' bandmate Rod Stewart, Wood has always been a supreme collaborator, even on his own projects. Finally, Virgin Records has issued Ronnie Wood Anthology: The Essential Crossexion, a double-disc of Wood's recordings as both a solo artist and as a member of bands like the Creation and the Birds (the U.K. group, not the California one), as bassist for the Jeff Beck Group, lead guitarist with the Faces, on Rod Stewart's early solo records, and, of course, with the Rolling Stones. For the most part, the compilers at Virgin have done an excellent job here. Wood fans could argue over track selections forever, but what you get is a single-disc overview of his solo albums, and another single-disc overview of his work with the aforementioned bands.
Wood's first solo outing, I've Got My Own Album to Do, was released in 1974 and it was a shade of things to come, as the first two cuts here "I Can Feel the Fire" and "Cancel Everything" show him working with Mick Jagger and Keith Richards respectively. The former cut also features David Bowie on backing vocals, but it's "Cancel Everything" that offers the real magic: just listen to the guitar interplay between Richards and Wood. Also on the first disc is a live version of "Seven More Days," written by Bob Dylan and recorded at Dylan's 30th Anniversary Concert Celebration, where Wood was backed by Booker T. & the MG's. Other standouts include his read of George Harrison's "Far East Man," Bobby Womack's "If You Don't Want My Love," and the funky Brit-soul of "Fountain of Love," with horns and Anita Pointer on the backing vocals. The ballads "Always Wanted More" and "Breathe on Me" showcase two sides of Wood's sensitivity. But it's the funkiness of "Somebody Else Might" (with Bernard Fowler) immediately preceding the rowdy rocker "Josephine" that offers a wonderfully and wildly contrasting sonic picture of Wood's range. There is an unreleased track here as well called "You Strum and I'll Sing" with Rod Stewart and Kelly Jones.
Disc two is fascinating more for the cuts from the Birds and the Creation than for the better-known, later material. It's raw and yet derivative of a lot of stuff out at the time. Wood admits that "You're on My Mind," the first song he ever wrote, was inspired by the Yardbirds (no kidding). and recorded with the Birds (who have two singles' worth of material here) -- the tune is no great shakes but it's pretty wondrous for its adventurousness within the 45 rpm format of the era. "How Can It Be" has tons of guitar, drum, and even harmonica effects. In his liner notes, Wood comments on the more psychedelic Creation material by simply saying: "Hovering on the verge of something good." OK. But the two Creation cuts here are really a mess, as though nobody knew what to ...
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