| | G Unit Radio Part 10 / Hosted By 2050 before Massacre CD G Unit Radio Part 10 / Hosted By Discography of CDs
50 Cent / DJ Whoo Kid
G Unit Radio 10: 2050 Before The Massacre CD 2050 before Massacre Music G Unit Radio Part 10 / Hosted By 2050 before Massacre Songs | 1. | Valentines Day Massacre Intro |
| 2. | Candy Shop |
| 3. | Im An Animal |
| 4. | Interlude |
| 5. | Gotta Get Mine |
| 6. | Interlude |
| 7. | Put A Hole In Yo Back |
| 8. | Pray For Your Downfall |
| 9. | Take Ya Back |
| 10. | Bitch What You Know About |
| 11. | It I What It Is |
| 12. | Get Ya Boy |
| 13. | London Bitch |
| 14. | Queens Pimp |
| 15. | Sandbox Interlude |
| 16. | We Gon' Hit Yo Ass Up |
| 17. | Im Runnin' |
| 18. | When You Hear That |
| 19. | DJ Whoo Kid Outro |
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2050 before Massacre Review
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Purchase 2050 before Massacre CD To buy, Click on price to add to cart | DJ Whoo Kid G Unit Radio Vol.6: Motion Picture SH*T CD (2007)
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| | Louie Bellson Salute CDs (1995)
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This two-CD set has its interesting moments. Drummer Louie Bellson and his quintet (which also includes trumpeter Bobby Shew, George Young on tenor, pianist Willie Pickens and bassist Keter Betts) perform seven selections including Horace Silver's "Blowin' the Blues Away," George Young's "For Diz" and "When You Wish Upon a Star." The second CD has a 27-minute ...
| | Voyager Series: Tahiti Sunset CD (2001)
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| | John Vanderslice Life And Death Of An American Fourtracker CD (2002)
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With three records in just two years, John Vanderslice is already proving himself to be a prolific songwriter who can put together an admirable concept record. Like Time Travel Is Lonely, The Life and Death of an American Fourtracker tells a story of solitude and, ultimately, the downfall of its protagonist. A boy obsessed with producing home recordings may not sound as sad as someone stuck in Antarctica without communication, but through Vanderslice's lyrics and wonderful arrangements, a powerful misfortune emerges. With help once again from indie rock friends such as Spoon, Death Cab for Cutie, and Beulah, he shows a developing interest in peculiar sounds as well as chamber pop, most notably on "The Mansion," which blossoms into a jubilant chorus. The examination of a recording device in "Me and My 424" establishes a sense that this genuine tale isn't too far from being autobiographical. And given Vanderslice's number of hours spent in his Tiny Telephone studio, it wouldn't be a surprise. ~ Kenyon Hopkin
Recorded at Tiny Telephone Studio, San Franciso, California between January and December 2001.
Personnel: Ben Gibbard (guitar, background vocals); Ben Barnett (guitar); Tony Cross (violin); Zoe Keating ...
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| | Power House Selector's Choice: George Phang Vol. 2 CDs (2008) Remastered
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This is the second in a four-volume series of two-disc sets documenting the exemplary work of the frequently overlooked producer George Phang, who helped to usher in the dancehall sound in the late 1970s and early '80s. Working with a relatively small stable of singers and toasters and an even more limited cast of session players (generally centered on the bass/drum duos of Sly Dunbarand Robbie Shakespeare or Clevie Browne and Steely Johnson), Phang made his name by turning loose young talent like Peter Metro, Half Pint, and Charlie Chaplin on updated versions of roots reggae and rocksteady rhythms from the old days. Power House Selectors Choice, Vol. 2 is the strongest set in the series, featuring stellar material from dancehall dons Frankie Paul (singing sweetly over a dubwise mix of the "Heavenless" rhythm), Pinchers (on a fine update of the "First Cut Is the Deepest" rhythm titled "Don't Distress"), and Half Pint (represented here by his classic hit "Level the Vibes"). There are clunkers, as always, and as usual they tend to be provided by Little John -- a singjay who would later mature into a fine talent but who, during this period, seemed almost completely incapable of singing in tune. But the clunkers are few and the clustering of these tracks into rhythm-specific sections is both academically interesting and musically satisfying; seeing how each of these artists managed to make an instrumental track his own will give any reggae fan new appreciation for the level of artistry that characterized this fertile period in the music's history. ~ Rick Anderson
Audio Remasterer: Paul Shields.
Recording information: Channell ...
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