| | Gene Pitney Complete Duets 1965 CD - Import Gene Pitney Discography of CDs
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Our Price: $13.15  CDFor Sale Usually ships in 1-2 days
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Coupling of two of the greats from Pop & Country, the Complete duet recordings. 17 Classic tracks features I've Got Five Dollars And It's Saturday Night, I'm A Fool To Care, My Shoes Keep Walking Back To You and many more. Complete Duets 1965 Music Gene Pitney Complete Duets 1965 Songs | 1. | I've Got Five Dollars And It's Saturday Night |
| 2. | I'm A Fool To Care |
| 3. | My Shoes Keep Walking Back To You |
| 4. | Sweeter Than The Flower |
| 5. | One Has My Name |
| 6. | I've Got A New Heartache |
| 7. | Don't Rob Another's Man's Castle |
| 8. | Wreck On The Nighway |
| 9. | Mocking Bird Hill |
| 10. | As Long As I Live |
| 11. | Y'all Come |
| 12. | Someday You'll Want Me To Want You |
| 13. | Big Job |
| 14. | Your Old Standby |
| 15. | Why Baby Why |
| 16. | That's All It Took |
| 17. | Louisiana Man |
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Complete Duets 1965 Review
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The folk trio Sons of the Never Wrong revel in their vocal interplay, Bruce Roper, Deborah Lader, and Sue Demel soaring and swooping around each other, repeating lines, harmonizing, and adding interesting musical tags to their melodies. The music they conjure is folk-plus: acoustic guitar-based tunes with lots of added elements, especially isolated strings and percussion that mirror the vocals' attractive mixing. The result is ear candy that has only one major flaw, but it's a big one. In folk music, lyrics matter, and Roper, who wrote eight of the 13 songs here, is a pretentious and obscure lyricist who tends to follow metaphors into absurdity rather than tying them to any meaning. He name-drops to no purpose -- Janis Ian gets her name misspelled in the lyric sheet and "Jonah" and Peter, Paul and Mary turn up in "Teva," though the way these names are used suggests Roper just liked the sound of them -- and he is not above misusing or creating words when he can't get his lines to work out otherwise. In "One Simple Question," the word "lance" is changed nonsensically into "lancer" for the sake of a rhyme, while "Hallelujah for the Getaway" coins "disorté" apparently because Roper couldn't fit in the word "dissertation." This kind of bad writing might be less noticeable if Deborah Lader's two songs didn't mark her as such a superior writer. "My Last Boyfriend," a touching account of an encounter with an old flame, is by far the album's best song, and "Magnetic Poetry" is sweet. Even Sue Demel outdistances the group's main writer with her religious "Home Hymn." Sons of the Never Wrong would be wise to make more extensive use of its distaff songwriters on subsequent releases unless Roper can learn to rein in his self-involved, willfully obscure verbosity. ~ William Ruhlmann
Gadfly Records is proud to announce the release of "One if by Hand," the third CD from quirky nouveau-folksters Sons of the Never Wrong. Building on the foundation built with their first two releases, "One if by Hand" is the polished gem likely to push the Chicago trio onto a new level of the acoustic music world. Blending the best vocal elements of groups like the Mamas and the Papas and the Roches with a lyrical sophistication of Talking Heads, "the Sons" (Bruce Roper, Sue Demel, and Deborah Lader) are lively performers who hit their intricate harmonies as well on stage as in the studio. Based out of Chicago, they have already solidified a strong fanbase in their hometown, and they are poised, with this new release, ...
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A Flock of Seagulls retooled a bit for their third album, The Story of a Young Heart, as Steve Lovell stepped into the producer's role and the band eased up on its heavily synthesized approach for more of a Europop feel. "The More You Live, the More You Love" is as good as anything they've done and gave the band one final chart hit. Otherwise, the best stuff is near the end and sounds most reminiscent of their debut. "Over My Head" and "Heart of Steel" bound along despite sounding thin, and they almost recapture their hyperkinetic glory with "Remember David." ~ Tom Demalon
Faced with declining sales and a sound that was already becoming considered passé, A Flock of Seagulls retooled a bit for their third album, The Story of a Young Heart. Steve Lovell stepped into the producer's ...
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