| | Engelbert Humperdinck Greatest Hits & More CD - Import Engelbert Humperdinck Discography of CDs
As compilations go, Universal's two-CD Greatest Hits and More might be the best sampling of Engelbert Humperdinck's work that has yet appeared. All of his best-loved hits are here (including "Release Me," "Les Bicyclettes de Belsize," "Quando Quando Quando," and "There Goes My Everything"), but there are also a few extra tidbits that should keep even longtime fans happy with the program -- most notably, four brand new songs. "Can't You See," a Humperdinck original, appears here for the first time, as well as "Totally Amazing," which he co-wrote with the help of his daughter and son-in-law. Also appearing for the first time on record is the touching ballad "Columns of Grey" (which features New Zealand's Christchurch Choir) and another new song, "Jerusalem," making this collection a little more desirable to fans who, no doubt, already have much of Engelbert's "hits" material. ~ J. Scott McClintock
2007 two CD compilation that rounds up Engelbert's greatest hits and finest musical moments to date. The dapper and debonair Englishman burst upon the scene with a three-and-a-half octave vocal range and, with the help of Tom Jones' manager, became an international sensation. Best known as a balladeer who can easily make the women swoon, Engelbert has tackled several different styles and languages over the decades, expanding his fanbase with each new release. This double disc collection features 36 tracks including 'Release Me (And Let Me Love Again)', 'There Goes My Everything', 'Man Without Love' and many more. Greatest Hits & More Music Greatest Hits & More Review
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Buy Greatest Hits & More CD Purchase Greatest Hits & More CD To buy, Click on price to add to cart | Platters Singles + CD (2003) (Import) Netherlands
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| | Julie London Julie At Home/Around Midnight CD (2001) (Import) United Kingdom
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This remastering combines two albums from 1950s jazz and pop stylist Julie London, JULIE AT HOME and AROUND MIDNIGHT, for 24 songs highlighted by "Lonesome Road," "Let There Be Love," and "Party's Over"
Julie London released nearly 25 albums for the successful label Liberty ...
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The World On Higher Downs is a four-piece group whose key members consist of Nathaniel Ritter, Troy Schafer, Eric Bray and Vincent Wachowiak, who all reside in different parts of Wisconsin. What started out as a loose idea based upon multiple collaborations, eventually blossomed into what is now known as Land Patterns, their debut CD on Tokyo-based label Plop. The World On Higher Downs was birthed out of Troy Schafer and Nathaniel Ritter's bedroom recording sessions that began in late spring of 2005, which mostly consisted of keyboards, heavily effected electric guitar, and violin. After a few months of steady writing and recording, Vince Wachowiak was brought in to help add a few parts to the beginning sketches. Soon after, Eric Bray was sent the base tracks to which he added electronics and fleshed out the tracks with his production abilities (showcased in his other recording projects Arctic Hospital, Agend, and Talve). Eric sent back his developments and more instrumentation was added, including xylophone, vibraphone, horns, and orchestral drums. The songs were sent back in the mail to Eric, where he mixed down the tracks and gave them a cohesive sound. Clichés in record-making were avoided, such as playing acoustic guitar over a sampled electronic drum beat -- instead, the group made their sounds more smooth, more layered, staying away from digital cut-ups and trickery. Influences by shoegaze acts such as Slowdive, or other groups like Labradford are noticeable in the tracks, although their fresh songs make it hard to distinguish whether it's rock or dance music that gives the album originality and the comfort of analog warmth and digital coolness at the same time. Land Patterns sits somewhere between the murky depths of seasonal depression, cabin ...
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Simon\'s experiments with composition began at age 7 when a bright orange guitar with only a top and bottom string, and cellotape holding the back together, was brought into the house by his father.The other strings eventually took their place on the guitar, and he was up and running trying to get the hang of an F chord and wondering why Em sounded so much better than all the other chords.After playing with various school bands there followed ...
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