| | Brahms: Die Schöne Magelone CD Mow, Paul CDS
A rarely performed or recorded masterpiece by Brahms (1833-1897), this song cycle is best known by the recording and performances of the great legendary German baritone Dietrich Fischer-Dieskau. Now the brilliant award winning young American ...... Brahms: Die Schöne Magelone Music | List Price | $15.98 (You save $1.29) | | Label | Lyrichord Classical | | Orig Year | 4/17/2007 | | All Time Sales Rank |  63637  | | CD Universe Part number | 7386173 | | Discs | 1 | | Release Date | Apr 17, 2007 | | Recording Time | 55 minutes |
Brahms: Die Schöne Magelone Review
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Music composed by Richard Rodgers. Lyrics written by Oscar Hammerstein.
Digitally remastered using 20-bit technology by Darcy M. Proper and Dawn Frank.
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This CD simply is superb. The art of the double bass has been developed in avant-garde territory by the likes of Peter Kowald, Mark Dresser, and Dominic Duval. All three showed how wide the huge instrument's palette of sounds and emotions was. Klaus Janek tapped right into this legacy to deliver a moving solo album, Caspar. He bows, plucks, scratches, elongates notes into drones, feverishly plays until you don't know what instrument he plays on anymore, and occasionally uses his voice to add an extra human touch (a technique Kowald pioneered). The eight pieces were recorded over a four-year span, with the bulk of the music coming from a three-day session in July 1997. The CD finally came out in 2001. The first two parts expose different extended techniques well integrated in the course of short improvisations. "Part III" introduces the voice over a jazzy melody that gradually gets out of control. The longer "Part IV" comes back to atonality and noise-based performance, while featuring a level of passion one usually finds only in Joëlle Léandre's recordings. The 13-minute "Part VI" is more thoroughly ...
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Michael Roth is a Los Angeles based composer, musician, sound designer, and pianist whose work encompasses chamber music and music and sound for theatre, film, dance, and music/theatre. He has composed music for over 200 theatre projects and premieres at major theatres throughout America. Recent projects include – on Broadway: BROOKLYN BOY (with Daniel Sullivan and Donald Margulies); off-Broadway: DINNER WITH FRIENDS, PEOPLE BE HEARD, TALKING HEADS, SABINA, SIGHT UNSEEN, and his acclaimed percussion score for THE PERSIANS (also at the Shakespeare Theatre in Washington, DC, 2006). Music/theatre work includes collaborations with Erik Ehn (FIREFLOW, Los Angeles, 2004), Sarah Ruhl (MELANCHOLY PLAY, Los Angeles, 2005), Mac Wellman (ALLEGORY OF WHITENESS, Humana Festival, 2001), Culture Clash (THE BIRDS, Los Angeles & San Francisco, 1998), and Joy Gregory (PUT YOUR PENCIL DOWN, a musical film for Raw Impressions, 2005). Collaborations with Tom Stoppard include composing the music for the American premieres of his INDIAN INK and THE INVENTION OF LOVE at the American Conservatory Theatre in San Francisco. As an artist in residence, his work has been heard in over 45 productions at South Coast Repertory and over 35 at La Jolla Playhouse, including Lee Blessing's A WALK IN THE WOODS (also on Broadway), GOING TO ST. IVES (also off-Broadway), THE SCOTTISH PLAY, and A BODY OF WATER. Film work includes the independent film HOLY DAYS, Lane Nishikawa’s WHEN WE WERE WARRIORS, Des McAnuff's BAD DATES, Pierre LaPointe's TAKEN, and Matthew Wilder’s upcoming YOUR NAME HERE. His collaborations with Randy Newman, as a music director, orchestrator, and editor, include THE EDUCATION OF RANDY NEWMAN, FAUST, and editing three definitive Anthology songbooks for Alfred Music Publishing. Works-in-progress include a new opera with Nell Benjamin and a new music/theatre collaboration with Joy Gregory and Alice Ripley.The CD of Michael Roth's acclaimed experimental chamber opera THEIR THOUGHT AND BACK AGAIN was released independently in 1998:A COMPOSER CUTS UP - ABOUT THEIR THOUGHT AND BACK AGAIN – Stephen Nunns/American Theatre Magazine Michael Roth's THEIR THOUGHT AND BACK AGAIN is an unapologetically eclectic “opera†that conveys wildly disparate elements, from contemporary pop to Anglican hymnals to Erik Satie. In an everything-but-the-kitchen-sink manner, Roth has created a song cycle that is fresh, ironic, and completely American.Roth, who has been the resident composer at La Jolla Playhouse since 1983 and is currently a resident artist at South Coast Repertory, is California's busiest theatrical composer and sound designer. ...
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