| | Omar Souleyman Highway To Hassake: Folk & Pop Sounds Of Syria CD Omar Souleyman Discography of CDs
(1 Customer Review)
Run by Alan Bishop, formerly of the Sun City Girls, the Sublime Frequencies label specializes in collections such as this single-artist anthology that emphasize the odd, otherworldly qualities of different types of folk and pop music from around the world. These songs are presented outside of the academic context of most other world music sets, making it a purer and more intriguing artifact.
Composer: Rizan Sa'id.
Personnel: Omar Souleyman (vocals); Ali Shakir, Hamid Souleyman (bouzouki, oud, saz); Rizan Sa'id (keyboards).
Liner Note Author: Mark Gergis.
Author: Omar Souleyman.
Editor: Mark Gergis. Highway To Hassake: Folk & Pop Sounds Of Syria Music Omar Souleyman Highway To Hassake: Folk & Pop Sounds Of Syria Songs | 1. | Leh Jani |
| 2. | Jani |
| 3. | Dabke 2001 |
| 4. | Atabat |
| 5. | Arabic Dabke |
| 6. | Alkhatiba Zaffouha |
| 7. | Jalsat Atabat |
| 8. | Alshikhani |
| 9. | Toul al Zeenah |
| 10. | Bashar Ya Habib al Shaab |
| 11. | Don't Wear Black, Green Suits You Better |
| 12. | Atabat, Pt. 2 |
| 13. | Jani, Pt. 2 |
| Highway To Hassake: Folk & Pop Sounds Of Syria Music Review Average Rating: (4 out of 5 stars)   SOULEYMAN, OMAR: Highway To Hassake This is a compilation of material from Syrian vocalist, Omar Souleyman, who, along with his band of incredibly talented musicians, has released numerous recordings of traditional folk and modern Middle Eastern pop since the mid-90s. Although a true scholar of Middle Eastern music forms would, undoubtedly, break these tracks down into more (sub)categories (and there is more detailed information regarding the various musical styles in the liner notes, which I wont regurgitate here), my laymans ears hear two basic styles. First, there are fantastic tracks which contain traditional Middle Eastern folk. The music on these tracks is very organic sounding, with steady percussion in a relaxed, swaying, desert pace providing the foundation for incredible workouts on acoustic instruments such as the kamancheh (an Arabic fiddle), oud, and saz, and, of course, Souleymans soulful vocals. Second, are the tracks containing modern Middle Eastern pop. These tracks are incredible whirling dervishes of hallucination inducing sound, with convoluted, psychedelic keyboard leads propelled by blazing percussion. Souleymans vocals on these tracks, whether nearly spoken or sung, sound much more bold and urgent, perhaps even confrontational, although I, obviously, do not have any actual knowledge regarding the lyrical content. This is a truly mindblowing release that provides an excellent overview of the music of this amazing artist, the musical traditions of Syria, and is another triumphant public service (and no, I dont give a damn if they might actually make a few dollars on this release - its still a public service to make music like this available to the Western world!) from Sublime Frequencies!
Like I said a few months back, the shrinking of the earth due to the internet, globalization, and so on, certainly has both its pros and cons, but one of the big positives must surely be the fact that we now have access to so many cool sounds that would have been unknown to all but locals and a few hard core musical ethnologists only a few years ago!
Submitted by Sonictroubadour (San Francisco Bay Area) Was This Review Helpful? Yes No
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